UPC · Album
Best Ever Bonking Songs
Various Artists
Last verified:
724352228126 is the Universal Product Code (UPC barcode) for the release “Best Ever Bonking Songs” by Various Artists, released 1999-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include DED160200012, DED169500016, DED169500047.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (94)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Be My Lover | La Bouche | DED160200012 |
| Be My Lover | La Bouche | DED169500016 |
| Be My Lover | La Bouche | DED169500047 |
| Be My Lover | La Bouche | DED169502002 |
| Be My Lover | La Bouche | DED169502005 |
| It Must Be Love | Madness | GB7GZ0900018 |
| It Must Be Love | Madness | GBAAA8100020 |
| Love Action (I Believe in Love) | The Human League | GBAAA8100231 |
| Close to You | Maxi Priest | GBAAA9000032 |
| Close to You | Maxi Priest | GBAAA9000061 |
| 2 Become 1 | Spice Girls | GBAAA9600212 |
| 2 Become 1 | Spice Girls | GBAAA9600347 |
| Addicted to Love (remix) | Robert Palmer | GBAAN8590001 |
| True | Spandau Ballet | GBAHT1303706 |
| Hold Me Now | Thompson Twins | GBARK8300013 |
| Hold Me Now | Thompson Twins | GBARK8300046 |
| Hold Me Now | Thompson Twins | GBARK8300053 |
| Hold Me Now | Thompson Twins | GBARK8300070 |
| Hold Me Now (12″ version) | Thompson Twins | GBARL8300064 |
| It Started With a Kiss | Hot Chocolate | GBAYE1001330 |
| It Started With a Kiss | Hot Chocolate | GBAYE8200019 |
| True | Spandau Ballet | GBAYE8300100 |
| True | Spandau Ballet | GBAYK8300001 |
| True | Spandau Ballet | GBAYK8300004 |
| True | Spandau Ballet | GBAYK8400047 |
| It Must Be Love | Madness | GBCZR0000007 |
| It Must Be Love | Madness | GBCZR8100017 |
| Tainted Love | Soft Cell | GBF088100001 |
| Tainted Love | Soft Cell | GBF088100017 |
| Tainted Love | Soft Cell | GBF088100120 |
| The Look of Love | ABC | GBF088200008 |
| Tainted Love / Where Did Our Love Go (original 12″) | Soft Cell | GBFO88100017 |
| It Must Be Love | Madness | GBHVK0900449 |
| The Look of Love | ABC | GBUM70601979 |
| True | Spandau Ballet | GBUM70911469 |
| Tainted Love | Soft Cell | GBUM72304240 |
| To Be With You | Mr. Big | HKG292100094 |
| Sex and Candy | Marcy Playground | US2NQ0910002 |
| Bitch | Meredith Brooks | US3M51532207 |
| The Look of Love | ABC | USA371425902 |
| More Than Words | Extreme | USAM10200575 |
| More Than Words | Extreme | USAM19090005 |
| Hold Me Now | Thompson Twins | USAR18400001 |
| To Be With You | Mr. Big | USAT20001841 |
| To Be With You | Mr. Big | USAT20302609 |
| To Be With You | Mr. Big | USAT20804280 |
| To Be With You | Mr. Big | USAT20900841 |
| To Be With You | Mr. Big | USAT20901225 |
| To Be With You | Mr. Big | USAT21205896 |
| To Be With You | Mr. Big | USAT21300053 |
| To Be With You | Mr. Big | USAT29100048 |
| It Must Be Love | Madness | USBC19901478 |
| Right Here Waiting (single edit) | Richard Marx | USCA28901568 |
| Right Here Waiting | Richard Marx | USCA29500005 |
| Bitch | Meredith Brooks | USCA29600111 |
| Bitch | Meredith Brooks | USCA29600272 |
| Bitch (edit) | Meredith Brooks | USCA29701376 |
| To Be a Lover (Mother of Mercy mix) | Billy Idol | USCH30100148 |
| All Fired Up | Pat Benatar | USCH38800001 |
| All Fired Up | Pat Benatar | USCH39900036 |
| Right Here Waiting | Richard Marx | USEM38900208 |
| Sex and Candy | Marcy Playground | USEM39600079 |
| Love Action (I Believe in Love) | The Human League | USGMP0800029 |
| It Must Be Love | Madness | USIR10000913 |
| Push It | Salt-N-Pepa | USIR20180482 |
| Addicted to Love | Robert Palmer | USIR20400147 |
| Push It | Salt-N-Pepa | USIR20400285 |
| Addicted to Love | Robert Palmer | USIR28500003 |
| True | Spandau Ballet | USLIC0601220 |
| Principles of Lust: Sadeness | Enigma | USLS50802004 |
| Save the Best for Last | Vanessa Williams | USPG19190052 |
| 100% Pure Love (radio mix) | Crystal Waters | USPR39401029 |
| Save the Best for Last | Vanessa Williams | USPR39405280 |
| Love Shack | The B-52s | USRE18900030 |
| Love Shack | The B-52s | USRH11901962 |
| What I Like About You | The Romantics | USSM10020612 |
| Sexual Healing | Marvin Gaye | USSM10414210 |
| Can You Feel It | The Jacksons | USSM10503851 |
| Sexual Healing | Marvin Gaye | USSM10605879 |
| Time After Time | Cyndi Lauper | USSM10701825 |
| What I Like About You | The Romantics | USSM17900078 |
| What I Like About You | The Romantics | USSM17900189 |
| What I Like About You | The Romantics | USSM17900292 |
| What I Like About You | The Romantics | USSM17901083 |
| Sexual Healing | Marvin Gaye | USSM18200060 |
| Sexual Healing | Marvin Gaye | USSM18200506 |
| Time After Time | Cyndi Lauper | USSM18300146 |
| Time After Time | Cyndi Lauper | USSM18300650 |
| Time After Time | Cyndi Lauper | USSM18300847 |
| Time After Time | Cyndi Lauper | USSM19500146 |
| Sexual Healing | Marvin Gaye | USSM19803028 |
| Can You Feel It | The Jacksons | USSM19803304 |
| Sexual Healing | Marvin Gaye | USSM19805454 |
| I Touch Myself | Divinyls | USVI29000004 |
What other identifiers does this connect to?
Musical Works (ISWC)
+54 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+21 more
People also ask
Verified on
What is UPC 724352228126?
724352228126 is a Universal Product Code (UPC) assigned to Best Ever Bonking Songs by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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