UPC · Release
The Bicentennial Collection: Celebrating the 200th Anniversary of “The President’s Own” United States Marine Band
“The President’s Own” United States Marine Band
717794160727
167 tracksReleased 1999-01-01
Last verified:
717794160727 is the Universal Product Code (UPC barcode) for the release “The Bicentennial Collection: Celebrating the 200th Anniversary of “The President’s Own” United States Marine Band” by “The President’s Own” United States Marine Band, released 1999-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 167 tracks, each with its own ISRC. Tracks include USA5R0910094.
Format
7Number system
17794Manufacturer
16072Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Bicentennial Collection: Celebrating the 200th Anniversary of “The President’s Own” United States Marine Band
ISRC1 recording
ISWC19 works
Track List (167)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Farewell to Dresden | — | ||
| 2 | Hornpipe Polka | — | ||
| 3 | National Fencibles | — | ||
| 4 | Yorktown Centennial | — | ||
| 5 | Wedding March from A Midsummer Night’s Dream | — | ||
| 6 | Washington Post | — | ||
| 7 | The Liberty Bell | — | ||
| 8 | The Thunderer | — | ||
| 9 | Belle of New York | — | ||
| 10 | The Red, White and Blue | — | ||
| 11 | Selections from Erminie | — | ||
| 12 | Old Hickory | — | ||
| 13 | Manhattan Beach | — | ||
| 14 | Smoky Mokes | — | ||
| 15 | Old Club March | — | ||
| 16 | Admiral Dewey March | — | ||
| 17 | The Picadore | — | ||
| 18 | The Merry War March | — | ||
| 19 | Semper fidelis | — | ||
| 20 | The Coquette | — | ||
| 21 | Lola Waltz | — | ||
| 22 | Kaiser Friedrich | — | ||
| 23 | Salute to Washington | — | ||
| 24 | Southern Ideal | — | ||
| 25 | Maple Leaf Rag | — | ||
| 26 | Marsovia Waltzes | — | ||
| 27 | Lincoln Centennial | — | ||
| 28 | Gate City | — | ||
| 29 | National Emblem | — | ||
| 30 | German Fidelity | — | ||
| 2-1 | Good Night Harvard | — | ||
| 2-2 | Krupp March | — | ||
| 2-3 | Grand Duke of Baden | — | ||
| 2-4 | National Capital Centennial | — | ||
| 2-5 | Marine Corps Institute | — | ||
| 2-6 | The Rifle Regiment | — | ||
| 2-7 | Anchors Aweigh | — | ||
| 2-8 | Marche Turque Patrol | — | ||
| 2-9 | The Messenger | — | ||
| 2-10 | Old Comrades | — | ||
| 2-11 | Polonaise Militaire | — | ||
| 2-12 | True to the Flag | — | ||
| 2-13 | Joyce’s 71st New York Regiment | — | ||
| 2-14 | 74th Regiment | — | ||
| 2-15 | The Father of Victory | — | ||
| 2-16 | Marche Militaire | — | ||
| 2-17 | Washington Post | — | ||
| 2-18 | Brooke’s Triumphal | — | ||
| 2-19 | Under the Star of the Guard | — | ||
| 2-20 | Pomp and Circumstance March no. 1 | — | ||
| 3-1 | Night Soliloquy | — | ||
| 3-2 | Flight of the Bumblebee | — | ||
| 3-3 | Fantasie on Themes from Verdi’s Rigoletto | — | ||
| 3-4 | Beautiful Colorado | — | ||
| 3-5 | Serenade | — | ||
| 3-6 | Cornet Duet, “Short and Sweet” Polka | — | ||
| 3-7 | Premier Polka | — | ||
| 3-8 | My Heart at Thy Sweet Voice from Samson et Dalila | — | ||
| 3-9 | Fantasia Capriccioso | — | ||
| 3-10 | La Joya | — | ||
| 3-11 | Stars in a Velvety Sky | — | ||
| 3-12 | Somewhere a Voice Is Calling | — | ||
| 3-13 | Hungarian Melodies | — | ||
| 3-14 | Carnival of Venice | — | ||
| 3-15 | All Those Endearing Young Charms | — | ||
| 3-16 | Starlight | — | ||
| 3-17 | Thoughts of Love | — | ||
| 3-18 | Piece Concertante | — | ||
| 3-19 | Annie Laurie | — | ||
| 4-1 | Andante and Scherzo | — | ||
| 4-2 | Zigeunerweisen | — | ||
| 4-3 | Largo al factotum from The Barber of Seville | — | ||
| 4-4 | Drum Major’s Aria from Le Caïd | — | ||
| 4-5 | Second Regiment Connecticut | — | ||
| 4-6 | Stephen Foster Melodies | — | ||
| 4-7 | March of the Women Marines | — | ||
| 4-8 | The Marines’ Hymn | — | ||
| 4-9 | Overture to Russlan and Ludmilla | — | ||
| 4-10 | The Directorate | — | ||
| 4-11 | Polonaise from Eugene Onegin | — | ||
| 4-12 | Marche Militaire Française | — | ||
| 4-13 | On the Quarterdeck | — | ||
| 4-14 | Ride of the Valkyries from Die Walküre | — | ||
| 4-15 | Semper fidelis | — | ||
| 5-1 | Prelude to Act 3 and Bridal Chorus from Lohengrin | — | ||
| 5-2 | Chorale and Alleluia | — | ||
| 5-3 | Bugler’s Holiday | — | ||
| 5-4 | Commando March | — | ||
| 5-5 | The Stars and Stripes Forever | — | ||
| 5-6 | The Chimes of Liberty | — | ||
| 5-7 | March of the Steelmen | — | ||
| 5-8 | Man of the Hour | — | ||
| 5-9 | Fanfare and Allegro | — | ||
| 5-10 | Purple Pageant | “The President’s Own” United States Marine Band | T-305.739.297-5 | |
| 5-11 | Athletic Festival March, op. 69, no. 1 | — | ||
| 5-12 | Overture to La forza del destino | — | ||
| 5-13 | Molly on the Shore | — | ||
| 5-14 | Symphony in B-flat for Concert Band: Moderately fast, with vigor | — | ||
| 5-15 | Symphony in B-flat for Concert Band: Andantino grazioso; Fast and gay | — | ||
| 5-16 | Symphony in B-flat for Concert Band: Fugue | — | ||
| 5-17 | Hail to the Spirit of Liberty | — | ||
| 5-18 | Washington Grays | — | ||
| 6-1 | March from Symphonic Metamorphosis | — | ||
| 6-2 | Overture to Le Corsaire | — | ||
| 6-3 | The Glory of the Yankee Navy | — | ||
| 6-4 | Festive Overture, op. 96 | — | ||
| 6-5 | The Pride of the Wolverines | — | ||
| 6-6 | La Fiesta Mexicana: Prelude and Aztec Dance | — | ||
| 6-7 | La Fiesta Mexicana: Mass | — | ||
| 6-8 | La Fiesta Mexicana: Carnival | — | ||
| 6-9 | Entry March of the Boyares | — | ||
| 6-10 | The Liberty Bell | — | ||
| 6-11 | Florentiner | — | ||
| 6-12 | Apothéose from Symphonie funèbre et triomphale | — | ||
| 7-1 | Lincolnshire Posy: “Lisbon” (Sailor’s Song) | — | ||
| 7-2 | Lincolnshire Posy: “Horkstow Grange” (The Miser and His Man: A Local Tragedy) | — | ||
| 7-3 | Lincolnshire Posy: “Rufford Park Poachers” (Poaching Song) | — | ||
| 7-4 | Lincolnshire Posy: “The Brisk Young Sailor” (Returned to Wed His True Love) | — | ||
| 7-5 | Lincolnshire Posy: “Lord Melbourne” (War Song) | — | ||
| 7-6 | Lincolnshire Posy: “The Lost Lady Found” (Dance Song) | — | ||
| 7-7 | Derivations for Clarinet and Winds: Warm Up | — | ||
| 7-8 | Derivations for Clarinet and Winds: Contrapuntal Blues | — | ||
| 7-9 | Derivations for Clarinet and Winds: Rag | — | ||
| 7-10 | Derivations for Clarinet and Winds: Ride Out | — | ||
| 7-11 | Symphony for Band, West Point: Epitaphs | — | ||
| 7-12 | Symphony for Band, West Point: Marches | — | ||
| 7-13 | Circus Polka | — | ||
| 7-14 | Fugue in C | — | ||
| 7-15 | Chorale Prelude, “Wir Glauben all’ an einen Gott” | — | ||
| 7-16 | Finale from Symphony no. 1 | — | ||
| 7-17 | Dance of the Jesters from The Snow Maiden | — | ||
| 8-1 | Concerto for Wind Ensemble: Drum Ceremony | — | ||
| 8-2 | Concerto for Wind Ensemble: Elegy | — | ||
| 8-3 | Concerto for Wind Ensemble: Perpetual Motion | — | ||
| 8-4 | Winds of Nagual: The Desert | — | ||
| 8-5 | Winds of Nagual: Carlos Stares at the Water | — | ||
| 8-6 | Winds of Nagual: Gait of Power | — | ||
| 8-7 | Winds of Nagual: Asking Twilight for Calmness and Power | — | ||
| 8-8 | Winds of Nagual: Juan Clowns for Carlos | — | ||
| 8-9 | Winds of Nagual: Last Conversation and Farewell | — | ||
| 8-10 | Symphony II: “Lost Songs” | — | ||
| 9-1 | Wings | — | ||
| 9-2 | Three City Blocks: Fervent & resolute | — | ||
| 9-3 | Three City Blocks: Tough, driving | — | ||
| 9-4 | Three City Blocks: With relentless energy | — | ||
| 9-5 | Passacaglia (Homage on B-A-C-H) | — | ||
| 9-6 | … and the Mountains Rising Nowhere | — | ||
| 9-7 | Emblems | — | ||
| 9-8 | George Washington Bridge | — | ||
| 9-9 | Country Band March | — | ||
| 9-10 | Coronation March, “Crown Imperial” | — | ||
| 10-1 | Hammersmith, Prelude and Scherzo, op. 52 | — | ||
| 10-2 | Suite no. 1 in E-flat: Chaconne | — | ||
| 10-3 | Suite no. 1 in E-flat: Intermezzo | — | ||
| 10-4 | Suite no. 1 in E-flat: March | — | ||
| 10-5 | Toccata Marziale | — | ||
| 10-6 | The Black Horse Troop | — | ||
| 10-7 | Theme and Variations, op. 43a | — | ||
| 10-8 | Colonial Song | — | ||
| 10-9 | Music Festival | — | ||
| 10-10 | The Boys of the Old Brigade | — | ||
| 10-11 | H.M. Jollies | — | ||
| 10-12 | Music for a Festival: Intrada | — | ||
| 10-13 | Music for a Festival: Overture | — | ||
| 10-14 | Music for a Festival: Round of Seven Parts | — | ||
| 10-15 | Music for a Festival: Air | — | ||
| 10-16 | Music for a Festival: Finale | — |
Farewell to Dresden
—
Hornpipe Polka
—
National Fencibles
—
Yorktown Centennial
—
Wedding March from A Midsummer Night’s Dream
—
Washington Post
—
The Liberty Bell
—
The Thunderer
—
Belle of New York
—
The Red, White and Blue
—
Selections from Erminie
—
Old Hickory
—
Manhattan Beach
—
Smoky Mokes
—
Old Club March
—
Admiral Dewey March
—
The Picadore
—
The Merry War March
—
Semper fidelis
—
The Coquette
—
Lola Waltz
—
Kaiser Friedrich
—
Salute to Washington
—
Southern Ideal
—
Maple Leaf Rag
—
Marsovia Waltzes
—
Lincoln Centennial
—
Gate City
—
National Emblem
—
German Fidelity
—
Good Night Harvard
—
Krupp March
—
Grand Duke of Baden
—
National Capital Centennial
—
Marine Corps Institute
—
The Rifle Regiment
—
Anchors Aweigh
—
Marche Turque Patrol
—
The Messenger
—
Old Comrades
—
Polonaise Militaire
—
True to the Flag
—
Joyce’s 71st New York Regiment
—
74th Regiment
—
The Father of Victory
—
Marche Militaire
—
Washington Post
—
Brooke’s Triumphal
—
Under the Star of the Guard
—
Pomp and Circumstance March no. 1
—
Night Soliloquy
—
Flight of the Bumblebee
—
Fantasie on Themes from Verdi’s Rigoletto
—
Beautiful Colorado
—
Serenade
—
Cornet Duet, “Short and Sweet” Polka
—
Premier Polka
—
My Heart at Thy Sweet Voice from Samson et Dalila
—
Fantasia Capriccioso
—
La Joya
—
Stars in a Velvety Sky
—
Somewhere a Voice Is Calling
—
Hungarian Melodies
—
Carnival of Venice
—
All Those Endearing Young Charms
—
Starlight
—
Thoughts of Love
—
Piece Concertante
—
Annie Laurie
—
Andante and Scherzo
—
Zigeunerweisen
—
Largo al factotum from The Barber of Seville
—
Drum Major’s Aria from Le Caïd
—
Second Regiment Connecticut
—
Stephen Foster Melodies
—
March of the Women Marines
—
The Marines’ Hymn
—
Overture to Russlan and Ludmilla
—
The Directorate
—
Polonaise from Eugene Onegin
—
Marche Militaire Française
—
On the Quarterdeck
—
Ride of the Valkyries from Die Walküre
—
Semper fidelis
—
Prelude to Act 3 and Bridal Chorus from Lohengrin
—
Chorale and Alleluia
—
Bugler’s Holiday
—
Commando March
—
The Stars and Stripes Forever
—
The Chimes of Liberty
—
March of the Steelmen
—
Man of the Hour
—
Fanfare and Allegro
—
Athletic Festival March, op. 69, no. 1
—
Overture to La forza del destino
—
Molly on the Shore
—
Symphony in B-flat for Concert Band: Moderately fast, with vigor
—
Symphony in B-flat for Concert Band: Andantino grazioso; Fast and gay
—
Symphony in B-flat for Concert Band: Fugue
—
Hail to the Spirit of Liberty
—
Washington Grays
—
March from Symphonic Metamorphosis
—
Overture to Le Corsaire
—
The Glory of the Yankee Navy
—
Festive Overture, op. 96
—
The Pride of the Wolverines
—
La Fiesta Mexicana: Prelude and Aztec Dance
—
La Fiesta Mexicana: Mass
—
La Fiesta Mexicana: Carnival
—
Entry March of the Boyares
—
The Liberty Bell
—
Florentiner
—
Apothéose from Symphonie funèbre et triomphale
—
Lincolnshire Posy: “Lisbon” (Sailor’s Song)
—
Lincolnshire Posy: “Horkstow Grange” (The Miser and His Man: A Local Tragedy)
—
Lincolnshire Posy: “Rufford Park Poachers” (Poaching Song)
—
Lincolnshire Posy: “The Brisk Young Sailor” (Returned to Wed His True Love)
—
Lincolnshire Posy: “Lord Melbourne” (War Song)
—
Lincolnshire Posy: “The Lost Lady Found” (Dance Song)
—
Derivations for Clarinet and Winds: Warm Up
—
Derivations for Clarinet and Winds: Contrapuntal Blues
—
Derivations for Clarinet and Winds: Rag
—
Derivations for Clarinet and Winds: Ride Out
—
Symphony for Band, West Point: Epitaphs
—
Symphony for Band, West Point: Marches
—
Circus Polka
—
Fugue in C
—
Chorale Prelude, “Wir Glauben all’ an einen Gott”
—
Finale from Symphony no. 1
—
Dance of the Jesters from The Snow Maiden
—
Concerto for Wind Ensemble: Drum Ceremony
—
Concerto for Wind Ensemble: Elegy
—
Concerto for Wind Ensemble: Perpetual Motion
—
Winds of Nagual: The Desert
—
Winds of Nagual: Carlos Stares at the Water
—
Winds of Nagual: Gait of Power
—
Winds of Nagual: Asking Twilight for Calmness and Power
—
Winds of Nagual: Juan Clowns for Carlos
—
Winds of Nagual: Last Conversation and Farewell
—
Symphony II: “Lost Songs”
—
Wings
—
Three City Blocks: Fervent & resolute
—
Three City Blocks: Tough, driving
—
Three City Blocks: With relentless energy
—
Passacaglia (Homage on B-A-C-H)
—
… and the Mountains Rising Nowhere
—
Emblems
—
George Washington Bridge
—
Country Band March
—
Coronation March, “Crown Imperial”
—
Hammersmith, Prelude and Scherzo, op. 52
—
Suite no. 1 in E-flat: Chaconne
—
Suite no. 1 in E-flat: Intermezzo
—
Suite no. 1 in E-flat: March
—
Toccata Marziale
—
The Black Horse Troop
—
Theme and Variations, op. 43a
—
Colonial Song
—
Music Festival
—
The Boys of the Old Brigade
—
H.M. Jollies
—
Music for a Festival: Intrada
—
Music for a Festival: Overture
—
Music for a Festival: Round of Seven Parts
—
Music for a Festival: Air
—
Music for a Festival: Finale
—
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainz
Verified on
What is UPC 717794160727?
717794160727 is a Universal Product Code (UPC) assigned to The Bicentennial Collection: Celebrating the 200th Anniversary of “The President’s Own” United States Marine Band by “The President’s Own” United States Marine Band. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 167 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm