Martha Copeland: Complete Recorded Works in Chronological Order, Volume 2: October 1927 to August 1928 / Irene Scruggs: The Remaining Title, 1926-1930

UPC · Release

Martha Copeland: Complete Recorded Works in Chronological Order, Volume 2: October 1927 to August 1928 / Irene Scruggs: The Remaining Title, 1926-1930

Martha Copeland, Irene Scruggs

714298537321
22 tracksReleased 1995-01-01Document Records (2)

Last verified:

714298537321 is the Universal Product Code (UPC barcode) for the release Martha Copeland: Complete Recorded Works in Chronological Order, Volume 2: October 1927 to August 1928 / Irene Scruggs: The Remaining Title, 1926-1930 by Martha Copeland, Irene Scruggs, released 1995-01-01 on Document Records (2). UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC.

Format

7Number system
14298Manufacturer
53732Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Track List (22)

Shootin’ Star Blues
Shootin’ Star Blues
Good Time Mama Blues
Good Time Mama Blues
Wylie Avenue Blues
Wylie Avenue Blues
Everybody Does It Now
Everybody Does It Now
Bank Failure Blues
Bank Failure Blues
Second-Hand Dady
Second-Hand Dady
I Can’t Give You Anything but Love
I Can’t Give You Anything but Love
My Daddy Can’t Do Nothin’ Bad
My Daddy Can’t Do Nothin’ Bad
Somethin’ Goin’ on Wrong
Somethin’ Goin’ on Wrong
Desert Blues
Desert Blues
Mama’s Well Has Done Gone Dry
Mama’s Well Has Done Gone Dry
I Ain’t Your Hen Mister Fly Rooster
I Ain’t Your Hen Mister Fly Rooster
Home Town Blues
Home Town Blues
Sorrow Valley Blues
Sorrow Valley Blues
Lonesome Valley Blues
Lonesome Valley Blues
Worried Love - Part 1
Worried Love - Part 1
Worried Love - Part 2
Worried Love - Part 2
You’ve Got What I Want
You’ve Got What I Want
I Want You to Give Me Some
I Want You to Give Me Some
My Back to the Wall
My Back to the Wall
Borrowed Love
Borrowed Love
The Voice of the Blues
The Voice of the Blues

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People also ask

What is UPC 714298537321?
UPC 714298537321 is the Universal Product Code (barcode) for "Martha Copeland: Complete Recorded Works in Chronological Order, Volume 2: October 1927 to August 1928 / Irene Scruggs: The Remaining Title, 1926-1930" by Martha Copeland, Irene Scruggs, released on Document Records (2).
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 714298537321?
UPC 714298537321 contains 22 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 714298537321?

714298537321 is a Universal Product Code (UPC) assigned to Martha Copeland: Complete Recorded Works in Chronological Order, Volume 2: October 1927 to August 1928 / Irene Scruggs: The Remaining Title, 1926-1930 by Martha Copeland, Irene Scruggs. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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