UPC · Release
The Martin Best Consort
Last verified:
The UPC for “A Mediaeval Banquet: Music from the Age of Chivalry” by The Martin Best Consort is 710357175329. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. This release contains 117 tracks, each with its own ISRC. Tracks include GBAJU9400448, GBAJU9400449, GBAJU9400450.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ne L'Oserary-Je / Voulez-Vous Que Je | [anonymous] | — | |
| 2 | Dessus la rive | [anonymous] | — | |
| 3 | A chenter m'er | Libby Crabtree, Martin Best, Robin Jeffrey, Lucie Skeaping | — | |
| 4 | Vecy le mai | [anonymous] | — | |
| 5 | Ma charmante cadet | [traditional] | — | |
| 6 | Alleluia Justus | [anonymous] | — | |
| 7 | A l'entrada del tens clar | Libby Crabtree, Caris Lane, Rebecca Outram, Martin Best, Robin Jeffrey, Lucie Skeaping | — | |
| 8 | Li gelos | [anonymous] | — | |
| 9 | Air de cheval-jupon | [traditional] | — | |
| 10 | Lancan li jorn | Martin Best, Lucie Skeaping | T-011.769.637-3 | |
| 11 | Ara lauzatz | [anonymous] | — | |
| 12 | Laude Jocunda | [anonymous] | — | |
| 13 | Pucelete bele - Je languis - Domino | Simon Davies, Natanja Hadda, Kim Porter, Susannah Spicer, Paul Tindell, Matthew Vine | — | |
| 14 | Aucun - Lonc tans - Annuntiantes | Simon Davies, Kim Porter, Paul Tindell, Matthew Vine | — | |
| 15 | Alle Psallite | [anonymous] | — | |
| 16 | Rossignolet du bois | [anonymous] | — | |
| 17 | Rossignolet du bois | [traditional] | — | |
| 18 | Lo Sodard | [traditional] | — | |
| 19 | Epiphaniam Domino | [anonymous] | — | |
| 20 | Reis glorios | Martin Best, David Corkhill, Robin Jeffrey, Lucie Skeaping | — | |
| 2-1 | Estampie | — | ||
| 2-2 | The song of nothing | — | ||
| 2-3 | Coda | — | ||
| 2-4 | En l'anque chevalier | — | ||
| 2-5 | Tant ai amors | — | ||
| 2-6 | Costume est bien | — | ||
| 2-7 | Pax in Nomine Domini | — | ||
| 2-8 | L'amour dont sui espris | — | ||
| 2-9 | Danse Royale | — | ||
| 2-10 | Ce fut en moi | — | ||
| 2-11 | La dousa vota | — | ||
| 2-12 | Chansons de toile | — | ||
| 2-13 | Chevaliers, mully estes guariz | — | ||
| 2-14 | Non sap chantar | — | ||
| 2-15 | A chantar m.er | — | ||
| 2-16 | Li jolitz temps d'estey | — | ||
| 2-17 | Pois tals sabers | — | ||
| 2-18 | Now I can delight in love | — | ||
| 2-19 | E.l mare e.l pare | — | ||
| 3-1 | Santa Maria, Strella Do Dia: Holy Mary, Star Of The Day | — | ||
| 3-2 | Non Sofre Santa Maria: The Lost Steak | — | ||
| 3-3 | Non E Mau Gran Maravilla: The German Gambler | — | ||
| 3-4 | Santa Maria Amar: The Baby Rescue | — | ||
| 3-5 | A Santa Maria Dadas Sejan loores: To Holy Mary Praise Be Given | — | ||
| 3-6 | Quen Boa Dona Querra Loar: He who wishes to praise a good lady | — | ||
| 3-7 | Muit E Mais A Piadade: The Girl Who Ate Spiders | — | ||
| 3-8 | A Virgen, Que Deus Madre Est: A Man Swallows a Rabbit Bone | — | ||
| 3-9 | Virgen, Madre Gloriosa: Glorious Virgin Mother | — | ||
| 3-10 | Porque ben Santa Maria: A Priest Steals an Altar-Cloth | — | ||
| 3-11 | Entre Av'e Eva: Between Ave and Eve | — | ||
| 3-12 | Se OmeFezer De Grado: A Knight's Forgiveness | — | ||
| 3-13 | Fremosos Miragres: A Knight's Hawk | — | ||
| 3-14 | Por Now, Virgen Madre: Implore God for Us, Virgin Mother | — | ||
| 3-15 | Ben Pode Santa Maria: A Dragon-Slaying | — | ||
| 3-16 | O Que En Santa Maria: A Knight Bargains with the Devil | — | ||
| 3-17 | Ay Santa Maria: Musa Goes to Heaven | — | ||
| 3-18 | Santa Maria Loei: Holy Mary Have I Praised | — | ||
| 3-19 | Muito, Foi Noss' Amigo: Gabriel Was Our Friend | — | ||
| 3-20 | Rosa das Rosas: Rose of All Roses | — | ||
| 3-21 | Santa Maria, Strella Do Dia: Holy Mary, Star of the Day | — | ||
| 3-22 | Entre Av'e Eva: Between Ave and Eve | — | ||
| 4-1 | Lamento di Tristan | — | ||
| 4-2 | Leu chansoneta | — | ||
| 4-3 | Ges de disnar | — | ||
| 4-4 | Si.us quer conselh | — | ||
| 4-5 | Chasutz sui | — | ||
| 4-6 | Lo ferm voler ; Chanson do.lh mot | — | ||
| 4-7 | Chanzon do.l moz | — | ||
| 4-8 | Quan vei la lauzeta mover | — | ||
| 4-9 | Trotto | — | ||
| 4-10 | Pois tornaz | — | ||
| 4-11 | Kalenda Maya | — | ||
| 4-12 | Salterello | — | ||
| 4-13 | Gaucelm Faichit (aka Faidit): Non alegra | — | ||
| 4-14 | Nuls om en ren | — | ||
| 4-15 | Ai, Lemozi | — | ||
| 4-16 | Lauda novella | — | ||
| 4-17 | Ben an mort | — | ||
| 4-18 | Istampitta (instrumental) | — | ||
| 5-1 | Si.us quer conselh, bel ami Alamanda | — | ||
| 5-2 | Beata Viscera | — | ||
| 5-3 | Can lo rossinhols e.l folhos | — | ||
| 5-4 | Salterello | — | ||
| 5-5 | O Maria Iesse Virga | — | ||
| 5-6 | Ab joi mou lo vers e.l comens | — | ||
| 5-7 | Danse Royale | — | ||
| 5-8 | Venit dilectus | — | ||
| 5-9 | Can lo rius de la fontana | — | ||
| 5-10 | Ductia | — | ||
| 5-11 | Salterello | — | ||
| 5-12 | Alma redemptoris mater | — | ||
| 5-13 | Paradisi porta | — | ||
| 5-14 | Tant ai mo cor ple de joya | — | ||
| 5-15 | Lamento di Tristan | — | ||
| 5-16 | Rotta | — | ||
| 5-17 | Anima mea liquefacta est | — | ||
| 5-18 | Can par la flors jostal vert folh | — | ||
| 5-19 | Canso melody of Guiraut de Bornelh | — | ||
| 6-1 | The sack of Beziers | — | ||
| 6-2 | Rassa, tan creis | — | ||
| 6-3 | No.m say d'amor | — | ||
| 6-4 | La segonda retroencha | — | ||
| 6-5 | Planh for the Lord of Narbonne | — | ||
| 6-6 | Au temps d'auost | — | ||
| 6-7 | Cantiga | — | ||
| 6-8 | Fid e verays | — | ||
| 6-9 | Maravillosos et piadosos | — | ||
| 6-10 | La Redonda | — | ||
| 6-11 | Mais non faz | — | ||
| 6-12 | La Premieyra retroencha | — | ||
| 6-13 | Jesu Crist | — | ||
| 6-14 | Rossinyol | — | ||
| 6-15 | Los Esclops | — | ||
| 6-16 | Ja mais non er | — | ||
| 6-17 | Vers Be.m clegra (Melody & English text) | — | ||
| 6-18 | from 'La Chanson de la Croisade Albigeoise' | — | ||
| 6-19 | Melody: Si tot me sui a tart apperceubutz | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
710357175329 is a Universal Product Code (UPC) assigned to A Mediaeval Banquet: Music from the Age of Chivalry by The Martin Best Consort. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 117 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “A Mediaeval Banquet: Music from the Age of Chivalry” by The Martin Best Consort is 710357175329. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1999-01-01. This release contains 117 tracks, each with its own ISRC. Tracks include GBAJU9400448, GBAJU9400449, GBAJU9400450.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ne L'Oserary-Je / Voulez-Vous Que Je | [anonymous] | — | |
| 2 | Dessus la rive | [anonymous] | — | |
| 3 | A chenter m'er | Libby Crabtree, Martin Best, Robin Jeffrey, Lucie Skeaping | — | |
| 4 | Vecy le mai | [anonymous] | — | |
| 5 | Ma charmante cadet | [traditional] | — | |
| 6 | Alleluia Justus | [anonymous] | — | |
| 7 | A l'entrada del tens clar | Libby Crabtree, Caris Lane, Rebecca Outram, Martin Best, Robin Jeffrey, Lucie Skeaping | — | |
| 8 | Li gelos | [anonymous] | — | |
| 9 | Air de cheval-jupon | [traditional] | — | |
| 10 | Lancan li jorn | Martin Best, Lucie Skeaping | T-011.769.637-3 | |
| 11 | Ara lauzatz | [anonymous] | — | |
| 12 | Laude Jocunda | [anonymous] | — | |
| 13 | Pucelete bele - Je languis - Domino | Simon Davies, Natanja Hadda, Kim Porter, Susannah Spicer, Paul Tindell, Matthew Vine | — | |
| 14 | Aucun - Lonc tans - Annuntiantes | Simon Davies, Kim Porter, Paul Tindell, Matthew Vine | — | |
| 15 | Alle Psallite | [anonymous] | — | |
| 16 | Rossignolet du bois | [anonymous] | — | |
| 17 | Rossignolet du bois | [traditional] | — | |
| 18 | Lo Sodard | [traditional] | — | |
| 19 | Epiphaniam Domino | [anonymous] | — | |
| 20 | Reis glorios | Martin Best, David Corkhill, Robin Jeffrey, Lucie Skeaping | — | |
| 2-1 | Estampie | — | ||
| 2-2 | The song of nothing | — | ||
| 2-3 | Coda | — | ||
| 2-4 | En l'anque chevalier | — | ||
| 2-5 | Tant ai amors | — | ||
| 2-6 | Costume est bien | — | ||
| 2-7 | Pax in Nomine Domini | — | ||
| 2-8 | L'amour dont sui espris | — | ||
| 2-9 | Danse Royale | — | ||
| 2-10 | Ce fut en moi | — | ||
| 2-11 | La dousa vota | — | ||
| 2-12 | Chansons de toile | — | ||
| 2-13 | Chevaliers, mully estes guariz | — | ||
| 2-14 | Non sap chantar | — | ||
| 2-15 | A chantar m.er | — | ||
| 2-16 | Li jolitz temps d'estey | — | ||
| 2-17 | Pois tals sabers | — | ||
| 2-18 | Now I can delight in love | — | ||
| 2-19 | E.l mare e.l pare | — | ||
| 3-1 | Santa Maria, Strella Do Dia: Holy Mary, Star Of The Day | — | ||
| 3-2 | Non Sofre Santa Maria: The Lost Steak | — | ||
| 3-3 | Non E Mau Gran Maravilla: The German Gambler | — | ||
| 3-4 | Santa Maria Amar: The Baby Rescue | — | ||
| 3-5 | A Santa Maria Dadas Sejan loores: To Holy Mary Praise Be Given | — | ||
| 3-6 | Quen Boa Dona Querra Loar: He who wishes to praise a good lady | — | ||
| 3-7 | Muit E Mais A Piadade: The Girl Who Ate Spiders | — | ||
| 3-8 | A Virgen, Que Deus Madre Est: A Man Swallows a Rabbit Bone | — | ||
| 3-9 | Virgen, Madre Gloriosa: Glorious Virgin Mother | — | ||
| 3-10 | Porque ben Santa Maria: A Priest Steals an Altar-Cloth | — | ||
| 3-11 | Entre Av'e Eva: Between Ave and Eve | — | ||
| 3-12 | Se OmeFezer De Grado: A Knight's Forgiveness | — | ||
| 3-13 | Fremosos Miragres: A Knight's Hawk | — | ||
| 3-14 | Por Now, Virgen Madre: Implore God for Us, Virgin Mother | — | ||
| 3-15 | Ben Pode Santa Maria: A Dragon-Slaying | — | ||
| 3-16 | O Que En Santa Maria: A Knight Bargains with the Devil | — | ||
| 3-17 | Ay Santa Maria: Musa Goes to Heaven | — | ||
| 3-18 | Santa Maria Loei: Holy Mary Have I Praised | — | ||
| 3-19 | Muito, Foi Noss' Amigo: Gabriel Was Our Friend | — | ||
| 3-20 | Rosa das Rosas: Rose of All Roses | — | ||
| 3-21 | Santa Maria, Strella Do Dia: Holy Mary, Star of the Day | — | ||
| 3-22 | Entre Av'e Eva: Between Ave and Eve | — | ||
| 4-1 | Lamento di Tristan | — | ||
| 4-2 | Leu chansoneta | — | ||
| 4-3 | Ges de disnar | — | ||
| 4-4 | Si.us quer conselh | — | ||
| 4-5 | Chasutz sui | — | ||
| 4-6 | Lo ferm voler ; Chanson do.lh mot | — | ||
| 4-7 | Chanzon do.l moz | — | ||
| 4-8 | Quan vei la lauzeta mover | — | ||
| 4-9 | Trotto | — | ||
| 4-10 | Pois tornaz | — | ||
| 4-11 | Kalenda Maya | — | ||
| 4-12 | Salterello | — | ||
| 4-13 | Gaucelm Faichit (aka Faidit): Non alegra | — | ||
| 4-14 | Nuls om en ren | — | ||
| 4-15 | Ai, Lemozi | — | ||
| 4-16 | Lauda novella | — | ||
| 4-17 | Ben an mort | — | ||
| 4-18 | Istampitta (instrumental) | — | ||
| 5-1 | Si.us quer conselh, bel ami Alamanda | — | ||
| 5-2 | Beata Viscera | — | ||
| 5-3 | Can lo rossinhols e.l folhos | — | ||
| 5-4 | Salterello | — | ||
| 5-5 | O Maria Iesse Virga | — | ||
| 5-6 | Ab joi mou lo vers e.l comens | — | ||
| 5-7 | Danse Royale | — | ||
| 5-8 | Venit dilectus | — | ||
| 5-9 | Can lo rius de la fontana | — | ||
| 5-10 | Ductia | — | ||
| 5-11 | Salterello | — | ||
| 5-12 | Alma redemptoris mater | — | ||
| 5-13 | Paradisi porta | — | ||
| 5-14 | Tant ai mo cor ple de joya | — | ||
| 5-15 | Lamento di Tristan | — | ||
| 5-16 | Rotta | — | ||
| 5-17 | Anima mea liquefacta est | — | ||
| 5-18 | Can par la flors jostal vert folh | — | ||
| 5-19 | Canso melody of Guiraut de Bornelh | — | ||
| 6-1 | The sack of Beziers | — | ||
| 6-2 | Rassa, tan creis | — | ||
| 6-3 | No.m say d'amor | — | ||
| 6-4 | La segonda retroencha | — | ||
| 6-5 | Planh for the Lord of Narbonne | — | ||
| 6-6 | Au temps d'auost | — | ||
| 6-7 | Cantiga | — | ||
| 6-8 | Fid e verays | — | ||
| 6-9 | Maravillosos et piadosos | — | ||
| 6-10 | La Redonda | — | ||
| 6-11 | Mais non faz | — | ||
| 6-12 | La Premieyra retroencha | — | ||
| 6-13 | Jesu Crist | — | ||
| 6-14 | Rossinyol | — | ||
| 6-15 | Los Esclops | — | ||
| 6-16 | Ja mais non er | — | ||
| 6-17 | Vers Be.m clegra (Melody & English text) | — | ||
| 6-18 | from 'La Chanson de la Croisade Albigeoise' | — | ||
| 6-19 | Melody: Si tot me sui a tart apperceubutz | — |
