UPC · Release
Kneipenhits: Die Kölsche, Vol. 2
Various Artists
Last verified:
724353008727 is the Universal Product Code (UPC barcode) for the release “Kneipenhits: Die Kölsche, Vol. 2” by Various Artists, released 2001-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 40 tracks, each with its own ISRC. Tracks include DEC719400149, DEF068903430, DEA319901383.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (40)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kumm loss mer fiere | — | ||
| 2 | Die Naach es noch su lang | — | ||
| 3 | Wochenplan | — | ||
| 4 | Buenos dias, Mathias | — | ||
| 5 | Die spanische Nacht | — | ||
| 6 | Blinder Passagier | — | ||
| 7 | One for You, One for Me | La Bionda | T-802.063.188-4 | |
| 8 | Echte Fründe | — | ||
| 9 | Ich bin der Hans | — | ||
| 10 | Ich han de Musik bestellt | — | ||
| 11 | Sackjeseech | — | ||
| 12 | Irgendwann, irgendwo, irgendwie (seh’n wir uns wieder) | Jürgen Drews | — | |
| 13 | 2 Times (original edit mix) | Ann Lee | T-005.060.170-1 | |
| 14 | Nur Mer Zwei | — | ||
| 15 | Viva l’amor | Roland Kaiser | T-800.233.081-7 | |
| 16 | Super Trouper | A★Teens | T-000.006.400-5 | |
| 17 | Kölsch bliev wie et es | — | ||
| 18 | Der Himmel brennt | — | ||
| 19 | On Broadway | — | ||
| 20 | Hey, Baby (Uh, Ah) | — | ||
| 2-1 | Mir bruche keiner… | — | ||
| 2-2 | Schenk’ mir diese eine Nacht | Brunner & Brunner | T-800.717.847-5 | |
| 2-3 | Auf der Reeperbahn nachts um halb eins | Hans Albers | T-803.061.126-9 | |
| 2-4 | Kalinka | — | ||
| 2-5 | Mädche, nemm mich en d’r Ärm | — | ||
| 2-6 | Ming Stadt am Rhing | — | ||
| 2-7 | Sex Bomb | Tom Jones, Mousse T. | T-802.135.546-5 | |
| 2-8 | Respect (radio mix) | Spike | T-801.912.574-8 | |
| 2-9 | Oktoberfest Mix: Anton aus Tirol / Gemma Bier trinken / Sag, kannst du mi no an Hunderter borg’n / Never Stop the Alpenpop | DJ Ötzi | T-800.540.706-8 | |
| 2-10 | Bungalow in Santa Nirgendwo | Ibo | T-801.710.441-6 | |
| 2-11 | Mir klääve am Lääve | — | ||
| 2-12 | The Spirit of the Hawk (F.A.F. radio mix) | Rednex | T-800.775.044-0 | |
| 2-13 | Sein lassen | — | ||
| 2-14 | La passion (new radio cut) | Gigi D’Agostino | T-070.883.717-5 | |
| 2-15 | Op dem Maat | — | ||
| 2-16 | Dann sind die Hände da | — | ||
| 2-17 | Der liebe Gott weiss, dass ich kein Engel bin | — | ||
| 2-18 | Es ist geil ein Arschloch zu sein | — | ||
| 2-19 | Kleine Mädchen müssen früher schlafen gehn | — | ||
| 2-20 | Komm und tanz ein letztes Mal mit mir | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Anton aus Tirol (party mix) | DJ Ötzi | T-800.540.706-8 |
| Irgendwann, irgendwo, irgendwie (seh’n wir uns wieder) | Jürgen Drews | — |
| Auf der Reeperbahn nachts um halb eins | Hans Albers | — |
| Irgendwann, irgendwo, irgendwie (seh’n wir uns wieder) | Jürgen Drews | — |
| Anton aus Tirol (party mix) | DJ Ötzi | T-800.540.706-8 |
| Anton aus Tirol (party mix) | DJ Ötzi | T-800.540.706-8 |
| Anton aus Tirol (party mix) | DJ Ötzi | T-800.540.706-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
People also ask
Verified on
What is UPC 724353008727?
724353008727 is a Universal Product Code (UPC) assigned to Kneipenhits: Die Kölsche, Vol. 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 40 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm