UPC · Album
Very Best of the 70’s, Volume IV
Various Artists
Last verified:
706301052129 is the Universal Product Code (UPC barcode) for the release “Very Best of the 70’s, Volume IV” by Various Artists, released 1995-01-01 on TIS. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include AUAP07800004, AUAPO7800004, BEB017765001.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (45)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Love Is in the Air | John Paul Young | AUAP07800004 |
| Love Is in the Air | John Paul Young | AUAPO7800004 |
| Ça plane pour moi | Plastic Bertrand | BEB017765001 |
| Ça plane pour moi | Plastic Bertrand | BEBO17765001 |
| Fox on the Run | Sweet | DEC767400020 |
| Sugar Me | Lynsey de Paul | DED467200144 |
| Sun of Jamaica | Goombay Dance Band | DEK897900010 |
| Ça plane pour moi | Plastic Bertrand | DKASG9602901 |
| Sun of Jamaica | Goombay Dance Band | DKAZA1401446 |
| Love Is in the Air | John Paul Young | ES5151602346 |
| Knock on Wood | Amii Stewart | GB5KW1499780 |
| Hit Me With Your Rhythm Stick | Ian Dury & the Blockheads | GB5KW2002687 |
| Hit Me With Your Rhythm Stick | Ian Dury & the Blockheads | GBAFR7910095 |
| Help Me Make It Through the Night | John Holt | GBAJE7300248 |
| Knock on Wood (1985 7" remix) | Amii Stewart | GBAJE7800113 |
| Knock on Wood | Amii Stewart | GBAJE7900107 |
| Knock on Wood | Amii Stewart | GBAJE7900269 |
| She’s a Lady | Tom Jones | GBBBA7160333 |
| I Love to Love | Tina Charles | GBBBN7500001 |
| I Love to Love | Tina Charles | GBBBN7600026 |
| Hit Me With Your Rhythm Stick | Ian Dury & the Blockheads | GBBCP9800259 |
| Used ta Be My Girl | The O’Jays | GBBLG7800110 |
| Ain’t No Stoppin’ Us Now | McFadden & Whitehead | GBBLG7900066 |
| Bird Song | Lene Lovich | GBCCG8000001 |
| Dreams Are Ten a Penny | Kincade | GBDJP7200028 |
| Jeans On | David Dundas | GBEHT0400612 |
| Sugar Me | Lynsey de Paul | GBEHT0600022 |
| Jeans On | David Dundas | GBEHT1000115 |
| She’s a Lady | Tom Jones | GBF077121420 |
| Ring My Bell | Anita Ward | GBF077810353 |
| Substitute | Clout | NLB120600001 |
| Spirit in the Sky | Norman Greenbaum | NLG620400918 |
| Ring My Bell | Anita Ward | NLG620467193 |
| Fox on the Run | Sweet | USCA28800173 |
| Love Is in the Air | John Paul Young | USLIC0800127 |
| Ain’t No Stoppin’ Us Now | McFadden & Whitehead | USPH37900062 |
| Spirit in the Sky | Norman Greenbaum | USRC11300535 |
| Spirit in the Sky | Norman Greenbaum | USRE19600416 |
| Ain’t No Stoppin’ Us Now | McFadden & Whitehead | USRHD0709520 |
| Year of Decision | The Three Degrees | USSM17300075 |
| Year of Decision | The Three Degrees | USSM17301444 |
| Ain’t No Stoppin’ Us Now | McFadden & Whitehead | USSM17801365 |
| Used ta Be My Girl | The O’Jays | USSM19912524 |
| Hit Me With Your Rhythm Stick | Ian Dury & the Blockheads | USUG10700664 |
| Spirit in the Sky | Norman Greenbaum | USWD10524718 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
People also ask
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What is UPC 706301052129?
706301052129 is a Universal Product Code (UPC) assigned to Very Best of the 70’s, Volume IV by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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