UPC · Album
The Voice of Opera
Various Artists
717794731828
30 tracksReleased 2003-01-01Decca
Last verified:
717794731828 is the Universal Product Code (UPC barcode) for the release “The Voice of Opera” by Various Artists, released 2003-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include DEF058230615, DEF059030801, GBF075510090.
Format
7Number system
17794Manufacturer
73182Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Voice of Opera
ISRC14 recordings
ISWC5 works
IPI2 songwriters
Track List (14)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Nabucco: “Va pensiero sull’ali dorate“ | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | DEF058230615 |
| La clemenza di Tito, K. 621: Act I. "Parto, ma tu ben mio" | Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner | DEF059030801 |
| L'elisir d'amore: “Una furtiva lagrima” | Giuseppe di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli | GBF075510090 |
| Semiramide: “Bel raggio lusinghier di speme” | Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | GBF076040205 |
| Il barbiere di Siviglia: Atto I. “Una voce poco fa” | Teresa Berganza, Orchestra del Teatro di San Carlo, Orchestra Rossini di Napoli, Silvio Varviso | GBF076440908 |
| Lascia ch’io pianga (Rinaldo) | Bernadette Greevy, Academy of St Martin in the Fields, Raymond Leppard | GBF076511200 |
| Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix » | Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis | GBF076710430 |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis | NLA508300123 |
| Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht) | Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis | NLA508300181 |
| Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso) | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508720350 |
| Cosi fan tutte, K.588 | Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508720354 |
| Don Giovanni, K. 527: Act 2. "Il mio tesoro intanto" | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902753 |
| Don Giovanni, K. 527: Act 2. "Il mio tesoro intanto" | Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner | NLA508902783 |
| """CHE FARÒ SENZA EURIDICE?""" | Derek Lee Ragin, English Baroque Soloists, Sir John Eliot Gardiner | NLA509103223 |
Nabucco: “Va pensiero sull’ali dorate“
Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli
La clemenza di Tito, K. 621: Act I. "Parto, ma tu ben mio"
Anne Sofie von Otter, English Baroque Soloists, Sir John Eliot Gardiner
L'elisir d'amore: “Una furtiva lagrima”
Giuseppe di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli
Semiramide: “Bel raggio lusinghier di speme”
Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli
Il barbiere di Siviglia: Atto I. “Una voce poco fa”
Teresa Berganza, Orchestra del Teatro di San Carlo, Orchestra Rossini di Napoli, Silvio Varviso
Lascia ch’io pianga (Rinaldo)
Bernadette Greevy, Academy of St Martin in the Fields, Raymond Leppard
Samson & Delilah : Acte II. « Mon cœur s'ouvre à ta voix »
Marilyn Horne, Orchester der Wiener Staatsoper, Wiener Opernorchester, Henry Lewis
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis
Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
Chor der Staatsoper Dresden, Luciana Serra, Staatskapelle Dresden, Sir Colin Davis
Così fan tutte, K. 588: Act I, Scene VI. No. 10 Terzettino "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Cosi fan tutte, K.588
Karita Mattila, Anne Sofie von Otter, José van Dam, Academy of St Martin in the Fields, Sir Neville Marriner
Don Giovanni, K. 527: Act 2. "Il mio tesoro intanto"
Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner
Don Giovanni, K. 527: Act 2. "Il mio tesoro intanto"
Francisco Araiza, Academy of St Martin in the Fields, Sir Neville Marriner
"""CHE FARÒ SENZA EURIDICE?"""
Derek Lee Ragin, English Baroque Soloists, Sir John Eliot Gardiner
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
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What is UPC 717794731828?
717794731828 is a Universal Product Code (UPC) assigned to The Voice of Opera by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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