L'Orfeo Highlights

UPC · Release

L'Orfeo Highlights

Claudio Monteverdi, Capella Antiqua München, Concentus Musicus Wien and 1 more

706301380796

36 tracksReleased 1996-01-01

Last verified: February 15, 2026

706301380796 is the Universal Product Code (UPC barcode) for the release “L'Orfeo Highlights” by Claudio Monteverdi, Capella Antiqua München, Concentus Musicus Wien, Nikolaus Harnoncourt, released 1996-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DEA806804001, DEA806804002, DEA806804008.

Format

7Number system

06301Manufacturer

38079Product

6Check digit

Number system:: Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:: 5-digit code identifying the label or distributor that owns the release.
Product:: 5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:: Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCL'Orfeo Highlights

ISRC36 recordings

ISWC1 work

Track List (36)

	#	Track Title	Artist(s)	ISWC
	1	L’Orfeo: Toccata – Prologo: Ritornello	Concentus Musicus Wien, Nikolaus Harnoncourt	T-702928999-6
	2	L’Orfeo, Prologo: «Dal mio Parnasso» (La Musica)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	3	L’Orfeo, Atto primo: «Rosa del ciel» (Orfeo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	4	L’Orfeo, Atto primo: «Io non dirò qual sia» (Euridice)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	5	L’Orfeo, Atto primo: «Lasciate i monti» (Coro di ninfe e pastori)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	6	L’Orfeo, Atto primo: «Vieni, Imeneo» (Coro di ninfe e pastori)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	7	L’Orfeo, Atto secondo: Ritornello – «Vi ricorda» (Orfeo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	8	L’Orfeo, Atto secondo: «Mira, deh mira» (Pastore II, La messagera)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	9	L’Orfeo, Atto secondo: «Lassa, dunque debb’io» (La messagera)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	10	L’Orfeo, Atto secondo: «Donde vieni?» (Orfeo, La messagera)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	11	L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Pastore II, Pastore III)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	12	L’Orfeo, Atto secondo: «Tu se’ morta» (Orfeo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	13	L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Coro di ninfe e pastori)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	14	L’Orfeo, Atto secondo: «Ma io, che in questa lingua» (La messagera)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	15	L’Orfeo, Atto terzo: Sinfonia (I)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	16	L’Orfeo, Atto terzo: «Scorto da te, mio nume» (Orfeo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	17	L’Orfeo, Atto terzo: «Ecco l’atra palude» (La speranza)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	18	L’Orfeo, Atto terzo: «Dove, ah dove ten’ vai» (Orfeo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	19	L’Orfeo, Atto terzo: «O tu, ch’inanzi morte» (Caronte)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	20	L’Orfeo, Atto terzo: Sinfonia (II)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	21	L’Orfeo, Atto terzo: «Possente spirto» (Orfeo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	22	L’Orfeo, Atto terzo: «Ei dorme, e la mia cetra» (Orfeo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	23	L’Orfeo, Atto terzo: Sinfonia (IV)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	24	L’Orfeo, Atto terzo: «Nulla impresa per uom» (Coro di spiriti)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	25	L’Orfeo, Atto terzo: Sinfonia (V)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	26	L’Orfeo, Atto quarto: «Signor, quell’infelice» (Proserpina)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	27	L’Orfeo, Atto quarto: «Benche severo» (Plutone)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	28	L’Orfeo, Atto quarto: «Quale onor di te fia degno» (Ofreo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	29	L’Orfeo, Atto quarto: «Rott’hai la legge» (Spirito III)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	30	L’Orfeo, Atto quarto: «Ahi, vista troppo dolce» (Euridice)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	31	L’Orfeo, Atto quinto: Ritornello	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	32	L’Orfeo, Atto quinto: «Questi i campi di Tracia» (Orfeo, Eco)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	33	L’Orfeo, Atto quinto: Sinfonia	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	34	L’Orfeo, Atto quinto: «Perche a lo sdegno» (Apollo, Orfeo)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	35	L’Orfeo, Atto quinto: «Vanne Orfeo» (Coro di pastori)	Concentus Musicus Wien, Nikolaus Harnoncourt	—
	36	L’Orfeo, Atto quinto: Moresca	Concentus Musicus Wien, Nikolaus Harnoncourt	—

L’Orfeo: Toccata – Prologo: Ritornello

Concentus Musicus Wien, Nikolaus Harnoncourt

L’Orfeo, Prologo: «Dal mio Parnasso» (La Musica)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto primo: «Rosa del ciel» (Orfeo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto primo: «Io non dirò qual sia» (Euridice)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto primo: «Lasciate i monti» (Coro di ninfe e pastori)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto primo: «Vieni, Imeneo» (Coro di ninfe e pastori)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto secondo: Ritornello – «Vi ricorda» (Orfeo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto secondo: «Mira, deh mira» (Pastore II, La messagera)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto secondo: «Lassa, dunque debb’io» (La messagera)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto secondo: «Donde vieni?» (Orfeo, La messagera)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Pastore II, Pastore III)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto secondo: «Tu se’ morta» (Orfeo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Coro di ninfe e pastori)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto secondo: «Ma io, che in questa lingua» (La messagera)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: Sinfonia (I)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: «Scorto da te, mio nume» (Orfeo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: «Ecco l’atra palude» (La speranza)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: «Dove, ah dove ten’ vai» (Orfeo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: «O tu, ch’inanzi morte» (Caronte)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: Sinfonia (II)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: «Possente spirto» (Orfeo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: «Ei dorme, e la mia cetra» (Orfeo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: Sinfonia (IV)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: «Nulla impresa per uom» (Coro di spiriti)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto terzo: Sinfonia (V)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quarto: «Signor, quell’infelice» (Proserpina)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quarto: «Benche severo» (Plutone)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quarto: «Quale onor di te fia degno» (Ofreo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quarto: «Rott’hai la legge» (Spirito III)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quarto: «Ahi, vista troppo dolce» (Euridice)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quinto: Ritornello

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quinto: «Questi i campi di Tracia» (Orfeo, Eco)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quinto: Sinfonia

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quinto: «Perche a lo sdegno» (Apollo, Orfeo)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quinto: «Vanne Orfeo» (Coro di pastori)

Concentus Musicus Wien, Nikolaus Harnoncourt

—

L’Orfeo, Atto quinto: Moresca

Concentus Musicus Wien, Nikolaus Harnoncourt

—

What other identifiers does this connect to?

Musical Works (ISWC)

Creative Contributors (ISNI)

0000000121008966 0000000123236110

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People also ask

What is UPC 706301380796?

UPC 706301380796 is the Universal Product Code (barcode) for "L'Orfeo Highlights" by Claudio Monteverdi, Capella Antiqua München, Concentus Musicus Wien, Nikolaus Harnoncourt.

What is a UPC code in music?

A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.

How is a UPC different from an ISRC?

A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.

How many tracks are on UPC 706301380796?

UPC 706301380796 contains 36 tracks, each with its own ISRC.

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What is UPC 706301380796?

706301380796 is a Universal Product Code (UPC) assigned to L'Orfeo Highlights by Claudio Monteverdi, Capella Antiqua München, Concentus Musicus Wien, Nikolaus Harnoncourt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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