UPC · Album
Atomic/Atomix: The Very Best of Blondie
Blondie
Last verified:
724349928855 is the Universal Product Code (UPC barcode) for the release “Atomic/Atomix: The Very Best of Blondie” by Blondie, released 2003-03-03. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC. Tracks include USCA20601883, USCA20601884, USCA20702381.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (83)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Atomic (Diddy’s 12″ mix) | Blondie | USCA20601883 |
| RAPTURE (US DISCO VERSION) [REMASTERED] | BLONDIE | USCA20601884 |
| Atomic | Blondie | USCA20702381 |
| SUNDAY GIRL | BLONDIE | USCA27800181 |
| The Tide Is High | Blondie | USCA28000082 |
| SUNDAY GIRL | BLONDIE | USCA28100065 |
| Atomic (Diddy’s 12″ mix) | Blondie | USCA29502305 |
| Call Me (theme from American Gigolo) | Blondie | USCH01000710 |
| (I'M ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR. | BLONDIE | USCH20100030 |
| Denis | Blondie | USCH20100036 |
| The Tide Is High | Blondie | USCH30100019 |
| DREAMING (2001 REMASTER) | BLONDIE | USCH30100023 |
| SUNDAY GIRL - REMASTERED | BLONDIE, MIKE CHAPMAN, MICHAEL CHAPMAN | USCH30100026 |
| HANGING ON THE TELEPHONE (2001 REMASTER) | BLONDIE | USCH30100027 |
| ONE WAY OR ANOTHER (2001 REMASTER) | BLONDIE | USCH30100029 |
| (I’m Always Touched by Your) Presence, Dear | Blondie | USCH30100030 |
| Call Me | Blondie | USCH30100031 |
| ATOMIC (2001 DIGITAL REMASTER) | BLONDIE | USCH30100032 |
| RIP HER TO SHREDS (2001 REMASTERED) | BLONDIE | USCH30100033 |
| X OFFENDER (2001 REMASTER) | BLONDIE | USCH30100034 |
| DENIS (2001 DIGITAL REMASTER) | BLONDIE | USCH30100036 |
| UNION CITY BLUE (2001 REMASTER) | BLONDIE | USCH30100062 |
| CALL ME (ORIGINAL LONG VERSION) [VERSION] | BLONDIE | USCH30100071 |
| WAR CHILD (REMASTERED) | BLONDIE | USCH30100079 |
| DANCEAWAY | BLONDIE | USCH30100081 |
| PICTURE THIS (2001 REMASTER) | BLONDIE | USCH30100100 |
| FADE AWAY AND RADIATE (2001 DIGITAL REMASTER) | BLONDIE | USCH30100101 |
| I'M GONNA LOVE YOU TOO | BLONDIE | USCH30100109 |
| CALL ME - REMASTERED | BLONDIE | USCH30200013 |
| RAPTURE (2002 REMASTER) | BLONDIE | USCH30200014 |
| DREAMING (UTAH SAINTS MIX; 1999 - REMASTER) | BLONDIE | USCH30600004 |
| DENIS | BLONDIE | USCH37700002 |
| (I’m Always Touched by Your) Presence, Dear | Blondie | USCH37700004 |
| Rip Her to Shreds | Blondie | USCH37700006 |
| X Offender | Blondie | USCH37700010 |
| ONE WAY OR ANOTHER - LIVE | BLONDIE | USCH37800010 |
| SUNDAY GIRL | BLONDIE | USCH37800014 |
| Hanging On the Telephone | Blondie | USCH37800016 |
| PICTURE THIS | BLONDIE | USCH37800018 |
| One Way or Another | Blondie | USCH37800020 |
| I’m Gonna Love You Too | Blondie | USCH37800022 |
| FADE AWAY AND RADIATE | BLONDIE | USCH37800024 |
| Heart of Glass | Blondie | USCH37800025 |
| UNION CITY BLUE (ORIGINAL SINGLE VERSION) | BLONDIE | USCH37900003 |
| Call Me | Blondie | USCH37900008 |
| Atomic | Blondie | USCH37900010 |
| Dreaming | Blondie | USCH37900016 |
| HEART OF GLASS [BLONDIE] | VARIOUS ARTISTS | USCH37900017 |
| Rapture | Blondie | USCH38000022 |
| The Tide Is High | Blondie | USCH38000024 |
| """ISLAND OF LOST SOULS (7\"""" EDIT)""" | BLONDIE | USCH38200004 |
| War Child | Blondie | USCH38200006 |
| HANING ON THE TELEPHONE | BLONDIE | USCH38500013 |
| ONE WAY OR ANOTHER [BLONDIE] | VARIOUS ARTISTS | USCH38500014 |
| FADE AWAY AND RADIATE | BLONDIE | USCH38500015 |
| IM GONNA LOVE YOU TOO | BLONDIE | USCH38500020 |
| DREAMING | BLONDIE | USCH38700006 |
| X-OFFENDER | BLONDIE | USCH38700021 |
| (IM ALWAYS TOUCHED BY YOUR) PRESENCE, DEAR | BLONDIE | USCH38700022 |
| RIP HER TO SHREADS | BLONDIE | USCH38700025 |
| """RAPTURE (UK 7\"""" EDIT)""" | BLONDIE | USCH38700028 |
| DENIS | BLONDIE | USCH38900006 |
| HEART OF GLASS (REMIX) | VARIOUS ARTISTS | USCH38900007 |
| CALL ME | GIORGIO MORODER | USCH38900008 |
| THE TIDE IS HIGH | VARIOUS ARTISTS | USCH38900009 |
| SUNDAY GIRL | BLONDIE | USCH39400021 |
| ATOMIC | VARIOUS ARTISTS | USCH39400050 |
| Atomic ’98 (Xenomania mix) | Blondie | USCH39800006 |
| Atomic ’98 (Tall Paul remix) | Blondie | USCH39800007 |
| Atomic ’98 (Dana Intellectual mix) | Blondie | USCH39800008 |
| CALL ME | VARIOUS ARTISTS | USCH39800016 |
| Atomic | Blondie | USCH39800017 |
| HEART OF GLASS | VARIOUS ARTISTS | USCH39800018 |
| """THE TIDE IS HIGH (7\"""" EDIT)""" | BLONDIE | USCH39800019 |
| DENIS (DANNY D REMIX) | BLONDIE | USCH39900001 |
| Call Me (theme from American Gigolo) | Blondie | USCH39900002 |
| War Child (12″ version) | Blondie | USCH39900005 |
| HEART OF GLASS (1999 DIGITAL REMASTER) | BLONDIE | USCH39900080 |
| """CALL ME [12"""" VERSION]""" | BLONDIE | USCH39900081 |
| Call Me (theme from American Gigolo) | Blondie | USF068025010 |
| RAPTURE (AS USED IN THE FILM SON OF RAMBOW) | ORIGINAL SOUNDTRACK | USGMP0800027 |
| Call Me | Blondie | USLIC0500092 |
| CALL ME | BLONDIE | USUM72100711 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
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What is UPC 724349928855?
724349928855 is a Universal Product Code (UPC) assigned to Atomic/Atomix: The Very Best of Blondie by Blondie. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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