Complete Recorded Works in Chronological Order, Volume 10: 26 January to 17 December 1940

UPC · Release

Complete Recorded Works in Chronological Order, Volume 10: 26 January to 17 December 1940

Big Bill Broonzy

714298513226
26 tracksDocument Records (2)

Last verified:

714298513226 is the Universal Product Code (UPC barcode) for the release Complete Recorded Works in Chronological Order, Volume 10: 26 January to 17 December 1940 by Big Bill Broonzy on Document Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC.

Format

7Number system
14298Manufacturer
51322Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCComplete Recorded Works in Chronological Order, Volume 10: 26 January to 17 December 1940
IPI1 songwriter

Track List (26)

Plow Hand Blues
Plow Hand Blues
Jivin' Mr. Fuller Blues
Jivin' Mr. Fuller Blues
Make My Get Away
Make My Get Away
Looking for My Baby
Looking for My Baby
I've Got to Dig You
I've Got to Dig You
Leap Year Blues
Leap Year Blues
When I Had Money
When I Had Money
You Got to Hit the Right Lick
You Got to Hit the Right Lick
What Is That She Got?
What Is That She Got?
Merry Go Round Blues (3039)
Merry Go Round Blues (3039)
Medicine Man Blues
Medicine Man Blues
Looking Up at Down
Looking Up at Down
Midnight Steppers
Midnight Steppers
Lone Wolf Blues
Lone Wolf Blues
Hit the Right Lick
Hit the Right Lick
You Better Cut That Out
You Better Cut That Out
I Wonder What's Wrong With Me
I Wonder What's Wrong With Me
Bed Time Blues
Bed Time Blues
Merry-Go-Round Blues (3309)
Merry-Go-Round Blues (3309)
Serenade Blues
Serenade Blues
Lonesome Road Blues
Lonesome Road Blues
Getting Older Every Day (take 1)
Getting Older Every Day (take 1)
Getting Older Every Day (take 2)
Getting Older Every Day (take 2)
That Number of Mine
That Number of Mine
My Gal Is Gone
My Gal Is Gone
I'll Never Dream Again
I'll Never Dream Again

What other identifiers does this connect to?

Songwriters/Publishers (IPI)

Creative Contributors (ISNI)

Credits Graph

People also ask

What is UPC 714298513226?
UPC 714298513226 is the Universal Product Code (barcode) for "Complete Recorded Works in Chronological Order, Volume 10: 26 January to 17 December 1940" by Big Bill Broonzy, released on Document Records (2).
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 714298513226?
UPC 714298513226 contains 26 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 714298513226?

714298513226 is a Universal Product Code (UPC) assigned to Complete Recorded Works in Chronological Order, Volume 10: 26 January to 17 December 1940 by Big Bill Broonzy. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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