UPC · Release
Toninho Horta no Estúdio Showlivre
Toninho Horta
Last verified:
705464444796 is the Universal Product Code (UPC barcode) for the release “Toninho Horta no Estúdio Showlivre” by Toninho Horta, released 2019-04-19. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 10 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (10)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Vertentes (Ao Vivo) | — | ||
| 2 | Aqui, Oh! (Ao Vivo) | — | ||
| 3 | Pilar (Ao Vivo) | — | ||
| 4 | Bons Amigos (Ao Vivo) | — | ||
| 5 | Francisca (Ao Vivo) | — | ||
| 6 | Oi Lira (Ao Vivo) | — | ||
| 7 | Era Só Começo o Nosso Fim (Ao Vivo) | — | ||
| 8 | Viver de Amor (Ao Vivo) | — | ||
| 9 | Manuel o Audaz (Ao Vivo) | — | ||
| 10 | Beijo Partido (Ao Vivo) | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
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What is UPC 705464444796?
705464444796 is a Universal Product Code (UPC) assigned to Toninho Horta no Estúdio Showlivre by Toninho Horta. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 10 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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