UPC · Release
Dick Tracy
Danny Elfman
Last verified:
720258536327 is the Universal Product Code (UPC barcode) for the release “Dick Tracy” by Danny Elfman, released 2016-01-01 on Intrada. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 74 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (74)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Main Title | — | ||
| 2 | After the “Kid” | — | ||
| 3 | Crime Spree | — | ||
| 4 | Breathless’ Theme | — | ||
| 5 | Big Boy/Bad Boys | — | ||
| 6 | Tess’ Theme | — | ||
| 7 | Slimy D.A. | — | ||
| 8 | Breathless Comes On | — | ||
| 9 | Meet the Blank | — | ||
| 10 | The Story Unfolds | — | ||
| 11 | Blank Gets the Goods | — | ||
| 12 | Rooftops | — | ||
| 13 | Tess’ Theme – (reprise) | — | ||
| 14 | The Chase | — | ||
| 15 | Showdown / Reunited | — | ||
| 16 | Finale | — | ||
| 17 | Main Title – Part 1 | — | ||
| 18 | Main Title – Part 2 | — | ||
| 19 | Flattop’s Entrance | — | ||
| 20 | Tracy’s Entrance | — | ||
| 21 | Lips Gets Nailed | — | ||
| 22 | And They’re Off | — | ||
| 23 | Meet Big Boy | — | ||
| 24 | Lips Needs a Bath | — | ||
| 25 | Lips Needs a Bath (alternate) | — | ||
| 26 | Lips Gets a Bath | — | ||
| 27 | Walnuts | — | ||
| 29 | Crime Lab | — | ||
| 30 | Crime Lab (alternate) | — | ||
| 31 | Kid Montage | — | ||
| 32 | Love One | — | ||
| 33 | Breathless Again | — | ||
| 34 | Tracy Spies | — | ||
| 35 | Spaldoni Go Boom | — | ||
| 36 | Tracy Gets Nabbed | — | ||
| 37 | Boiler Go Boom! | — | ||
| 2-1 | Badge | — | ||
| 2-2 | Badge (alternate) | — | ||
| 2-3 | Badge (alternate 2) | — | ||
| 2-5 | Peach Juice | — | ||
| 2-6 | Peach Juice II | — | ||
| 2-7 | Peach Juice II (revised) | — | ||
| 2-8 | Peach Juice II (alternate) | — | ||
| 2-10 | Tess Farewell (alternate) | — | ||
| 2-11 | Bug Rescued | — | ||
| 2-12 | Bug Rescued (alternate) | — | ||
| 2-13 | At the Dock | — | ||
| 2-15 | Tess Nabbed | — | ||
| 2-16 | Tess Nabbed (alternate) | — | ||
| 2-17 | Bait | — | ||
| 2-18 | Gasser | — | ||
| 2-19 | Fletcher Shot/Framed | — | ||
| 2-20 | News Montage | — | ||
| 2-21 | Crime Spree Montage | — | ||
| 2-22 | Jail Cell | — | ||
| 2-23 | Kid/Tracy Hits the Street | — | ||
| 2-24 | Chief Gets a Call | — | ||
| 2-25 | Tracy Finds Tess (A/B) | — | ||
| 2-26 | Tracy Finds Tess (A/B/C) | — | ||
| 2-27 | Tracy Finds Tess (A/B/C) (revised) | — | ||
| 2-28 | Mine Enemy (revised) | — | ||
| 2-29 | Rescue – Part I | — | ||
| 2-30 | Rescue – Part II | — | ||
| 2-31 | Rescue – Part III | — | ||
| 2-32 | Rescue – Part IV/Rescue – Part V | — | ||
| 2-33 | Blast Out | — | ||
| 2-34 | Tracy to the Rescue II | — | ||
| 2-35 | Mano a Mano | — | ||
| 2-36 | Revealed / Reunited | — | ||
| 2-37 | Revealed / Reunited (revised) | — | ||
| 2-38 | Finale (revised) | — | ||
| 2-39 | Finale (alternate) | — | ||
| 2-41 | Breathless #1 | — | ||
| 2-42 | Breathless #2 | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
Verified on
What is UPC 720258536327?
720258536327 is a Universal Product Code (UPC) assigned to Dick Tracy by Danny Elfman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 74 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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