UPC · Release
George Gershwin, DuBose, Dorothy Heyward, Ira Gershwin, Alvy Powell, Marquita Lister, Robert Mack, Nicole Cabell, Nashville Symphony Orchestra, Chorus, John Mauceri
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717794872002 is the Universal Product Code (UPC barcode) for the release “Porgy and Bess” by George Gershwin, DuBose, Dorothy Heyward, Ira Gershwin, Alvy Powell, Marquita Lister, Robert Mack, Nicole Cabell, Nashville Symphony Orchestra, Chorus, John Mauceri. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Porgy and Bess: Act I, Scene I. Introduction | — | ||
| 2 | Porgy and Bess: Act I, Scene I. “Summertime” (Clara) | — | ||
| 3 | Porgy and Bess: Act I, Scene I. “Seems like these bones don’t give me nothin’ but boxcars tonight” (Jake) | — | ||
| 4 | Porgy and Bess: Act I, Scene I. “Summertime” (Clara) | — | ||
| 5 | Porgy and Bess: Act I, Scene I. “What, that chile ain’t asleep yet?… A woman is a sometime thing (Lissen to yo’ daddy warn you…)” (Jake) | — | ||
| 6 | Porgy and Bess: Act I, Scene I. “Honey man! Honey man! Here come de honey man” (Peter) | — | ||
| 7 | Porgy and Bess: Act I, Scene I. “They pass by singin’ (No, no, brudder, Porgy ain’ sof’ on no woman” (Porgy) | — | ||
| 8 | Porgy and Bess: Act I, Scene I. “Here comes Big Boy!” (Mingo) | — | ||
| 9 | Porgy and Bess: Act I, Scene I. “Crown cock-eyed drunk… Oh, little stars” (Men, Porgy) | — | ||
| 10 | Porgy and Bess: Act I, Scene I. “Oh, stop them! Don’t let them fight!” (Serena) | — | ||
| 11 | Porgy and Bess: Act I, Scene I. “Wake up an’ hit it out. You ain’t got no time to lose” (Bess) | — | ||
| 12 | Porgy and Bess: Act I, Scene II. “Gone, Gone, Gone (Where is brudder Robinns?)… Overflow” (All) | — | ||
| 13 | Porgy and Bess: Act I, Scene II. “Um! A saucer-buryin’ setup, I see” (Detective, Serena, Lily, Peter, Porgy, Jake) | — | ||
| 14 | Porgy and Bess: Act I, Scene II. “My man’s gone now” (Serena, All) | — | ||
| 15 | Porgy and Bess: Act I, Scene II. “How de saucer stan’ now, my sister?” (Undertaker) | — | ||
| 16 | Porgy and Bess: Act I, Scene II. “Leavin’ for the Promise’ Lan’ (Oh, the train is at the station)” (Bess) | — | ||
| 17 | Porgy and Bess: Act II, Scene I. “It take a long pull to get there (Oh, I’m a-goin’ out to the Blackfish banks)” (Jake) | — | ||
| 18 | Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’ nuttin’” (Porgy) | — | ||
| 19 | Porgy and Bess: Act II, Scene I. “Mornin’, lawyer, lookin’ for somebody?” (Maria) | — | ||
| 20 | Porgy and Bess: Act II, Scene I. “Dey’s a Buckra comin’” (Scipio) | — | ||
| 21 | Porgy and Bess: Act II, Scene I. “’Lo Bess, goin’ to de picnic?” (Sporting Life) | — | ||
| 22 | Porgy and Bess: Act II, Scene I. “Bess, you is my woman now” (Porgy) | — | ||
| 23 | Porgy and Bess: Act II, Scene I. “Oh, I can’t sit down” (All) | — | ||
| 2-1 | Porgy and Bess: Act II, Scene II. Allegretto barbaro “Ha da da, ha da da” (All) | — | ||
| 2-2 | Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sporting Life) | — | ||
| 2-3 | Porgy and Bess: Act II, Scene II. “Crown! — You know very well dis Crown” (Bess, Crown) | — | ||
| 2-4 | Porgy and Bess: Act II, Scene II. “Oh… What you want wid Bess?” (Bess) | — | ||
| 2-5 | Porgy and Bess: Act II, Scene III. “Honey, dat’s all de breakfast I got time for” (Jake) | — | ||
| 2-6 | Porgy and Bess: Act II, Scene III. “Well, if it ain’ ole Peter!” (Marina) | — | ||
| 2-7 | Porgy and Bess: Act II, Scene III. “Oh, Doctor Jesus” (Serena) | — | ||
| 2-8 | Porgy and Bess: Act II, Scene III. “Oh dey’s so fresh an’ fine… I’m talkin’ about devil crabs” (Strawberry Woman, Crab Man) | — | ||
| 2-9 | Porgy and Bess: Act II, Scene III. “Porgy, Porgy, dat you there, ain’ it?” (Bess, Porgy) | — | ||
| 2-10 | Porgy and Bess: Act II, Scene III. “I loves you, Porgy” (Porgy, Bess) | — | ||
| 2-11 | Porgy and Bess: Act II, Scene III. “Why you been out on that wharf so long, Clara?” (Maria) | — | ||
| 2-12 | Porgy and Bess: Act II, Scene III. Storm | — | ||
| 2-13 | Porgy and Bess: Act II, Scene IV. “Oh, de Lawd Shake de Heavens” (All) | — | ||
| 2-14 | Porgy and Bess: Act II, Scene IV. “One of dese mornin’s… Oh, dere’s somebody knockin’ at de do’” (Clara, All) | — | ||
| 2-15 | Porgy and Bess: Act II, Scene IV. “You is a nice parcel of Christians” (Crown) | — | ||
| 2-16 | Porgy and Bess: Act II, Scene IV. “A red-headed woman” (Crown) | — | ||
| 2-17 | Porgy and Bess: Act II, Scene IV. “Jake’s boat in de river, upside down!” (Bess) | — | ||
| 2-18 | Porgy and Bess: Act III, Scene I. “Clara, Clara, don’t you be downhearted” (Chorus) | — | ||
| 2-19 | Porgy and Bess: Act III, Scene I. “Ha ha ha” (Sporting Life) | — | ||
| 2-20 | Porgy and Bess: Act III, Scene I. “Summertime” (Bess) | — | ||
| 2-21 | Porgy and Bess: Act III, Scene II. Introduction “Wait for us at the corner, Al” (Detective) | — | ||
| 2-22 | Porgy and Bess: Act III, Scene II. “Listen: There’s a boat dat’s leavin’ soon for New York” (Sporting Life) | — | ||
| 2-23 | Porgy and Bess: Act III, Scene III. Occupational Humoresque “Good mornin’” (All, Children) | — | ||
| 2-24 | Porgy and Bess: Act III, Scene III. “It’s Porgy comin’ home” (Maria) | — | ||
| 2-25 | Porgy and Bess: Act III, Scene III. “Oh, Bess, oh where’s my Bess” (Porgy) | — | ||
| 2-26 | Porgy and Bess: Act III, Scene III. “Where’s Bess gone?… Oh Lawd, I’m on my way” (Porgy) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
717794872002 is a Universal Product Code (UPC) assigned to Porgy and Bess by George Gershwin, DuBose, Dorothy Heyward, Ira Gershwin, Alvy Powell, Marquita Lister, Robert Mack, Nicole Cabell, Nashville Symphony Orchestra, Chorus, John Mauceri. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 49 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
717794872002 is the Universal Product Code (UPC barcode) for the release “Porgy and Bess” by George Gershwin, DuBose, Dorothy Heyward, Ira Gershwin, Alvy Powell, Marquita Lister, Robert Mack, Nicole Cabell, Nashville Symphony Orchestra, Chorus, John Mauceri. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 49 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Porgy and Bess: Act I, Scene I. Introduction | — | ||
| 2 | Porgy and Bess: Act I, Scene I. “Summertime” (Clara) | — | ||
| 3 | Porgy and Bess: Act I, Scene I. “Seems like these bones don’t give me nothin’ but boxcars tonight” (Jake) | — | ||
| 4 | Porgy and Bess: Act I, Scene I. “Summertime” (Clara) | — | ||
| 5 | Porgy and Bess: Act I, Scene I. “What, that chile ain’t asleep yet?… A woman is a sometime thing (Lissen to yo’ daddy warn you…)” (Jake) | — | ||
| 6 | Porgy and Bess: Act I, Scene I. “Honey man! Honey man! Here come de honey man” (Peter) | — | ||
| 7 | Porgy and Bess: Act I, Scene I. “They pass by singin’ (No, no, brudder, Porgy ain’ sof’ on no woman” (Porgy) | — | ||
| 8 | Porgy and Bess: Act I, Scene I. “Here comes Big Boy!” (Mingo) | — | ||
| 9 | Porgy and Bess: Act I, Scene I. “Crown cock-eyed drunk… Oh, little stars” (Men, Porgy) | — | ||
| 10 | Porgy and Bess: Act I, Scene I. “Oh, stop them! Don’t let them fight!” (Serena) | — | ||
| 11 | Porgy and Bess: Act I, Scene I. “Wake up an’ hit it out. You ain’t got no time to lose” (Bess) | — | ||
| 12 | Porgy and Bess: Act I, Scene II. “Gone, Gone, Gone (Where is brudder Robinns?)… Overflow” (All) | — | ||
| 13 | Porgy and Bess: Act I, Scene II. “Um! A saucer-buryin’ setup, I see” (Detective, Serena, Lily, Peter, Porgy, Jake) | — | ||
| 14 | Porgy and Bess: Act I, Scene II. “My man’s gone now” (Serena, All) | — | ||
| 15 | Porgy and Bess: Act I, Scene II. “How de saucer stan’ now, my sister?” (Undertaker) | — | ||
| 16 | Porgy and Bess: Act I, Scene II. “Leavin’ for the Promise’ Lan’ (Oh, the train is at the station)” (Bess) | — | ||
| 17 | Porgy and Bess: Act II, Scene I. “It take a long pull to get there (Oh, I’m a-goin’ out to the Blackfish banks)” (Jake) | — | ||
| 18 | Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’ nuttin’” (Porgy) | — | ||
| 19 | Porgy and Bess: Act II, Scene I. “Mornin’, lawyer, lookin’ for somebody?” (Maria) | — | ||
| 20 | Porgy and Bess: Act II, Scene I. “Dey’s a Buckra comin’” (Scipio) | — | ||
| 21 | Porgy and Bess: Act II, Scene I. “’Lo Bess, goin’ to de picnic?” (Sporting Life) | — | ||
| 22 | Porgy and Bess: Act II, Scene I. “Bess, you is my woman now” (Porgy) | — | ||
| 23 | Porgy and Bess: Act II, Scene I. “Oh, I can’t sit down” (All) | — | ||
| 2-1 | Porgy and Bess: Act II, Scene II. Allegretto barbaro “Ha da da, ha da da” (All) | — | ||
| 2-2 | Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sporting Life) | — | ||
| 2-3 | Porgy and Bess: Act II, Scene II. “Crown! — You know very well dis Crown” (Bess, Crown) | — | ||
| 2-4 | Porgy and Bess: Act II, Scene II. “Oh… What you want wid Bess?” (Bess) | — | ||
| 2-5 | Porgy and Bess: Act II, Scene III. “Honey, dat’s all de breakfast I got time for” (Jake) | — | ||
| 2-6 | Porgy and Bess: Act II, Scene III. “Well, if it ain’ ole Peter!” (Marina) | — | ||
| 2-7 | Porgy and Bess: Act II, Scene III. “Oh, Doctor Jesus” (Serena) | — | ||
| 2-8 | Porgy and Bess: Act II, Scene III. “Oh dey’s so fresh an’ fine… I’m talkin’ about devil crabs” (Strawberry Woman, Crab Man) | — | ||
| 2-9 | Porgy and Bess: Act II, Scene III. “Porgy, Porgy, dat you there, ain’ it?” (Bess, Porgy) | — | ||
| 2-10 | Porgy and Bess: Act II, Scene III. “I loves you, Porgy” (Porgy, Bess) | — | ||
| 2-11 | Porgy and Bess: Act II, Scene III. “Why you been out on that wharf so long, Clara?” (Maria) | — | ||
| 2-12 | Porgy and Bess: Act II, Scene III. Storm | — | ||
| 2-13 | Porgy and Bess: Act II, Scene IV. “Oh, de Lawd Shake de Heavens” (All) | — | ||
| 2-14 | Porgy and Bess: Act II, Scene IV. “One of dese mornin’s… Oh, dere’s somebody knockin’ at de do’” (Clara, All) | — | ||
| 2-15 | Porgy and Bess: Act II, Scene IV. “You is a nice parcel of Christians” (Crown) | — | ||
| 2-16 | Porgy and Bess: Act II, Scene IV. “A red-headed woman” (Crown) | — | ||
| 2-17 | Porgy and Bess: Act II, Scene IV. “Jake’s boat in de river, upside down!” (Bess) | — | ||
| 2-18 | Porgy and Bess: Act III, Scene I. “Clara, Clara, don’t you be downhearted” (Chorus) | — | ||
| 2-19 | Porgy and Bess: Act III, Scene I. “Ha ha ha” (Sporting Life) | — | ||
| 2-20 | Porgy and Bess: Act III, Scene I. “Summertime” (Bess) | — | ||
| 2-21 | Porgy and Bess: Act III, Scene II. Introduction “Wait for us at the corner, Al” (Detective) | — | ||
| 2-22 | Porgy and Bess: Act III, Scene II. “Listen: There’s a boat dat’s leavin’ soon for New York” (Sporting Life) | — | ||
| 2-23 | Porgy and Bess: Act III, Scene III. Occupational Humoresque “Good mornin’” (All, Children) | — | ||
| 2-24 | Porgy and Bess: Act III, Scene III. “It’s Porgy comin’ home” (Maria) | — | ||
| 2-25 | Porgy and Bess: Act III, Scene III. “Oh, Bess, oh where’s my Bess” (Porgy) | — | ||
| 2-26 | Porgy and Bess: Act III, Scene III. “Where’s Bess gone?… Oh Lawd, I’m on my way” (Porgy) | — |
