UPC · Release
Claudio Monteverdi, Capella Antiqua München, Concentus Musicus Wien, Nikolaus Harnoncourt
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The UPC for “L'Orfeo Highlights” by Claudio Monteverdi, Capella Antiqua München, Concentus Musicus Wien, Nikolaus Harnoncourt is 706301380796. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1996-01-01. This release contains 36 tracks, each with its own ISRC. Tracks include DEA806804001, DEA806804002, DEA806804008.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L’Orfeo: Toccata – Prologo: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | T-702.928.999-6 | |
| 2 | L’Orfeo, Prologo: «Dal mio Parnasso» (La Musica) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3 | L’Orfeo, Atto primo: «Rosa del ciel» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 4 | L’Orfeo, Atto primo: «Io non dirò qual sia» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5 | L’Orfeo, Atto primo: «Lasciate i monti» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6 | L’Orfeo, Atto primo: «Vieni, Imeneo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7 | L’Orfeo, Atto secondo: Ritornello – «Vi ricorda» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 8 | L’Orfeo, Atto secondo: «Mira, deh mira» (Pastore II, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 9 | L’Orfeo, Atto secondo: «Lassa, dunque debb’io» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 10 | L’Orfeo, Atto secondo: «Donde vieni?» (Orfeo, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 11 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Pastore II, Pastore III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 12 | L’Orfeo, Atto secondo: «Tu se’ morta» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 14 | L’Orfeo, Atto secondo: «Ma io, che in questa lingua» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 15 | L’Orfeo, Atto terzo: Sinfonia (I) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 16 | L’Orfeo, Atto terzo: «Scorto da te, mio nume» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 17 | L’Orfeo, Atto terzo: «Ecco l’atra palude» (La speranza) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 18 | L’Orfeo, Atto terzo: «Dove, ah dove ten’ vai» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 19 | L’Orfeo, Atto terzo: «O tu, ch’inanzi morte» (Caronte) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 20 | L’Orfeo, Atto terzo: Sinfonia (II) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 21 | L’Orfeo, Atto terzo: «Possente spirto» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 22 | L’Orfeo, Atto terzo: «Ei dorme, e la mia cetra» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 23 | L’Orfeo, Atto terzo: Sinfonia (IV) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 24 | L’Orfeo, Atto terzo: «Nulla impresa per uom» (Coro di spiriti) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 25 | L’Orfeo, Atto terzo: Sinfonia (V) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26 | L’Orfeo, Atto quarto: «Signor, quell’infelice» (Proserpina) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 27 | L’Orfeo, Atto quarto: «Benche severo» (Plutone) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 28 | L’Orfeo, Atto quarto: «Quale onor di te fia degno» (Ofreo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29 | L’Orfeo, Atto quarto: «Rott’hai la legge» (Spirito III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 30 | L’Orfeo, Atto quarto: «Ahi, vista troppo dolce» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 31 | L’Orfeo, Atto quinto: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 32 | L’Orfeo, Atto quinto: «Questi i campi di Tracia» (Orfeo, Eco) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 33 | L’Orfeo, Atto quinto: Sinfonia | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 34 | L’Orfeo, Atto quinto: «Perche a lo sdegno» (Apollo, Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 35 | L’Orfeo, Atto quinto: «Vanne Orfeo» (Coro di pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 36 | L’Orfeo, Atto quinto: Moresca | Concentus Musicus Wien, Nikolaus Harnoncourt | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
706301380796 is a Universal Product Code (UPC) assigned to L'Orfeo Highlights by Claudio Monteverdi, Capella Antiqua München, Concentus Musicus Wien, Nikolaus Harnoncourt. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “L'Orfeo Highlights” by Claudio Monteverdi, Capella Antiqua München, Concentus Musicus Wien, Nikolaus Harnoncourt is 706301380796. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1996-01-01. This release contains 36 tracks, each with its own ISRC. Tracks include DEA806804001, DEA806804002, DEA806804008.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | L’Orfeo: Toccata – Prologo: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | T-702.928.999-6 | |
| 2 | L’Orfeo, Prologo: «Dal mio Parnasso» (La Musica) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3 | L’Orfeo, Atto primo: «Rosa del ciel» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 4 | L’Orfeo, Atto primo: «Io non dirò qual sia» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 5 | L’Orfeo, Atto primo: «Lasciate i monti» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 6 | L’Orfeo, Atto primo: «Vieni, Imeneo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 7 | L’Orfeo, Atto secondo: Ritornello – «Vi ricorda» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 8 | L’Orfeo, Atto secondo: «Mira, deh mira» (Pastore II, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 9 | L’Orfeo, Atto secondo: «Lassa, dunque debb’io» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 10 | L’Orfeo, Atto secondo: «Donde vieni?» (Orfeo, La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 11 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Pastore II, Pastore III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 12 | L’Orfeo, Atto secondo: «Tu se’ morta» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 13 | L’Orfeo, Atto secondo: «Ahi, caso acerbo» (Coro di ninfe e pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 14 | L’Orfeo, Atto secondo: «Ma io, che in questa lingua» (La messagera) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 15 | L’Orfeo, Atto terzo: Sinfonia (I) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 16 | L’Orfeo, Atto terzo: «Scorto da te, mio nume» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 17 | L’Orfeo, Atto terzo: «Ecco l’atra palude» (La speranza) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 18 | L’Orfeo, Atto terzo: «Dove, ah dove ten’ vai» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 19 | L’Orfeo, Atto terzo: «O tu, ch’inanzi morte» (Caronte) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 20 | L’Orfeo, Atto terzo: Sinfonia (II) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 21 | L’Orfeo, Atto terzo: «Possente spirto» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 22 | L’Orfeo, Atto terzo: «Ei dorme, e la mia cetra» (Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 23 | L’Orfeo, Atto terzo: Sinfonia (IV) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 24 | L’Orfeo, Atto terzo: «Nulla impresa per uom» (Coro di spiriti) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 25 | L’Orfeo, Atto terzo: Sinfonia (V) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 26 | L’Orfeo, Atto quarto: «Signor, quell’infelice» (Proserpina) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 27 | L’Orfeo, Atto quarto: «Benche severo» (Plutone) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 28 | L’Orfeo, Atto quarto: «Quale onor di te fia degno» (Ofreo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 29 | L’Orfeo, Atto quarto: «Rott’hai la legge» (Spirito III) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 30 | L’Orfeo, Atto quarto: «Ahi, vista troppo dolce» (Euridice) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 31 | L’Orfeo, Atto quinto: Ritornello | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 32 | L’Orfeo, Atto quinto: «Questi i campi di Tracia» (Orfeo, Eco) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 33 | L’Orfeo, Atto quinto: Sinfonia | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 34 | L’Orfeo, Atto quinto: «Perche a lo sdegno» (Apollo, Orfeo) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 35 | L’Orfeo, Atto quinto: «Vanne Orfeo» (Coro di pastori) | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 36 | L’Orfeo, Atto quinto: Moresca | Concentus Musicus Wien, Nikolaus Harnoncourt | — |
