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Aangenaam klassiek 2000

UPC · Release

Aangenaam klassiek 2000

Various Artists

724320002024
30 tracksReleased 2000-01-01Stichting CPG

Last verified: September 8, 2026

724320002024 is the Universal Product Code (UPC barcode) for the release “Aangenaam klassiek 2000” by Various Artists, released 2000-01-01 on Stichting CPG. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include DEF059530837, USSM10003211, PTVC16500014.

Format

7Number system
24320Manufacturer
00202Product
4Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCAangenaam klassiek 2000
ISRC13 recordings
ISWC3 works
IPI5 songwriters

Track List (30)

#Track TitleArtist(s)ISWC
Bagatelle, Op. 47 (B.79): Poco allegro1Bagatelle, Op. 47 (B.79): Poco allegro—
Nocturne, Op. 27 No. 1 in C-sharp minor2Nocturne, Op. 27 No. 1 in C-sharp minor—
Die Schöpfung, H. XXI: 2. "Der Herr ist groß in seiner Macht"3Die Schöpfung, H. XXI: 2. "Der Herr ist groß in seiner Macht"—
Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)4Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)English Baroque Soloists, Sir John Eliot Gardiner—
Fantasia in d, KV 3975Fantasia in d, KV 397—
Kol Nidrei (arr. J.F. Zygel)6Kol Nidrei (arr. J.F. Zygel)—
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)7Suite española for piano No. 1, Op. 47: Asturias (Leyenda)John Williams—
Fado português8Fado portuguêsAmália Rodrigues—
Dido and Aeneas: "But death, alas, I cannot shun Thy hand Belinda, when I am laid in earth"9Dido and Aeneas: "But death, alas, I cannot shun Thy hand Belinda, when I am laid in earth"—
Ave Maria, Op. 23.210Ave Maria, Op. 23.2—
Concerto no. 2 in C minor: Ia. Andante -11Concerto no. 2 in C minor: Ia. Andante -Raglan Baroque Players, Elizabeth Wallfisch, Nicholas Kraemer—
Pianotrio No. 3 in C, Op. 101: Andante Grazioso12Pianotrio No. 3 in C, Op. 101: Andante Grazioso—
Valse Brillante, Op. 34 No.1 Prelude No. 413Valse Brillante, Op. 34 No.1 Prelude No. 4—
Violin Concerto in A minor, BWV 1041: III. Allegro assai14Violin Concerto in A minor, BWV 1041: III. Allegro assaiNigel Kennedy, Berliner Philharmoniker—
Goldberg Variations, BWV 988: Aria15Goldberg Variations, BWV 988: AriaMurray PerahiaT-902.128.688-4
La pastorella2-1La pastorellaCharlotte ChurchT-050.026.344-4
Engelse suite No. 3 in G, BWV 808: Prelude2-2Engelse suite No. 3 in G, BWV 808: Prelude—
“Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 6452-3“Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton KoopmanT-031.722.033-9
Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born"2-4Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born"Gabrieli Consort, Gabrieli Players, Paul McCreesh—
Non temer, amato bene, KV 4902-5Non temer, amato bene, KV 490—
Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum2-6Carmina Burana: III. Cour d’amours: 22. Tempus est iocundumBerliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann—
The Nutcracker, op. 71: Act 2: Tableau 3: 14. Pas de deux: c. Variation II (Dance of the Sugar‐Plum Fairy)2-7The Nutcracker, op. 71: Act 2: Tableau 3: 14. Pas de deux: c. Variation II (Dance of the Sugar‐Plum Fairy)Kirov Orchestra, Valery Gergiev—
Pagliacci: Vesti la Giubba2-8Pagliacci: Vesti la Giubba—
Violin Concerto in A minor, op. 53: II. Adagio ma non troppo2-9Violin Concerto in A minor, op. 53: II. Adagio ma non troppoMaxim Vengerov, New York Philharmonic, Kurt Masur—
Sonate in E, K 380 (L23)2-10Sonate in E, K 380 (L23)—
Ständchen D9202-11Ständchen D920—
Sinfonia & Chor: "Ich liege und schlafe"2-12Sinfonia & Chor: "Ich liege und schlafe"—
Spiegel im Spiegel2-13Spiegel im Spiegel—
Requiem for my friend: Meeting2-14Requiem for my friend: Meeting—
Misa criolla: Gloria2-15Misa criolla: GloriaMercedes Sosa—
Bagatelle, Op. 47 (B.79): Poco allegro
Bagatelle, Op. 47 (B.79): Poco allegro
—
Nocturne, Op. 27 No. 1 in C-sharp minor
Nocturne, Op. 27 No. 1 in C-sharp minor
—
Die Schöpfung, H. XXI: 2. "Der Herr ist groß in seiner Macht"
Die Schöpfung, H. XXI: 2. "Der Herr ist groß in seiner Macht"
—
Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)
Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)
English Baroque Soloists, Sir John Eliot Gardiner
—
Fantasia in d, KV 397
Fantasia in d, KV 397
—
Kol Nidrei (arr. J.F. Zygel)
Kol Nidrei (arr. J.F. Zygel)
—
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)
John Williams
—
Fado português
Fado português
Amália Rodrigues
—
Dido and Aeneas: "But death, alas, I cannot shun Thy hand Belinda, when I am laid in earth"
Dido and Aeneas: "But death, alas, I cannot shun Thy hand Belinda, when I am laid in earth"
—
Ave Maria, Op. 23.2
Ave Maria, Op. 23.2
—
Concerto no. 2 in C minor: Ia. Andante -
Concerto no. 2 in C minor: Ia. Andante -
Raglan Baroque Players, Elizabeth Wallfisch, Nicholas Kraemer
—
Pianotrio No. 3 in C, Op. 101: Andante Grazioso
Pianotrio No. 3 in C, Op. 101: Andante Grazioso
—
Valse Brillante, Op. 34 No.1 Prelude No. 4
Valse Brillante, Op. 34 No.1 Prelude No. 4
—
Violin Concerto in A minor, BWV 1041: III. Allegro assai
Violin Concerto in A minor, BWV 1041: III. Allegro assai
Nigel Kennedy, Berliner Philharmoniker
—
Goldberg Variations, BWV 988: Aria
Goldberg Variations, BWV 988: Aria
Murray Perahia
T-902.128.688-4
La pastorella
La pastorella
Charlotte Church
T-050.026.344-4
Engelse suite No. 3 in G, BWV 808: Prelude
Engelse suite No. 3 in G, BWV 808: Prelude
—
“Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645
“Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645
Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman
T-031.722.033-9
Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born"
Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born"
Gabrieli Consort, Gabrieli Players, Paul McCreesh
—
Non temer, amato bene, KV 490
Non temer, amato bene, KV 490
—
Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum
Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum
Berliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann
—
The Nutcracker, op. 71: Act 2: Tableau 3: 14. Pas de deux: c. Variation II (Dance of the Sugar‐Plum Fairy)
The Nutcracker, op. 71: Act 2: Tableau 3: 14. Pas de deux: c. Variation II (Dance of the Sugar‐Plum Fairy)
Kirov Orchestra, Valery Gergiev
—
Pagliacci: Vesti la Giubba
Pagliacci: Vesti la Giubba
—
Violin Concerto in A minor, op. 53: II. Adagio ma non troppo
Violin Concerto in A minor, op. 53: II. Adagio ma non troppo
Maxim Vengerov, New York Philharmonic, Kurt Masur
—
Sonate in E, K 380 (L23)
Sonate in E, K 380 (L23)
—
Ständchen D920
Ständchen D920
—
Sinfonia & Chor: "Ich liege und schlafe"
Sinfonia & Chor: "Ich liege und schlafe"
—
Spiegel im Spiegel
Spiegel im Spiegel
—
Requiem for my friend: Meeting
Requiem for my friend: Meeting
—
Misa criolla: Gloria
Misa criolla: Gloria
Mercedes Sosa
—

Additional database matches (1)

Track TitleArtist(s)ISWC
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)John Williams—
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)
John Williams
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-050.026.344-4T-902.128.688-4T-031.722.033-9

Songwriters/Publishers (IPI)

0008724973700148540273001485404690048276512600482991900

Creative Contributors (ISNI)

0000000041012746000000005516901500000000783956560000000080824368000000008186926900000000818965660000000083877190000000010725913600000001081629260000000108604261
+40 more
00000001086751070000000109063081000000010936820500000001094053870000000109504983000000010961590700000001099383940000000110803606000000011453361500000001145420790000000114681597000000011468168500000001147100520000000114761474000000011476719800000001148025040000000114915648000000011580933700000001162875260000000116489531000000011700249X000000011711522400000001193479500000000119392989000000011945526500000001195326970000000119573608000000012019149800000001202982010000000120343914000000012096183500000001210391560000000121076723000000012114424700000001214630880000000121485965000000012191687600000001223855950000000122601585000000012353867X
SourcesDiscogsMusicBrainzMLCNotes✓4 sources

Verified on

  • MusicBrainz release search

Identifier Graph

UPCAangenaam klass…ISRCDie Zauberflöte…ISRCSuite española …ISRCFado portuguêsISRCConcerto no. 2 …ISRCViolin Concerto…

People also ask

What is UPC 724320002024?+
UPC 724320002024 is the Universal Product Code (barcode) for "Aangenaam klassiek 2000" by Various Artists, released on Stichting CPG.
What is a UPC code in music?+
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?+
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724320002024?+
UPC 724320002024 contains 30 tracks, each with its own ISRC.

What is UPC 724320002024?

724320002024 is a Universal Product Code (UPC) assigned to Aangenaam klassiek 2000 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm

Various Artists

724320002024 is the Universal Product Code (UPC barcode) for the release “Aangenaam klassiek 2000” by Various Artists, released 2000-01-01 on Stichting CPG. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include DEF059530837, USSM10003211, PTVC16500014.

Track List (30)

#Track TitleArtist(s)ISWC
Bagatelle, Op. 47 (B.79): Poco allegro1Bagatelle, Op. 47 (B.79): Poco allegro—
Nocturne, Op. 27 No. 1 in C-sharp minor2Nocturne, Op. 27 No. 1 in C-sharp minor—
Die Schöpfung, H. XXI: 2. "Der Herr ist groß in seiner Macht"3Die Schöpfung, H. XXI: 2. "Der Herr ist groß in seiner Macht"—
Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)4Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)English Baroque Soloists, Sir John Eliot Gardiner—
Fantasia in d, KV 3975Fantasia in d, KV 397—
Kol Nidrei (arr. J.F. Zygel)6Kol Nidrei (arr. J.F. Zygel)—
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)7Suite española for piano No. 1, Op. 47: Asturias (Leyenda)John Williams—
Fado português8Fado portuguêsAmália Rodrigues—
Dido and Aeneas: "But death, alas, I cannot shun Thy hand Belinda, when I am laid in earth"9Dido and Aeneas: "But death, alas, I cannot shun Thy hand Belinda, when I am laid in earth"—
Ave Maria, Op. 23.210Ave Maria, Op. 23.2—
Concerto no. 2 in C minor: Ia. Andante -11Concerto no. 2 in C minor: Ia. Andante -Raglan Baroque Players, Elizabeth Wallfisch, Nicholas Kraemer—
Pianotrio No. 3 in C, Op. 101: Andante Grazioso12Pianotrio No. 3 in C, Op. 101: Andante Grazioso—
Valse Brillante, Op. 34 No.1 Prelude No. 413Valse Brillante, Op. 34 No.1 Prelude No. 4—
Violin Concerto in A minor, BWV 1041: III. Allegro assai14Violin Concerto in A minor, BWV 1041: III. Allegro assaiNigel Kennedy, Berliner Philharmoniker—
Goldberg Variations, BWV 988: Aria15Goldberg Variations, BWV 988: AriaMurray PerahiaT-902.128.688-4
La pastorella2-1La pastorellaCharlotte ChurchT-050.026.344-4
Engelse suite No. 3 in G, BWV 808: Prelude2-2Engelse suite No. 3 in G, BWV 808: Prelude—
“Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 6452-3“Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton KoopmanT-031.722.033-9
Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born"2-4Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born"Gabrieli Consort, Gabrieli Players, Paul McCreesh—
Non temer, amato bene, KV 4902-5Non temer, amato bene, KV 490—
Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum2-6Carmina Burana: III. Cour d’amours: 22. Tempus est iocundumBerliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann—
The Nutcracker, op. 71: Act 2: Tableau 3: 14. Pas de deux: c. Variation II (Dance of the Sugar‐Plum Fairy)2-7The Nutcracker, op. 71: Act 2: Tableau 3: 14. Pas de deux: c. Variation II (Dance of the Sugar‐Plum Fairy)Kirov Orchestra, Valery Gergiev—
Pagliacci: Vesti la Giubba2-8Pagliacci: Vesti la Giubba—
Violin Concerto in A minor, op. 53: II. Adagio ma non troppo2-9Violin Concerto in A minor, op. 53: II. Adagio ma non troppoMaxim Vengerov, New York Philharmonic, Kurt Masur—
Sonate in E, K 380 (L23)2-10Sonate in E, K 380 (L23)—
Ständchen D9202-11Ständchen D920—
Sinfonia & Chor: "Ich liege und schlafe"2-12Sinfonia & Chor: "Ich liege und schlafe"—
Spiegel im Spiegel2-13Spiegel im Spiegel—
Requiem for my friend: Meeting2-14Requiem for my friend: Meeting—
Misa criolla: Gloria2-15Misa criolla: GloriaMercedes Sosa—
Bagatelle, Op. 47 (B.79): Poco allegro
Bagatelle, Op. 47 (B.79): Poco allegro
—
Nocturne, Op. 27 No. 1 in C-sharp minor
Nocturne, Op. 27 No. 1 in C-sharp minor
—
Die Schöpfung, H. XXI: 2. "Der Herr ist groß in seiner Macht"
Die Schöpfung, H. XXI: 2. "Der Herr ist groß in seiner Macht"
—
Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)
Die Zauberflöte: Act II. Nr. 17 Arie: »Ach, ich fühl’s, es ist verschwunden« (Pamina)
English Baroque Soloists, Sir John Eliot Gardiner
—
Fantasia in d, KV 397
Fantasia in d, KV 397
—
Kol Nidrei (arr. J.F. Zygel)
Kol Nidrei (arr. J.F. Zygel)
—
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)
John Williams
—
Fado português
Fado português
Amália Rodrigues
—
Dido and Aeneas: "But death, alas, I cannot shun Thy hand Belinda, when I am laid in earth"
Dido and Aeneas: "But death, alas, I cannot shun Thy hand Belinda, when I am laid in earth"
—
Ave Maria, Op. 23.2
Ave Maria, Op. 23.2
—
Concerto no. 2 in C minor: Ia. Andante -
Concerto no. 2 in C minor: Ia. Andante -
Raglan Baroque Players, Elizabeth Wallfisch, Nicholas Kraemer
—
Pianotrio No. 3 in C, Op. 101: Andante Grazioso
Pianotrio No. 3 in C, Op. 101: Andante Grazioso
—
Valse Brillante, Op. 34 No.1 Prelude No. 4
Valse Brillante, Op. 34 No.1 Prelude No. 4
—
Violin Concerto in A minor, BWV 1041: III. Allegro assai
Violin Concerto in A minor, BWV 1041: III. Allegro assai
Nigel Kennedy, Berliner Philharmoniker
—
Goldberg Variations, BWV 988: Aria
Goldberg Variations, BWV 988: Aria
Murray Perahia
T-902.128.688-4
La pastorella
La pastorella
Charlotte Church
T-050.026.344-4
Engelse suite No. 3 in G, BWV 808: Prelude
Engelse suite No. 3 in G, BWV 808: Prelude
—
“Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645
“Wachet auf, ruft uns die Stimme” (Sleepers Awake), BWV 645
Yo-Yo Ma, Amsterdam Baroque Orchestra, Ton Koopman
T-031.722.033-9
Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born"
Messiah, HWV 56: Part I, Scene III. Chorus "For unto us a Child is born"
Gabrieli Consort, Gabrieli Players, Paul McCreesh
—
Non temer, amato bene, KV 490
Non temer, amato bene, KV 490
—
Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum
Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum
Berliner Knabenchor, Chor der Deutschen Oper Berlin, Simon Keenlyside, Christiane Oelze, Orchester der Deutschen Oper Berlin, Christian Thielemann
—
The Nutcracker, op. 71: Act 2: Tableau 3: 14. Pas de deux: c. Variation II (Dance of the Sugar‐Plum Fairy)
The Nutcracker, op. 71: Act 2: Tableau 3: 14. Pas de deux: c. Variation II (Dance of the Sugar‐Plum Fairy)
Kirov Orchestra, Valery Gergiev
—
Pagliacci: Vesti la Giubba
Pagliacci: Vesti la Giubba
—
Violin Concerto in A minor, op. 53: II. Adagio ma non troppo
Violin Concerto in A minor, op. 53: II. Adagio ma non troppo
Maxim Vengerov, New York Philharmonic, Kurt Masur
—
Sonate in E, K 380 (L23)
Sonate in E, K 380 (L23)
—
Ständchen D920
Ständchen D920
—
Sinfonia & Chor: "Ich liege und schlafe"
Sinfonia & Chor: "Ich liege und schlafe"
—
Spiegel im Spiegel
Spiegel im Spiegel
—
Requiem for my friend: Meeting
Requiem for my friend: Meeting
—
Misa criolla: Gloria
Misa criolla: Gloria
Mercedes Sosa
—

Additional database matches (1)

Track TitleArtist(s)ISWC
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)John Williams—
Suite española for piano No. 1, Op. 47: Asturias (Leyenda)
John Williams
—