UPC · Release
Jaws 3-D
Alan Parker
Last verified:
720258532220 is the Universal Product Code (UPC barcode) for the release “Jaws 3-D” by Alan Parker, released 2015-01-01 on Intrada. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 69 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (69)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jaws 3-D Main Title (film version) | — | ||
| 2 | First Underwater | — | ||
| 3 | Shark Thru the Gate | — | ||
| 4 | Kay Rides the Whale | — | ||
| 5 | Sean Arrives | — | ||
| 6 | Overman’s Last Dive | — | ||
| 7 | Love Scene (revised) | — | ||
| 8 | Boys in the Raft | — | ||
| 9 | Kay Meets Phillip (revised) | — | ||
| 10 | Underwater Kingdom and Shark Chase | — | ||
| 11 | Dolphin Chase (revised) | — | ||
| 12 | Sub Search (revised) | — | ||
| 13 | Phillip’s Gear | — | ||
| 14 | Night Capture (revised) | — | ||
| 15 | Shark Drop | — | ||
| 16 | It’s Alive / Seaworld Opening Day / Silver Bullet | — | ||
| 17 | Baby Shark Dies | — | ||
| 18 | Tunnels and Tentacles | — | ||
| 19 | Almost but No Bite | — | ||
| 20 | Restaurant Source (flute & harp) | — | ||
| 21 | Shark Loose | — | ||
| 22 | Shark Attacks Skiers | — | ||
| 23 | Shark Attacks Kelly | — | ||
| 24 | Shark Rams Tunnel (revised) | — | ||
| 25 | Panic at Seaworld | — | ||
| 26 | Live Bait | — | ||
| 27 | Ready to Dive | — | ||
| 28 | Phillip’s Demise (revised) | — | ||
| 29 | Shark Breaks Loose | — | ||
| 30 | Pull the Pin (revised) | — | ||
| 31 | Shark Wants Out | — | ||
| 32 | Shark Chases Mike and Kay (revised) | — | ||
| 33 | We’re Saved | — | ||
| 34 | Shark Thru the Window | — | ||
| 35 | The Shark’s Gonna Hit Us | — | ||
| 36 | Shark Guts | — | ||
| 37 | Jaws 3D End Titles | — | ||
| 2-1 | Jaws 3-D Main Title (original version) | — | ||
| 2-2 | Attack (Telex version) | — | ||
| 2-3 | Attack (revised) | — | ||
| 2-4 | Kay and Mike’s Love Theme (original) | — | ||
| 2-5 | Boys in the Raft (revised) | — | ||
| 2-6 | Kay Meets Phillip | — | ||
| 2-7 | Shark Chase and Dolphin Rescue | — | ||
| 2-8 | Dolphin Chase (Telex version) | — | ||
| 2-9 | Sub Search (short) | — | ||
| 2-10 | Night Capture | — | ||
| 2-11 | Park Opening (revised) | — | ||
| 2-12 | Shark Rams Tunnel | — | ||
| 2-13 | Phillip’s Demise | — | ||
| 2-14 | Pull the Pin | — | ||
| 2-15 | Saved by the Dolphins | — | ||
| 2-16 | Shark Thru the Window (Telex version) | — | ||
| 2-17 | Finale (alternate) | — | ||
| 2-18 | Shark Theme (utility no. 1) | — | ||
| 2-19 | Shark Theme (utility no. 2) | — | ||
| 2-20 | Grouper Head (alternate) | — | ||
| 2-21 | Sting 1 | — | ||
| 2-22 | Sting 2 | — | ||
| 2-23 | Sting 3 | — | ||
| 2-24 | Sting 4 | — | ||
| 2-25 | Rock Bar Source | — | ||
| 2-26 | Rock Bar Source (alternate) | — | ||
| 2-27 | Lunch Restaurant Source | — | ||
| 2-28 | Apartment Source | — | ||
| 2-29 | Guitar Show | — | ||
| 2-30 | Country Music Show | — | ||
| 2-31 | Exterior Bar Source | — | ||
| 2-32 | Hawaiian Drums | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 720258532220?
720258532220 is a Universal Product Code (UPC) assigned to Jaws 3-D by Alan Parker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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