UPC · Release
Funkadelic
Last verified:
723485720002 is the Universal Product Code (UPC barcode) for the release “Funkadelic” by Funkadelic, released 2005-01-01 on Westbound Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 12 tracks, each with its own ISRC. Tracks include US25X0588923, US25X0588924, US25X0588925.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mommy, What’s a Funkadelic? | Funkadelic | T-700.044.608-4 | |
| 2 | I’ll Bet You | Funkadelic | T-700.025.895-9 | |
| 3 | Music for My Mother | Funkadelic | T9211039202 | |
| 4 | I Got a Thing, You Got a Thing, Everybody’s Got a Thing | Funkadelic | T-700.025.284-8 | |
| 5 | Good Old Music | Funkadelic | T-071.133.698-9 | |
| 6 | Qualify & Satisfy | Funkadelic | T-071.209.111-6 | |
| 7 | What Is Soul | Funkadelic | T-915.311.290-4 | |
| 8 | Can't Shake It Loose | Funkadelic | T-070.237.457-9 | |
| 9 | I’ll Bet You (1969) | Funkadelic | T-700.025.895-9 | |
| 10 | Music for My Mother (1969) | Funkadelic | T9211039202 | |
| 11 | As Good as I Can Feel (1969) | Funkadelic | T0727560339 | |
| 12 | Open Our Eyes (1969) | Funkadelic | T7000513908 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Qualify and Satisfy | Funkadelic | T-071.209.111-6 |
| Music for My Mother (instrumental) | Funkadelic | T9211039202 |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
723485720002 is a Universal Product Code (UPC) assigned to Funkadelic by Funkadelic. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 12 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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