UPC · Release
Starmania
Michel Berger, Luc Plamondon
Last verified:
706301606827 is the Universal Product Code (UPC barcode) for the release “Starmania” by Michel Berger, Luc Plamondon, released 1996-01-01 on WEA Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 33 tracks, each with its own ISRC. Tracks include FRZ041300300, FRZ041300301, FRZ041300302.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (33)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Quand on arrive en ville | Daniel Balavoine, Nanette Workman | T-901.136.716-1 | |
| 3 | La Complainte de la serveuse automate | Fabienne Thibeault | T-901.136.719-4 | |
| 4 | Le Blues du businessman | Claude Dubois | T-901.136.726-3 | |
| 5 | Monopolis (Dans les villes de l’an 2000) | France Gall | T-901.136.727-4 | |
| 6 | Un garçon pas comme les autres | Fabienne Thibeault | T-901.136.714-9 | |
| 7 | La Chanson de Ziggy | Éric Éstève | T-901.136.735-4 | |
| 8 | Travesti | Nanette Workman | T-901.136.722-9 | |
| 9 | Banlieue nord | Daniel Balavoine | T-901.136.721-8 | |
| 10 | Petite Musique terrienne | Fabienne Thibeault, Daniel Balavoine | T-901.136.768-3 | |
| 11 | Ce soir on danse à Naziland | Nanette Workman | T-901.136.733-2 | |
| 12 | Les Adieux d’un sex symbol | Diane Dufresne | T-901.136.737-6 | |
| 13 | Ego Trip | Éric Éstève | T-901.136.712-7 | |
| 14 | Les Uns contre les autres | Claude Dubois, Fabienne Thibeault | T-901.136.728-5 | |
| 15 | Quand on n’a plus rien à perdre | Daniel Balavoine, France Gall | T-901.136.730-9 | |
| 16 | Le monde est stone | Fabienne Thibeault | T-901.136.718-3 | |
| 18 | S.O.S. d’un terrien en détresse | Daniel Balavoine | T-901.136.806-2 | |
| 19 | Le Rêve de Stella Spotlight | Diane Dufresne | T-901.136.767-2 | |
| 20 | Besoin d’amour | France Gall | T-901.136.787-6 | |
| 2-1 | Quand on arrive en ville (instrumental) | — | ||
| 2-2 | Complainte de la serveuse automate (instrumental) | — | ||
| 2-3 | Le Blues du businessman (instrumental) | — | ||
| 2-4 | Monopolis (instrumental) | — | ||
| 2-5 | Un garcon pas comme les autres (instrumental) | — | ||
| 2-6 | La Chanson de Ziggy (instrumental) | — | ||
| 2-7 | Travesti (instrumental) | — | ||
| 2-8 | Banlieue nord (instrumental) | — | ||
| 2-9 | Ce soir on danse à Naziland (instrumental) | — | ||
| 2-10 | Ego Trip (instrumental) | — | ||
| 2-11 | Les Uns contre les autres (instrumental) | — | ||
| 2-12 | Quand on n’a plus rien a perdre (instrumental) | — | ||
| 2-13 | Le monde est stone (instrumental) | — | ||
| 2-14 | Petite Musique terrienne / S.O.S. d’un terrien en détresse (instrumental) | — | ||
| 2-15 | Besoin d’amour (instrumental) | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Petite Musique terrienne | Daniel Balavoine | T-901.136.768-3 |
| Ouverture | Michel Berger | T-702.819.800-9 |
| Les Adieux d’un sex-symbol | Diane Dufresne | T-901.136.737-6 |
| Ouverture | Michel Berger | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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What is UPC 706301606827?
706301606827 is a Universal Product Code (UPC) assigned to Starmania by Michel Berger, Luc Plamondon. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 33 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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