UPC · Release
Roy, It Ain’t Over Yet
Erlend Ropstad
Last verified:
7047136660718 is the Universal Product Code (UPC barcode) for the release “Roy, It Ain’t Over Yet” by Erlend Ropstad, released 2010-01-01 on Rec 90. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 11 tracks, each with its own ISRC. Tracks include NOPDA1071010, NOPDA1071020, NOPDA1071030.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (11)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mary’s No Saint | Erlend Ropstad | — | |
| 2 | The Past Is Closing in on Us | Erlend Ropstad | — | |
| 3 | Swept Away | Erlend Ropstad | — | |
| 4 | If I Come Back | Erlend Ropstad | — | |
| 5 | The All-Nighter Song | Erlend Ropstad | — | |
| 6 | Roy, Don’t Do It! | Erlend Ropstad | — | |
| 7 | Don’t Give Up on Me Yet | Erlend Ropstad | — | |
| 8 | Roberta Flack | Erlend Ropstad | — | |
| 9 | Ain’t Nobody’s Business | Erlend Ropstad | — | |
| 10 | I Get It | Erlend Ropstad | — | |
| 11 | One Phone Call | Erlend Ropstad | — |
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Creative Contributors (ISNI)
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People also ask
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What is UPC 7047136660718?
7047136660718 is a Universal Product Code (UPC) assigned to Roy, It Ain’t Over Yet by Erlend Ropstad. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 11 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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