UPC · Release
Mozart, Schwarzkopf, Merriman, Panerai, Simoneau, Otto, Bruscantini, Philharmonia Orchestra, Herbert von Karajan
Last verified:
The UPC for “Così fan tutte: Highlights” by Mozart, Schwarzkopf, Merriman, Panerai, Simoneau, Otto, Bruscantini, Philharmonia Orchestra, Herbert von Karajan is 724347955327. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: EMI Eminence. This release contains 22 tracks, each with its own ISRC. Tracks include GBAYC9900804, GBAYC9900807, GBAYC9900809.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Così fan tutte: Ouverture | Philharmonia Orchestra, Herbert von Karajan | — | |
| 2 | Così fan tutte: Atto I. No. 1 Terzetto “La mia Dorabella capace non è” (Ferrando, Guglielmo, Don Alfonso) | Sesto Bruscantini, Rolando Panerai, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | — | |
| 3 | Così fan tutte: Atto I. No. 2 Terzetto “E la fede delle femmine” (Ferrando, Guglielmo, Don Alfonso) | Sesto Bruscantini, Rolando Panerai, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | — | |
| 4 | Così fan tutte: Atto I. No. 3 Terzetto “Una bella serenata” (Ferrando, Guglielmo, Don Alfonso) | Sesto Bruscantini, Rolando Panerai, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | — | |
| 5 | Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso) | Sesto Bruscantini, Nan Merriman, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | T-902.525.648-8 | |
| 6 | Così fan tutte: Atto I. “Ah scostati! / No. 11: "Smanie implacabili che m’agitate” | Nan Merriman, Philharmonia Orchestra, Herbert von Karajan | — | |
| 7 | Così fan tutte: Atto I. No. 12 Aria “In uomini, in soldati sperare” (Despina) | Lisa Otto, Philharmonia Orchestra, Herbert von Karajan | — | |
| 8 | Così fan tutte: Atto I. Sestetto “Alla bella Despinetta” (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella) | Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | T-071.553.169-3 | |
| 9 | Così fan tutte: Atto I. No. 14: “Come scoglio immoto resta” | Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | — | |
| 10 | Così fan tutte: Atto I. Appendix. No. 15 Aria “Non siate ritrosi” (Guglielmo) | Rolando Panerai, Philharmonia Orchestra, Herbert von Karajan | — | |
| 11 | Così fan tutte: Atto I. No. 16 Terzetto “E voi ridete?” (Don Alfonso, Ferrando, Guglielmo) | Sesto Bruscantini, Rolando Panerai, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | T-071.553.169-3 | |
| 12 | Così fan tutte: Atto I. No. 17 Aria “Un’aura amorosa” (Ferrando) | Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | — | |
| 13 | Così fan tutte: Atto II. No.19 Aria “Una donna a quindici anni” (Despina) | Lisa Otto, Philharmonia Orchestra, Herbert von Karajan | — | |
| 14 | Così fan tutte: Atto II. No. 20 Duetto “Prenderò quel brunettino” (Fiordiligi, Dorabella) | Nan Merriman, Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | — | |
| 15 | Così fan tutte: Atto II. No. 22 Quartetto “La mano a me date” (Don Alfonso, Ferrando, Guglielmo, Despina) | Sesto Bruscantini, Lisa Otto, Rolando Panerai, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | T-071.553.169-3 | |
| 16 | Così fan tutte: Atto II. No. 23 Duetto “Il core vi dono, bell’idolo mio” (Dorabella, Guglielmo) | Nan Merriman, Rolando Panerai, Philharmonia Orchestra, Herbert von Karajan | — | |
| 17 | Così fan tutte: Atto II. Recitativo “Ei parte… Scenti!… Ah, no!” (Fiordiligi) | Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | — | |
| 18 | Così fan tutte: Atto II. No. 25: “Per pietà, ben mio, perdona” | Elisabeth Schwarzkopf, Philharmonia Orchestra, Herbert von Karajan | — | |
| 19 | Così fan tutte: Atto II. No. 26 Aria “Donne mie, la fate a tanti” (Guglielmo) | Rolando Panerai, Philharmonia Orchestra, Herbert von Karajan | — | |
| 20 | Così fan tutte: Atto II. No. 29 Duetto “Fra gli amplessi in pochi istanti” (Fiordiligi, Ferrando) | Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | — | |
| 21 | Così fan tutte: Atto II. No. 30 Aria “Tutti accusan le donne” (Don Alfonso, Guglielmo) | Sesto Bruscantini, Rolando Panerai, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | T-071.553.169-3 | |
| 22 | Così fan tutte: Atto II. “Fortunato l’uom che prende” | Sesto Bruscantini, Nan Merriman, Lisa Otto, Rolando Panerai, Philharmonia Chorus, Elisabeth Schwarzkopf, Léopold Simoneau, Philharmonia Orchestra, Herbert von Karajan | — |
Musical Works (ISWC)
Identifier Graph
724347955327 is a Universal Product Code (UPC) assigned to Così fan tutte: Highlights by Mozart, Schwarzkopf, Merriman, Panerai, Simoneau, Otto, Bruscantini, Philharmonia Orchestra, Herbert von Karajan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Così fan tutte: Highlights” by Mozart, Schwarzkopf, Merriman, Panerai, Simoneau, Otto, Bruscantini, Philharmonia Orchestra, Herbert von Karajan is 724347955327. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1993-01-01. Label: EMI Eminence. This release contains 22 tracks, each with its own ISRC. Tracks include GBAYC9900804, GBAYC9900807, GBAYC9900809.
