Complete Recorded Works in Chronological Order, Volume 3: 1930

UPC · Release

Complete Recorded Works in Chronological Order, Volume 3: 1930

Memphis Jug Band

714298502329
20 tracksDocument Records (2)

Last verified:

714298502329 is the Universal Product Code (UPC barcode) for the release Complete Recorded Works in Chronological Order, Volume 3: 1930 by Memphis Jug Band on Document Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include AUBD19000425, USRC11700776, USRC11700779.

Format

7Number system
14298Manufacturer
50232Product
9Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCComplete Recorded Works in Chronological Order, Volume 3: 1930
ISRC5 recordings
ISWC1 work
IPI4 songwriters

Track List (20)

Everybody’s Talking About Sadie Green
Everybody’s Talking About Sadie Green
Oh, Ambulance Man
Oh, Ambulance Man
Cocaine Habit Blues
Cocaine Habit Blues
Memphis Jug Band
Jim Strainer Blues
Jim Strainer Blues
Cave Man Blues
Cave Man Blues
Fourth Street Mess Around
Fourth Street Mess Around
Memphis Jug Band
It Won’t Act Right
It Won’t Act Right
Bumble Bee Blues
Bumble Bee Blues
Meningitis Blues
Meningitis Blues
Aunt Caroline Dyer Blues
Aunt Caroline Dyer Blues
Memphis Jug Band
Stonewall Blues
Stonewall Blues
Spider’s Nest Blues
Spider’s Nest Blues
Papa’s Got Your Bath Water On
Papa’s Got Your Bath Water On
Going Back to Memphis
Going Back to Memphis
He’s in the Jail House Now
He’s in the Jail House Now
Memphis Sheiks
Got a Letter From My Darlin’
Got a Letter From My Darlin’
’Round and ’Round
’Round and ’Round
You May Leave but This Will Bring You Back
You May Leave but This Will Bring You Back
Carolina Peanut Boys
Move That Thing
Move That Thing
You Got Me Rollin’
You Got Me Rollin’

Additional database matches (3)

Cocaine Habit Blues
Memphis Jug Band
Cocaine Habit Blues
Memphis Jug Band
He’s in the Jail House Now
Memphis Sheiks

What other identifiers does this connect to?

Musical Works (ISWC)

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 714298502329?
UPC 714298502329 is the Universal Product Code (barcode) for "Complete Recorded Works in Chronological Order, Volume 3: 1930" by Memphis Jug Band, released on Document Records (2).
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 714298502329?
UPC 714298502329 contains 20 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 714298502329?

714298502329 is a Universal Product Code (UPC) assigned to Complete Recorded Works in Chronological Order, Volume 3: 1930 by Memphis Jug Band. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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