UPC · Release
POP 2000: 50 Jahre Popmusik und Jugendkultur in Deutschland
Various Artists
724352302321
142 tracksReleased 1999-01-01Grönland Records
Last verified:
724352302321 is the Universal Product Code (UPC barcode) for the release “POP 2000: 50 Jahre Popmusik und Jugendkultur in Deutschland” by Various Artists, released 1999-01-01 on Grönland Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 142 tracks, each with its own ISRC. Tracks include DEA349601267, DEG449600009, DEX170420807.
Format
7Number system
24352Manufacturer
30232Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCPOP 2000: 50 Jahre Popmusik und Jugendkultur in Deutschland
ISRC92 recordings
ISWC118 works
IPI35 songwriters
Track List (142)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Homicidal Diary | Air Liquide | — | |
| 2 | Wie der Wind am Ende… | — | ||
| 3 | Reflections | Kreidler | — | |
| 4 | Prado | — | ||
| 5 | Spoon | Can | T-800.128.089-4 | |
| 6 | Weit | Pole | — | |
| 7 | Hallogallo | — | ||
| 8 | Les Jockeys Camoufles | — | ||
| 9 | Kanu | — | ||
| 10 | Heiße Lippen | — | ||
| 11 | Cha Cha 2000 | — | ||
| 12 | Phaedra | Tangerine Dream | T-800.020.050-1 | |
| 2-1 | Vom Teufel besessen | — | ||
| 2-2 | Yes Baby Yes | — | ||
| 2-3 | Los niños del parque (12″ mix) | Liaisons Dangereuses | T-801.508.747-6 | |
| 2-4 | Keine ist | — | ||
| 2-5 | Lovemachine, Part 1 | Supermax | T-802.059.829-3 | |
| 2-7 | Zero-Trick | — | ||
| 2-8 | The Peppermint Twist | Caterina Valente, Silvio Francesco | — | |
| 2-9 | I Got the Right to Sing the Blues | — | ||
| 2-10 | From: Disco To: Disco (original album version) | Whirlpool Productions | T-800.295.421-5 | |
| 2-12 | Der Mussolini | Deutsch Amerikanische Freundschaft | T-800.769.976-6 | |
| 2-13 | What’s Your Number (radio edit) | Ian Pooley | T-800.894.009-9 | |
| 2-14 | Liebes Lied | Absolute Beginner | T-801.193.764-8 | |
| 2-15 | Unglory | — | ||
| 2-16 | Lady Bump | Penny McLean | T-801.255.937-5 | |
| 2-17 | Mama Loo (album version) | Les Humphries Singers | T-800.811.157-8 | |
| 3-1 | The Power (7″ version) | Snap! | T-801.442.812-8 | |
| 3-2 | Ma Baker | Boney M. | T-801.994.506-4 | |
| 3-3 | Einmal Macco, zweimal Stieber | — | ||
| 3-4 | Dr. Mabuse | — | ||
| 3-5 | Das Boot (techno version) | U96 | T-801.641.720-3 | |
| 3-6 | Evdeki Ses | Karakan | — | |
| 3-7 | Hip Hop in der DDR | — | ||
| 3-8 | Beneath the Mask | — | ||
| 3-9 | Masimba Bele (original version) | The Unknown Cases | — | |
| 3-10 | Electric B. | Electric B. | — | |
| 3-11 | Beau Mot Plage | — | ||
| 3-12 | Born to Bang | WestBam | — | |
| 3-14 | Highpriestess | — | ||
| 4-1 | So lang’ man Träume noch leben kann | Münchener Freiheit | T-800.380.987-9 | |
| 4-2 | Nicht von dieser Welt (director's cut) | Xavier Naidoo | T-801.121.082-6 | |
| 4-3 | Wir bauen eine neue Stadt | Palais Schaumburg | — | |
| 4-4 | Somewhere Over the Rainbow | Marusha | T-900.302.129-2 | |
| 4-5 | Horny ’98 (radio edit) | Mousse T., Hot ’n’ Juicy | T-801.392.358-6 | |
| 4-6 | Searching Days (album version) | The Boots | — | |
| 4-7 | Schimmliges Brot | — | ||
| 4-8 | Hitler - menschlich gesehen | — | ||
| 4-9 | Meine Schulden | Lift | — | |
| 4-10 | Sagte mal ein Dichter | Holger Biege | — | |
| 4-11 | Nur geträumt | Nena | T-800.033.809-1 | |
| 4-12 | Berlin | Ideal | T-800.524.876-1 | |
| 4-13 | Sadeness, Part I | Enigma | T-800.243.948-8 | |
| 4-14 | The Witch | The Rattles | T-800.829.092-5 | |
| 4-15 | I Wish I Could "Sprechen Sie Deutsch" | — | ||
| 4-16 | Sternenhimmel | Hubert Kah | T-800.036.042-0 | |
| 4-17 | Du musst ein Schwein sein | Die Prinzen | T-801.514.551-5 | |
| 4-18 | Ravemädchen | Gautsch | — | |
| 4-19 | A-n-n-a | Freundeskreis | T-801.995.643-6 | |
| 4-20 | Scheißspiel | Gerhard Gundermann | — | |
| 4-21 | Leben den Lebenden | — | ||
| 5-1 | Mehr als sie erlaubt (Instrumental-Psycho-Mix) | Element of Crime | T-800.110.957-6 | |
| 5-2 | Gummitwist | Der Plan | T-800.934.425-7 | |
| 5-3 | Forever Young | Alphaville | T-800.091.238-0 | |
| 5-4 | Ein Jahr (Es geht voran) | Fehlfarben | T-800.537.856-4 | |
| 5-5 | Alles Lüge | — | ||
| 5-6 | Jein | — | ||
| 5-7 | Universal Tellerwäscher | Die Sterne | T-800.838.761-0 | |
| 5-8 | Über mich | — | ||
| 5-9 | Poor Boy | The Lords | T-801.247.983-4 | |
| 5-10 | Ich find’ dich scheiße | Tic Tac Toe | T-801.967.078-2 | |
| 5-11 | Tag am Meer | Die Fantastischen Vier | T-800.628.929-9 | |
| 5-12 | Brand New Toy | — | ||
| 5-13 | Glückliche Reise | — | ||
| 5-14 | Da da da ich lieb dich nicht du liebst mich nicht aha aha aha | Trio | T-801.580.282-2 | |
| 5-15 | Verlorne Kinder | Silly | T-801.174.418-7 | |
| 5-16 | Rock Me Amadeus | Falco | T-031.628.057-5 | |
| 5-17 | Kaltes klares Wasser | — | ||
| 5-19 | Your Signs | The Notwist | — | |
| 6-1 | Hero | — | ||
| 6-2 | Kalte Sterne | — | ||
| 6-3 | Revolution Action | Atari Teenage Riot | T-801.822.257-7 | |
| 6-4 | Ein Jahr (Es geht voran) | Fehlfarben | T-800.537.856-4 | |
| 6-5 | Zurück zum Beton | — | ||
| 6-6 | Life Without Pain | Frumpy | T-700.175.804-1 | |
| 6-7 | Bleibt alles anders | Herbert Grönemeyer | T-800.926.618-7 | |
| 6-8 | Jugendbewegung | — | ||
| 6-9 | Langeweile | Pankow | T-800.930.994-9 | |
| 6-10 | Ausgebombt | Sodom | T-801.143.363-0 | |
| 6-11 | Rangehn | — | ||
| 6-12 | Komm schlaf bei mir | — | ||
| 6-13 | Das bisschen Totschlag | — | ||
| 6-14 | So Far | Faust | T-801.906.447-3 | |
| 6-15 | Ist es wichtig? | — | ||
| 6-16 | Déjà vu | Spliff | T-801.665.312-7 | |
| 6-17 | Gänselieschen | Klaus Renft Combo | — | |
| 6-18 | Wie tief kann man sehen | — | ||
| 6-19 | Du hast Jesus Christus an das Kreuz genagelt | — | ||
| 7-1 | Deutschland halt’s Maul | Die Skeptiker | T-800.674.671-1 | |
| 7-2 | Open Your Eyes | Guano Apes | T-800.472.740-7 | |
| 7-3 | Alkohol | — | ||
| 7-4 | Out in the Rain | — | ||
| 7-5 | Heute hier, morgen dort | Hannes Wader | T-800.443.599-9 | |
| 7-6 | Du hast | Rammstein | T-800.802.619-6 | |
| 7-7 | Do You Like It? | Doro | T-800.903.358-4 | |
| 7-8 | Die Welt kann mich nicht mehr verstehen | Tocotronic | T-802.065.487-0 | |
| 7-9 | Gamma Ray (single version) | — | ||
| 7-10 | Kill Your Ideals ’94 | Phillip Boa and the Voodooclub | — | |
| 7-11 | Pushed Again | Die Toten Hosen | T-800.962.481-2 | |
| 7-12 | Waschsalon | BAP | T-801.679.863-4 | |
| 7-13 | Für wen wir singen | Hüsch, Degenhardt, Neuss, Süverkrüp | — | |
| 7-14 | Fließbandbaby, manchmal träum ich | Floh de Cologne | — | |
| 7-15 | Horizont | Udo Lindenberg | T-800.027.109-1 | |
| 7-16 | Born in the G.D.R. | Sandow | — | |
| 7-17 | Ikarus | Puhdys | T-801.352.798-6 | |
| 7-18 | So soll es sein - so wird es sein | — | ||
| 7-19 | Risin’ High | — | ||
| 8-1 | Raumpatrouille | — | ||
| 8-2 | Luchs (instrumental 60er) | — | ||
| 8-3 | Er gehört zu mir | Marianne Rosenberg | T-800.876.412-4 | |
| 8-4 | Für mich soll‘s rote Rosen regnen | Hildegard Knef | T-800.851.007-5 | |
| 8-5 | Flammende Herzen | Michael Rother | T-800.746.241-2 | |
| 8-6 | Oh Johnny, hier nicht parken | — | ||
| 8-7 | Ich sprenge alle Ketten | Ricky Shayne | — | |
| 8-8 | Brother Louie | Modern Talking | T-801.462.356-5 | |
| 8-9 | The Cold Song | Klaus Nomi, Jon Cobert | T-902.811.204-1 | |
| 8-10 | Mad. Ave. Perfume Ad. | — | ||
| 8-11 | Butler Boogie | — | ||
| 8-12 | Ich bin ein Mann | Ted Herold | — | |
| 8-13 | Halbstark | Die Yankees | T-800.035.058-4 | |
| 8-14 | Lippenstift am Jacket | Conny Froboess | — | |
| 8-15 | Sex Machine | Helge Schneider | — | |
| 8-16 | Sonntag | Manfred Krug, Günther Fischer | T-800.429.316-8 | |
| 8-17 | So bist Du | Peter Maffay | T-800.152.670-2 | |
| 8-18 | Marmor, Stein und Eisen bricht | Drafi Deutscher and His Magics | T-800.162.832-7 | |
| 8-19 | Er ist wieder da | Marion Maerz | T-800.152.261-9 | |
| 8-20 | Du lebst in Deiner Welt | Daisy Door | — | |
| 8-21 | Bolero 75 | James Last | T-003.006.377-4 | |
| 8-22 | Wir | Freddy Quinn | T-800.154.977-6 | |
| 8-23 | Ganz in Weiß | Roy Black | T-800.401.637-0 | |
| 8-24 | Wind of Change | Scorpions | T-800.243.707-3 | |
| 8-25 | Das Lied der Deutschen | — |
Homicidal Diary
Air Liquide
—
Wie der Wind am Ende…
—
Reflections
Kreidler
—
Prado
—
Weit
Pole
—
Hallogallo
—
Les Jockeys Camoufles
—
Kanu
—
Heiße Lippen
—
Cha Cha 2000
—
Vom Teufel besessen
—
Yes Baby Yes
—
Keine ist
—
Zero-Trick
—
The Peppermint Twist
Caterina Valente, Silvio Francesco
—
I Got the Right to Sing the Blues
—
Unglory
—
Einmal Macco, zweimal Stieber
—
Dr. Mabuse
—
Evdeki Ses
Karakan
—
Hip Hop in der DDR
—
Beneath the Mask
—
Masimba Bele (original version)
The Unknown Cases
—
Electric B.
Electric B.
—
Beau Mot Plage
—
Born to Bang
WestBam
—
Highpriestess
—
Wir bauen eine neue Stadt
Palais Schaumburg
—
Searching Days (album version)
The Boots
—
Schimmliges Brot
—
Hitler - menschlich gesehen
—
Meine Schulden
Lift
—
Sagte mal ein Dichter
Holger Biege
—
I Wish I Could "Sprechen Sie Deutsch"
—
Ravemädchen
Gautsch
—
Scheißspiel
Gerhard Gundermann
—
Leben den Lebenden
—
Alles Lüge
—
Jein
—
Über mich
—
Brand New Toy
—
Glückliche Reise
—
Kaltes klares Wasser
—
Your Signs
The Notwist
—
Hero
—
Kalte Sterne
—
Zurück zum Beton
—
Jugendbewegung
—
Rangehn
—
Komm schlaf bei mir
—
Das bisschen Totschlag
—
Ist es wichtig?
—
Gänselieschen
Klaus Renft Combo
—
Wie tief kann man sehen
—
Du hast Jesus Christus an das Kreuz genagelt
—
Alkohol
—
Out in the Rain
—
Gamma Ray (single version)
—
Kill Your Ideals ’94
Phillip Boa and the Voodooclub
—
Für wen wir singen
Hüsch, Degenhardt, Neuss, Süverkrüp
—
Fließbandbaby, manchmal träum ich
Floh de Cologne
—
Born in the G.D.R.
Sandow
—
So soll es sein - so wird es sein
—
Risin’ High
—
Raumpatrouille
—
Luchs (instrumental 60er)
—
Oh Johnny, hier nicht parken
—
Ich sprenge alle Ketten
Ricky Shayne
—
Mad. Ave. Perfume Ad.
—
Butler Boogie
—
Ich bin ein Mann
Ted Herold
—
Lippenstift am Jacket
Conny Froboess
—
Sex Machine
Helge Schneider
—
Du lebst in Deiner Welt
Daisy Door
—
Das Lied der Deutschen
—
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Nur mir (original album mix) | Sabrina Setlur | — |
| Susanne zur Freiheit (Power mix) | Fischmob, Stieber Twins, Dendemann, Hausmarke, Smudo | — |
| Punk ist … | Götz Alsmann Band, Die Ärzte | T-801.523.370-3 |
| Brother Louie (new version) | Modern Talking | T-801.462.356-5 |
| Er gehört zu mir | Marianne Rosenberg | — |
| Fred vom Jupiter | Die Doraus & Die Marinas | T-801.529.937-4 |
| Ganz in Weiß | Roy Black | — |
| Sagte mal ein Dichter | Holger Biege | — |
| Born in the G.D.R. | Sandow | — |
| Fred vom Jupiter | Die Doraus & Die Marinas | T-801.529.937-4 |
Nur mir (original album mix)
Sabrina Setlur
—
Susanne zur Freiheit (Power mix)
Fischmob, Stieber Twins, Dendemann, Hausmarke, Smudo
—
Götz Alsmann Band, Die Ärzte
Modern Talking
Er gehört zu mir
Marianne Rosenberg
—
Die Doraus & Die Marinas
Ganz in Weiß
Roy Black
—
Sagte mal ein Dichter
Holger Biege
—
Born in the G.D.R.
Sandow
—
Die Doraus & Die Marinas
What other identifiers does this connect to?
Musical Works (ISWC)
T-031.628.057-5T-031.628.057-5T-700.175.804-1T-800.020.050-1T-800.027.109-1T-800.033.809-1T-800.035.058-4T-800.036.042-0T-800.091.238-0T-800.110.957-6
+108 more
T-800.128.089-4T-800.152.670-2T-800.154.977-6T-800.162.832-7T-800.243.707-3T-800.243.948-8T-800.295.421-5T-800.380.987-9T-800.429.316-8T-800.443.599-9T-800.472.740-7T-800.524.876-1T-800.537.856-4T-800.628.929-9T-800.674.671-1T-800.746.241-2T-800.769.976-6T-800.802.619-6T-800.811.157-8T-800.829.092-5T-800.838.761-0T-800.894.009-9T-800.903.358-4T-800.934.425-7T-800.962.481-2T-800.020.050-1T-800.027.109-1T-800.033.809-1T-800.035.058-4T-800.036.042-0T-800.091.238-0T-800.110.957-6T-800.128.089-4T-800.152.670-2T-800.154.977-6T-800.162.832-7T-800.243.707-3T-800.243.948-8T-800.263.596-4T-800.295.421-5T-800.318.920-7T-800.380.987-9T-800.443.599-9T-800.472.740-7T-800.524.876-1T-800.537.321-8T-800.537.856-4T-800.628.929-9T-800.674.671-1T-800.712.615-1T-800.769.976-6T-800.802.619-6T-800.811.157-8T-800.829.092-5T-800.838.761-0T-800.894.009-9T-800.903.358-4T-800.934.425-7T-800.962.481-2T-801.121.082-6T-801.143.363-0T-801.174.418-7T-801.193.764-8T-801.247.983-4T-801.255.937-5T-801.352.798-6T-801.392.358-6T-801.442.812-8T-801.508.747-6T-801.514.551-5T-801.523.370-3T-801.529.937-4T-801.580.282-2T-801.641.720-3T-801.665.312-7T-801.679.863-4T-801.994.506-4T-801.121.082-6T-801.143.363-0T-801.174.418-7T-801.193.764-8T-801.247.983-4T-801.255.937-5T-801.352.798-6T-801.392.358-6T-801.442.812-8T-801.459.648-7T-801.486.335-6T-801.508.747-6T-801.514.551-5T-801.523.370-3T-801.529.937-4T-802.059.829-3T-900.302.129-2T-003.006.377-4T-800.152.261-9T-800.401.637-0T-800.851.007-5T-800.876.412-4T-800.926.618-7T-800.930.994-9T-801.462.356-5T-801.822.257-7T-801.906.447-3T-801.967.078-2T-801.995.643-6T-802.065.487-0T-902.811.204-1
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000003170890000000001593534400000000188880530000000018888096000000001994034300000000205196360000000027322043000000002786087X00000000345848850000000038566043
+41 more
000000005514271X000000005515853500000000551598880000000055179512000000005535349600000000553701140000000055375214000000005544696700000000555409530000000056777215000000005746398X0000000058385004000000005860350X0000000059414954000000006303697600000000710252220000000078244380000000007829074X00000000783914280000000078412794000000007845220000000000786216760000000081607883000000008538360200000000871726140000000088530962000000008875944100000000894098490000000092299038000000009261924900000000939712280000000094153737000000009484597900000000965928990000000100048598000000010101539200000001024166220000000105861035000000010657900700000001065984780000000372838833
Identifier Graph
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Verified on
What is UPC 724352302321?
724352302321 is a Universal Product Code (UPC) assigned to POP 2000: 50 Jahre Popmusik und Jugendkultur in Deutschland by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 142 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm