UPC · Release
100% Hits: Best of ’98
Various Artists
Last verified:
724349866829 is the Universal Product Code (UPC barcode) for the release “100% Hits: Best of ’98” by Various Artists, released 1998-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include USAT21001031, GBAAA9820294, GBALS9700079.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Boy Is Mine | Brandy, Monica | T-070.885.354-6 | |
| 2 | Viva Forever | Spice Girls | T-010.366.569-5 | |
| 3 | High | Lighthouse Family | T-010.365.887-2 | |
| 4 | Lady Marmalade | — | ||
| 6 | Music Sounds Better With You (radio edit) | Stardust | T-900.262.351-0 | |
| 7 | One Week | Barenaked Ladies | T-071.653.398-0 | |
| 8 | Da Ya Think I’m Sexy? (radio edit) | N-Trance, Rod Stewart | T-070.042.262-3 | |
| 9 | Crush on You | — | ||
| 10 | All My Life | K-Ci & JoJo | T-070.256.909-2 | |
| 11 | Sunchyme (radio edit) | Dario G | T-011.519.412-1 | |
| 13 | I Never Loved You Anyway | — | ||
| 14 | Don’t You Know Who I Am? | — | ||
| 15 | Pure Morning | Placebo | T-010.891.197-2 | |
| 16 | Kung Fu Fighting | Bus Stop, Carl Douglas | T-801.233.026-7 | |
| 17 | The Impression That I Get | — | ||
| 18 | The Drugs Don’t Work (radio edit) | The Verve | T-010.258.718-7 | |
| 19 | No Aphrodisiac | The Whitlams | T-060.321.285-6 | |
| 2-1 | Tubthumping | Chumbawamba | T-011.513.266-5 | |
| 2-2 | Barbie Girl | Aqua | T-000.266.868-9 | |
| 2-3 | It’s Like That | — | ||
| 2-4 | Polyester Girl | Regurgitator | T-060.323.606-1 | |
| 2-5 | I Wanna Be the Only One | Eternal, BeBe Winans | T-070.249.240-7 | |
| 2-6 | Foolish Games | Jewel | T-070.061.202-7 | |
| 2-7 | Together Again | Janet | — | |
| 2-8 | You Sexy Thing | — | ||
| 2-9 | Fight for Your Right to Party | — | ||
| 2-10 | Cleopatra’s Theme | — | ||
| 2-11 | Hey Now Now | — | ||
| 2-12 | Takin’ All Day | — | ||
| 2-13 | Next Time | — | ||
| 2-14 | Day You Come | — | ||
| 2-15 | Fly | Sugar Ray | T-011.669.517-0 | |
| 2-16 | Teardrop | Massive Attack | T-010.089.806-3 | |
| 2-17 | Cassanova | — | ||
| 2-18 | Sex and Candy | Marcy Playground | T-070.172.465-3 | |
| 2-19 | I Don’t Like it | — |
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 |
| All My Life (radio edit) | K-Ci & JoJo | T-070.256.909-2 |
| Together Again | Janet | T-070.930.453-9 |
| The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 |
| The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 |
| The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 |
| The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 |
| The Grease Megamix | John Travolta, Olivia Newton-John | T-073.220.498-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
+40 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 724349866829?
724349866829 is a Universal Product Code (UPC) assigned to 100% Hits: Best of ’98 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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