UPC · Album

Pachelbel’s Canon & Other Baroque Favourites

Andrew Parrott

724348204356
42 tracksReleased 2005-03-07

Last verified:

724348204356 is the Universal Product Code (UPC barcode) for the release Pachelbel’s Canon & Other Baroque Favourites by Andrew Parrott, released 2005-03-07. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 42 tracks, each with its own ISRC. Tracks include GBAYC1300180, GBAYC1300181, GBAYC1300182.

Format

7Number system
24348Manufacturer
20435Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCPachelbel’s Canon & Other Baroque Favourites
ISRC48 recordings
ISWC14 works

Track List (48)

Orchestral Suite no. 3 in D, BWV 1068: II. Air
Boston Early Music Festival Orchestra, Andrew Parrott
Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II
Boston Early Music Festival Orchestra, Andrew Parrott
Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée
Boston Early Music Festival Orchestra, Andrew Parrott
Orchestral Suite no. 3 in D, BWV 1068: V. Gigue
Boston Early Music Festival Orchestra, Andrew Parrott
Suite no. 2 n B minor, BWV 1067: VI. Menuet
Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott
Suite no. 2 n B minor, BWV 1067: VII. Badinerie
Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott
Selva morale e spirituale: Beatus vir I a 6 [Psalm 111]
Andrew Parrott, The Taverner Choir, Consort & Players
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: I. Largo
Janet See, Taverner Players, Andrew Parrott
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: II. Presto (Fantasmi) / III. Largo
Janet See, Taverner Players, Andrew Parrott
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV 439 “La notte”: IV. Presto
Janet See, Taverner Players, Andrew Parrott
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: V. Largo (Il sonno)
Janet See, Taverner Players, Andrew Parrott
Concerto in G minor for Flute and Strings, op. 10 no. 2, RV439 “La notte”: VI. Allegro
Janet See, Taverner Players, Andrew Parrott
Miserere a 9
Taverner Choir, Taverner Consort, Andrew Parrott
Carmelite Vespers: Psalm I: Dixit Dominus: Dixit Dominus Domino meo
Taverner Choir, Taverner Players, Andrew Parrott
Canon in D
Taverner Players, Andrew Parrott
Canon and Gigue in D major: Gigue
Taverner Players, Andrew Parrott
Cantata “Herz und Mund und Tat und Leben” BWV 147: Choral “Jesu bleibet meine Freude” (Jesu, joy of man’s desiring)
Taverner Consort, Taverner Players, Andrew Parrott
Abdelazer, or The Moor's Revenge: Rondeau
Taverner Players, Andrew Parrott
Three Parts Upon a Ground, Z. 731
Taverner Players, Andrew Parrott
Solomon HWV 67: Act III. Sinfonia: The Arrival of the Queen of Sheba
Taverner Players, Andrew Parrott
Harp Concerto in B-flat major, op. 4 no. 6: I. Andante – Allegro
Andrew Lawrence-King, Taverner Players, Andrew Parrott
Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto
Andrew Lawrence-King, Taverner Players, Andrew Parrott
Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro moderato
Andrew Lawrence-King, Taverner Players, Andrew Parrott
Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia
Taverner Players, Andrew Parrott
Funeral Sentences for the Death of Queen Mary II: March, Z. 860i
The Taverner Choir, Consort & Players, Andrew Parrott
Funeral Sentences for the death of Queen Mary: Thou know'st Lord
Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
Funeral Sentences for the death of Queen Mary: Canzona
Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
Brandenburg Concerto no. 2 in F major, BWV 1047: I. [Allegro]
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
Paul Goodwin, John Holloway, David Staff, Marion Verbruggen, Taverner Players, Andrew Parrott
Messiah: Part I: Sinfony: Grave – Allegro moderato
Taverner Players, Andrew Parrott
Messiah: Part II: Hallelujah!
Taverner Choir, Taverner Players, Andrew Parrott
Sacrae symphoniae: Sonata pian e forte alla quarta bassa, a 8
Taverner Players, Andrew Parrott
Johannes‐Passion, BWV 245, Pt. 2: No. 39, Chor. “Ruht wohl, ihr heiligen Gebeine”
Rogers Covey-Crump, David Thomas, Taverner Consort, Taverner Players, Andrew Parrott
The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: I. Allegro
Chiara Banchini, Taverner Players, Andrew Parrott
The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: II. Largo e pianissimo
Chiara Banchini, Taverner Players, Andrew Parrott
The Four Seasons – Concerto no. 1 in E major RV269, “Spring”: III. Danza pastorale (Allegro)
Chiara Banchini, Taverner Players, Andrew Parrott
The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: I. Allegro non molto
Alison Bury, Taverner Players, Andrew Parrott
The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: II. Adagio
Alison Bury, Taverner Players, Andrew Parrott
The Four Seasons – Concerto no. 2 in G minor RV315, “Summer”: III. Presto (Tempo impetuso d'Estate)
Alison Bury, Taverner Players, Andrew Parrott
Gloria, RV 589: I. Gloria in excelsis
Taverner Choir, Taverner Consort, Taverner Players, Andrew Parrott
Suite no. 2 n B minor, BWV 1067: VI. Menuet
Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott
Suite no. 2 n B minor, BWV 1067: VII. Badinerie
Christopher Krueger, Boston Early Music Festival Orchestra, Andrew Parrott
Orchestral Suite no. 3 in D, BWV 1068: II. Air
Boston Early Music Festival Orchestra, Andrew Parrott
Orchestral Suite no. 3 in D, BWV 1068: III. Gavottes I & II
Boston Early Music Festival Orchestra, Andrew Parrott
Orchestral Suite no. 3 in D, BWV 1068: IV. Bourrée
Boston Early Music Festival Orchestra, Andrew Parrott
Orchestral Suite no. 3 in D, BWV 1068: V. Gigue
Boston Early Music Festival Orchestra, Andrew Parrott
Laetatus sum, RV 607
Taverner Choir, Taverner Players, Andrew Parrott

People also ask

What is UPC 724348204356?
UPC 724348204356 is the Universal Product Code (barcode) for "Pachelbel’s Canon & Other Baroque Favourites" by Andrew Parrott.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724348204356?
UPC 724348204356 contains 42 tracks, each with its own ISRC.
SourcesMusicBrainzNotes2 sources

Verified on

What is UPC 724348204356?

724348204356 is a Universal Product Code (UPC) assigned to Pachelbel’s Canon & Other Baroque Favourites by Andrew Parrott. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 42 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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