UPC · Release
Original Best of Jazz
Various Artists
Last verified:
724349734623 is the Universal Product Code (UPC barcode) for the release “Original Best of Jazz” by Various Artists, released 1999-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 80 tracks, each with its own ISRC. Tracks include USBN24700062, USBN26000087, USBN25300067.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (80)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Indiana | Bud Powell | — | |
| 2 | Karioka | Freddie Hubbard | — | |
| 3 | Star Dust | Duke Ellington | T-031.563.049-9 | |
| 4 | Trapped | Lee Morgan | — | |
| 5 | Over the Rainbow | Art Pepper | T-070.159.949-6 | |
| 6 | Putting Up With Me | Mose Allison | — | |
| 7 | Revelation | Gerry Mulligan | — | |
| 8 | Down Under | Art Blakey | — | |
| 9 | Finger Poppin’ | Horace Silver | — | |
| 10 | I Get Along You Very Well | Chet Baker | — | |
| 11 | Mercy, Mercy, Mercy | Cannonball Adderley | T-070242161-1 | |
| 12 | The Sorcerer | Herbie Hancock | T-700.065.667-9 | |
| 13 | Cherry | Jimmy Smith | — | |
| 14 | Chile Bowl | Duke Ellington | — | |
| 15 | Hollyridge Drive | Benny Carter | — | |
| 16 | Calm | Wayne Shorter | — | |
| 17 | I Want to Be Happy | Bud Powell | — | |
| 18 | To Forget About You | Dinah Washington | — | |
| 19 | One O’Clock Jump | Count Basie | T-070.159.301-2 | |
| 20 | Just in Time | Stan Kenton | — | |
| 2-1 | Destination Moon | Dinah Washington | T-070.038.853-9 | |
| 2-2 | Bockhanal | Chet Baker Ensemble | T-070.012.013-3 | |
| 2-3 | Safari | Horace Silver | — | |
| 2-4 | You Get ’cha | Jimmy Smith | — | |
| 2-5 | Disc Jokey Jump | Gerry Mulligan | — | |
| 2-6 | All or Nothing at All | Freddie Hubbard | T-070.000.757-3 | |
| 2-7 | Sam and the Lady | Art Pepper | — | |
| 2-8 | Au privave | Cannonball Adderley, Ray Brown, Wes Montgomery | T-070.232.051-1 | |
| 2-9 | Along Came Betty | Art Blakey and The Jazz Messengers | T-700.091.590-4 | |
| 2-10 | Twilight Mist | Lee Morgan | — | |
| 2-11 | Machito | Stan Kenton | — | |
| 2-12 | I Looked in the Mirror | Mose Allison | — | |
| 2-13 | Harlem Holiday | Stan Kenton | T-070.072.472-6 | |
| 2-14 | Cantaloupe Island | Herbie Hancock | T-700004705-4 | |
| 2-15 | Cuttin’ Time | Benny Carter | — | |
| 2-16 | No Moon at All | Count Basie | T-070.152.700-5 | |
| 2-17 | Super Nova | Wayne Shorter | — | |
| 2-18 | Janet | Duke Ellington | — | |
| 2-19 | I’ll Never Stop Loving You | Dinah Washington | T-070.903.447-8 | |
| 2-20 | Bud on Bach | Bud Powell | — | |
| 3-1 | A Little Tempo Please | Count Basie | — | |
| 3-2 | C.T.A. | Lee Morgan | — | |
| 3-3 | Dance of the Infidels | Bud Powell's Modernists | T-700.008.381-0 | |
| 3-4 | Fee‐Fi‐Fo‐Fum | Wayne Shorter | — | |
| 3-5 | I Surrender Dear | Benny Carter | — | |
| 3-6 | Smitty’s Place | McCoy Tyner | — | |
| 3-7 | Stormy Weather | Duke Ellington | T-070.137.905-6 | |
| 3-8 | Walkin’ Shoes | Gerry Mulligan | — | |
| 3-9 | Riffamarole | Benny Carter | — | |
| 3-10 | But Not for Me | Chet Baker | T-010.433.984-5 | |
| 3-11 | Ever Since I Stole the Blues | Mose Allison | — | |
| 3-12 | Funny Thing | Dinah Washington | — | |
| 3-13 | Round Robin | Stan Kenton | — | |
| 3-14 | Collard Greens and Black‐Eyed Peas | Bud Powell | T-926376884-9 | |
| 3-15 | Just One More Chance | Dinah Washington | — | |
| 3-16 | Activation | Horace Silver | — | |
| 3-17 | Long Ago and Far Away | Art Pepper | — | |
| 3-18 | My Backyard | Mose Allison | — | |
| 3-19 | Bunny | Art Pepper | T0700127907 | |
| 3-20 | Halema | Chet Baker | — | |
| 4-1 | Five Brothers | Gerry Mulligan | T0700547245 | |
| 4-2 | Alfie | Art Pepper | — | |
| 4-3 | Bud’s Bubble | Bud Powell | — | |
| 4-4 | Caravan | Duke Ellington | T-072.208.071-8 | |
| 4-5 | Don’t Say Nothin’ at All | Dinah Washington | — | |
| 4-6 | Fascinating Rhythm | Stan Kenton | T-070.054.137-2 | |
| 4-7 | I Can’t Get Started | Benny Carter | — | |
| 4-8 | I Fall in Love Too Easily | Chet Baker | T-070.902.822-7 | |
| 4-9 | I Mean You | McCoy Tyner | — | |
| 4-10 | Jack Rabbit | Herbie Hancock | T-700.031.707-9 | |
| 4-11 | Just A‐Sittin’ and A‐Rockin’ | Stan Kenton | T-070.088.911-7 | |
| 4-12 | Love for Sale | Benny Carter | T-070.097.242-4 | |
| 4-13 | On the Road | Art Pepper | — | |
| 4-14 | Satin Doll | Duke Ellington | T-070.134.197-0 | |
| 4-15 | Summertime | Jimmy Smith | T-800.364.991-1 | |
| 4-16 | That Old Feeling | Chet Baker | T-070.178.692-6 | |
| 4-17 | This Ain’t Me | Mose Allison | — | |
| 4-18 | Wail | Bud Powell | — | |
| 4-19 | Where You At? | Horace Silver | — | |
| 4-20 | Whirly‐Bird | Count Basie | T-070.199.576-7 |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Just One More Chance | Dinah Washington | — |
| C.T.A. | Lee Morgan | — |
| Alfie | Art Pepper | T0700028121 |
| Calm | Wayne Shorter | — |
| I Want to Be Happy | Bud Powell | — |
| Karioka | Freddie Hubbard | — |
| Karioka | Freddie Hubbard | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
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People also ask
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What is UPC 724349734623?
724349734623 is a Universal Product Code (UPC) assigned to Original Best of Jazz by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 80 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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