UPC · Album

Vivaldi, il furioso!

Antonio Vivaldi

709861304325
26 tracksReleased 2006-01-01Naïve

Last verified:

709861304325 is the Universal Product Code (UPC barcode) for the release Vivaldi, il furioso! by Antonio Vivaldi, released 2006-01-01 on Naïve. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include FR2X41725949, FRX260500251, FRX260500320.

Format

7Number system
09861Manufacturer
30432Product
5Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCVivaldi, il furioso!
ISRC29 recordings
ISWC4 works

Track List (29)

Mottetto, RV 626 “In furore iustissimae irae”: Aria: In furore iustissimae – Allegro
Sandrine Piau, Accademia Bizantina, Ottavio Dantone
Sinfonia per archi e cembalo in Sol maggiore, RV 146: I. Allegro
Accademia Bizantina, Ottavio Dantone
Tito Manlio, RV 738-A: Atto I, Scena III. Aria "Se el cor guerriero" (Tito)
Nicola Ulivieri, Accademia Bizantina, Ottavio Dantone
Tito Manlio, RV 738-A: Atto II, Scena VII. Aria "Rabbia che accendesi" (Lindo)
Christian Senn, Accademia Bizantina, Ottavio Dantone
Juditha triumphans, RV 644: Pars I. Aria “Arma, caedes, vindictae, furores” (Chorus)
Coro dell’Accademia Nazionale di Santa Cecilia, Academia Montis Regalis, Alessandro De Marchi
Juditha triumphans, RV 644: Pars II. Aria “In somno profundo” (Juditha)
Magdalena Kožená, Academia Montis Regalis, Alessandro De Marchi
Juditha triumphans, RV 644: Pars II. Aria “Armatae face, et anguibus” (Vagaus)
Marina Comparato, Academia Montis Regalis, Alessandro De Marchi
Concerto, RV 577 in Sol minore: [Allegro]
Gottfried von der Goltz, Freiburger Barockorchester
L’Olimpiade, RV 725: Atto primo, Scena 6: Aria di Aristea: « È troppo spietato il barbaro fato » (Presto)
Sonia Prina, Concerto Italiano, Rinaldo Alessandrini
L’Olimpiade, RV 725: Atto secondo, Scena 15: Aria di Licida: «Gemo in un punto e fremo » (Allegro)
Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini
La verità in cimento, RV 739: Sinfonia Allegro
Ensemble Matheus, Jean-Christophe Spinosi
La verità in cimento, RV 739: Atto primo, Scena 8: Aria “Se l'acquisto di quel Soglio” [Damira]
Nathalie Stutzmann, Ensemble Matheus, Jean-Christophe Spinosi
Sonata a 2 per flauto diritto, fagotto e continuo in la minore, RV 86: II. Allegro
L'Astrée
Concerto in G minor, RV 156: I. Allegro
Concerto Italiano, Rinaldo Alessandrini
Concerto, RV 481 in re minore per fagotto, archi e basso continuo: 1. Allegro
Sergio Azzolini, Sonatori de la Gioiosa Marca
Sinfonia (Concerto in Do maggiore per archi e cembalo, RV 112): Allegro
Academia Montis Regalis, Alessandro De Marchi
Orlando finto pazzo, RV 727: Act III Scene 6: Aria: Lo stridor, l'orror (Ersilla)
Gemma Bertagnolli, Academia Montis Regalis, Alessandro De Marchi
Orlando finto pazzo, RV 727: Act III Scene 11: Aria: Anderò, volerò, griderò (Origille)
Sonia Prina, Academia Montis Regalis, Alessandro De Marchi
Orlando Furioso: Act I, Scene V. "Nel profondo" (Orlando)
Marie-Nicole Lemieux, Ensemble Matheus, Jean-Christophe Spinosi
Orlando Furioso: Act III, Scene I. "Dove il valor combatte" (Astolfo)
Lorenzo Regazzo, Ensemble Matheus, Jean-Christophe Spinosi
Orlando Furioso: Act III, Scene VIII. "Come l'onda" (Ruggiero)
Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi
Concerto for Bassoon, Strings & Continuo in A minor, RV 497: Allegro molto
Zefiro, Alfredo Bernardini
Concerto for Oboe, Strings & Continuo in D minor, RV 454: Allegro
Zefiro, Alfredo Bernardini
Sinfonia per archi e cembalo in Sol maggiore, RV 146: I. Allegro
Accademia Bizantina, Ottavio Dantone
Tito Manlio, RV 738-A: Atto I, Scena III. Aria "Se el cor guerriero" (Tito)
Nicola Ulivieri, Accademia Bizantina, Ottavio Dantone
Tito Manlio, RV 738-A: Atto II, Scena VII. Aria "Rabbia che accendesi" (Lindo)
Christian Senn, Accademia Bizantina, Ottavio Dantone
Semiramide, RV 733: Atto III, Scena 2: Aria: Con la face di Megera (Nino) (versione per basso)
Lorenzo Regazzo, Concerto Italiano, Rinaldo Alessandrini
Concerto, RV 208 “Grosso mogul” in re maggiore: Grave recitativo
Enrico Onofri, Academia Montis Regalis
Mottetto, RV 626 “In furore iustissimae irae”: Aria: In furore iustissimae – Allegro
Sandrine Piau, Accademia Bizantina, Ottavio Dantone

Identifier Graph

UPCVivaldi, il fur…ISRCMottetto, RV 62…ISRCSinfonia per ar…ISRCTito Manlio, RV…ISRCTito Manlio, RV…ISRCJuditha triumph…

People also ask

What is UPC 709861304325?
UPC 709861304325 is the Universal Product Code (barcode) for "Vivaldi, il furioso!" by Antonio Vivaldi, released on Naïve.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 709861304325?
UPC 709861304325 contains 26 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 709861304325?

709861304325 is a Universal Product Code (UPC) assigned to Vivaldi, il furioso! by Antonio Vivaldi. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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