UPC · Album

Entertainment Weekly: Absolute 80s

Various Artists

724352303526
24 tracksReleased 1999-01-01

Last verified:

724352303526 is the Universal Product Code (UPC barcode) for the release Entertainment Weekly: Absolute 80s by Various Artists, released 1999-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 24 tracks, each with its own ISRC. Tracks include BED018900473, BED018901221, BED018901476.

Format

7Number system
24352Manufacturer
30352Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCEntertainment Weekly: Absolute 80s
ISRC46 recordings
ISWC37 works
IPI6 songwriters

Track List (46)

Pump Up the Jam
Technotronic, Felly
Pump Up the Jam
Technotronic, Felly
Pump Up the Jam
Technotronic, Felly
Pump Up the Jam
Technotronic, Felly
Pump Up the Jam
Technotronic, Felly
(Keep Feeling) Fascination
The Human League
Shattered Dreams
Johnny Hates Jazz
(Keep Feeling) Fascination
The Human League
We Don’t Have to Take Our Clothes Off
Jermaine Stewart
Shattered Dreams
Johnny Hates Jazz
Shattered Dreams
Johnny Hates Jazz
The Promise
When in Rome
She Drives Me Crazy
Fine Young Cannibals
She Drives Me Crazy
Fine Young Cannibals
She Drives Me Crazy
Fine Young Cannibals
She Drives Me Crazy
Fine Young Cannibals
Pump Up the Volume
M|A|R|R|S
Pump Up the Volume
M|A|R|R|S
She Drives Me Crazy
Fine Young Cannibals
She Drives Me Crazy
Fine Young Cannibals
Sugar Walls
Sheena Easton
Sugar Walls
Sheena Easton
Living in a Box
Living in a Box
Living in a Box
Living in a Box
She Drives Me Crazy
Fine Young Cannibals
The Promise
When in Rome
The Promise
When in Rome
Prove Your Love
Taylor Dayne
I Can't Wait
Nu Shooz
I Can’t Wait
Nu Shooz
I Can’t Wait
Nu Shooz
I Beg Your Pardon (I Never Promised You a Rose Garden)
Kon Kan
Let’s Go All the Way
Sly Fox
Let’s Go All the Way
Sly Fox
Call Me
Blondie
CALL ME - REMASTERED
BLONDIE
Call Me
Blondie
CALL ME
GIORGIO MORODER
CALL ME
VARIOUS ARTISTS
Soldier of Love
Donny Osmond
C’est la Vie
Robbie Nevil
I Can’t Wait
Nu Shooz
Call Me
Blondie
I Need Your Lovin’
Teena Marie
She Drives Me Crazy
Fine Young Cannibals
CALL ME
BLONDIE

People also ask

What is UPC 724352303526?
UPC 724352303526 is the Universal Product Code (barcode) for "Entertainment Weekly: Absolute 80s" by Various Artists.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724352303526?
UPC 724352303526 contains 24 tracks, each with its own ISRC.
SourcesMusicBrainz

Verified on

What is UPC 724352303526?

724352303526 is a Universal Product Code (UPC) assigned to Entertainment Weekly: Absolute 80s by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 24 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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