UPC · Release
Duke Ellington & His Orchestra
Last verified:
717101900527 is the Universal Product Code (UPC barcode) for the release “The Treasury Shows, Volume 5” by Duke Ellington & His Orchestra, released 2002-01-01 on D.E.T.S.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | (Opening Theme) Take the "A" Train | — | ||
| 2 | Mood to Be Wooed | — | ||
| 3 | Jack the Bear | — | ||
| 4 | Ellington Bond Promo | — | ||
| 5 | The More I See You | — | ||
| 6 | Way Low | — | ||
| 7 | Blues on the Double | — | ||
| 8 | Ellington Bond Promo | — | ||
| 9 | Summertime | — | ||
| 10 | (Theme) Take the "A" Train (Into Station Break) | — | ||
| 11 | (Theme) Take the "A" Train (and Broadcast Return) | — | ||
| 12 | Experts From Black Brown and Beige (a) Come Sunday | — | ||
| 13 | Experts From Black Brown and Beige (B) Light (The Work Song) | — | ||
| 14 | I’m Beginning to See the Light - Ellington Bond Promo | — | ||
| 15 | On the Alamo | — | ||
| 16 | Carnegie Blues | — | ||
| 17 | Ellington Bond Promo | — | ||
| 18 | Riff Stacatto | — | ||
| 19 | Blue Skies | — | ||
| 20 | (Closing Theme) Things Ain’t What They Used to Be | — | ||
| 21 | (Opening Theme) Take the "A" Train | — | ||
| 22 | As Long as I Live | — | ||
| 23 | Nine Twenty Special | — | ||
| 24 | The Wonder of You | — | ||
| 25 | Walkin’ With My Honey | — | ||
| 26 | Three Cent Stomp | — | ||
| 2-1 | Don’t Take Your Love From Me | — | ||
| 2-2 | Court Session | — | ||
| 2-3 | Emancipation Celebration | — | ||
| 2-4 | Let the Zoomers Drool | — | ||
| 2-5 | Take the "A" Train | — | ||
| 2-6 | Blue Is the Night | — | ||
| 2-7 | Ellington Bond Promo | — | ||
| 2-8 | Can’t You Read Between the Lines | — | ||
| 2-9 | Hop Skip and Jump | — | ||
| 2-10 | Kissing Bug | — | ||
| 2-11 | Solid Old Man | — | ||
| 2-12 | I Ain’t Got Nothin’ but the Blues | — | ||
| 2-13 | Ellington Bond Promo | — | ||
| 2-14 | I Miss You Kiss | — | ||
| 2-15 | Things Ain’t What They Used to Be | — | ||
| 2-16 | Things Ain’t What They Used to Be (and Broadcast Return) | — | ||
| 2-17 | Blues Cluster | — | ||
| 2-18 | Diminuendo in Blue | — | ||
| 2-19 | Rocks in My Bed | — | ||
| 2-20 | Crescendo in Blue | — | ||
| 2-21 | I’m Beginning to See the Light and Ellington Bond Promo | — | ||
| 2-22 | Teardrops in the Rain | — | ||
| 2-23 | My Little Brown Book | — | ||
| 2-24 | Accentuate the Positive | — | ||
| 2-25 | Ellington Bond Promo | — | ||
| 2-26 | C Jam Blues | — | ||
| 2-27 | Take the "A" Train | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
717101900527 is a Universal Product Code (UPC) assigned to The Treasury Shows, Volume 5 by Duke Ellington & His Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 53 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
717101900527 is the Universal Product Code (UPC barcode) for the release “The Treasury Shows, Volume 5” by Duke Ellington & His Orchestra, released 2002-01-01 on D.E.T.S.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 53 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | (Opening Theme) Take the "A" Train | — | ||
| 2 | Mood to Be Wooed | — | ||
| 3 | Jack the Bear | — | ||
| 4 | Ellington Bond Promo | — | ||
| 5 | The More I See You | — | ||
| 6 | Way Low | — | ||
| 7 | Blues on the Double | — | ||
| 8 | Ellington Bond Promo | — | ||
| 9 | Summertime | — | ||
| 10 | (Theme) Take the "A" Train (Into Station Break) | — | ||
| 11 | (Theme) Take the "A" Train (and Broadcast Return) | — | ||
| 12 | Experts From Black Brown and Beige (a) Come Sunday | — | ||
| 13 | Experts From Black Brown and Beige (B) Light (The Work Song) | — | ||
| 14 | I’m Beginning to See the Light - Ellington Bond Promo | — | ||
| 15 | On the Alamo | — | ||
| 16 | Carnegie Blues | — | ||
| 17 | Ellington Bond Promo | — | ||
| 18 | Riff Stacatto | — | ||
| 19 | Blue Skies | — | ||
| 20 | (Closing Theme) Things Ain’t What They Used to Be | — | ||
| 21 | (Opening Theme) Take the "A" Train | — | ||
| 22 | As Long as I Live | — | ||
| 23 | Nine Twenty Special | — | ||
| 24 | The Wonder of You | — | ||
| 25 | Walkin’ With My Honey | — | ||
| 26 | Three Cent Stomp | — | ||
| 2-1 | Don’t Take Your Love From Me | — | ||
| 2-2 | Court Session | — | ||
| 2-3 | Emancipation Celebration | — | ||
| 2-4 | Let the Zoomers Drool | — | ||
| 2-5 | Take the "A" Train | — | ||
| 2-6 | Blue Is the Night | — | ||
| 2-7 | Ellington Bond Promo | — | ||
| 2-8 | Can’t You Read Between the Lines | — | ||
| 2-9 | Hop Skip and Jump | — | ||
| 2-10 | Kissing Bug | — | ||
| 2-11 | Solid Old Man | — | ||
| 2-12 | I Ain’t Got Nothin’ but the Blues | — | ||
| 2-13 | Ellington Bond Promo | — | ||
| 2-14 | I Miss You Kiss | — | ||
| 2-15 | Things Ain’t What They Used to Be | — | ||
| 2-16 | Things Ain’t What They Used to Be (and Broadcast Return) | — | ||
| 2-17 | Blues Cluster | — | ||
| 2-18 | Diminuendo in Blue | — | ||
| 2-19 | Rocks in My Bed | — | ||
| 2-20 | Crescendo in Blue | — | ||
| 2-21 | I’m Beginning to See the Light and Ellington Bond Promo | — | ||
| 2-22 | Teardrops in the Rain | — | ||
| 2-23 | My Little Brown Book | — | ||
| 2-24 | Accentuate the Positive | — | ||
| 2-25 | Ellington Bond Promo | — | ||
| 2-26 | C Jam Blues | — | ||
| 2-27 | Take the "A" Train | — |
