UPC · Release
D’un siècle à l’autre
Charles Aznavour
724353525125
59 tracksReleased 2001-10-19
Last verified:
724353525125 is the Universal Product Code (UPC barcode) for the release “D’un siècle à l’autre” by Charles Aznavour, released 2001-10-19. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 59 tracks, each with its own ISRC. Tracks include FRZ114800380, FRZ115601080, DEU240600468.
Format
7Number system
24353Manufacturer
52512Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCD’un siècle à l’autre
ISRC59 recordings
ISWC99 works
IPI4 songwriters
Track List (59)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Départ‐express (Destination inconnue) | Charles Aznavour, Pierre Roche | — | |
| 2 | Le Feutre taupé | Charles Aznavour | T-050.395.208-6 | |
| 3 | Jézébel | Charles Aznavour | — | |
| 4 | Poker | Charles Aznavour | T-050.395.353-4 | |
| 5 | Viens pleurer au creux de mon épaule | Charles Aznavour | T-900.762.727-2 | |
| 6 | Je t’aime comme ça | Charles Aznavour | — | |
| 7 | Sur ma vie | Charles Aznavour | T-050.395.431-1 | |
| 8 | Le Palais de nos chimères | Charles Aznavour | T-050.395.332-9 | |
| 9 | J’ai bu | Charles Aznavour | T-900.757.915-9 | |
| 10 | J’aime Paris au mois de mai | Charles Aznavour | T-050.395.100-5 | |
| 11 | Sa jeunesse entre ses mains | Charles Aznavour | T-900.851.870-5 | |
| 12 | I’m Gonna Sleep With One Eye Open | Charles Aznavour | — | |
| 13 | Les Deux Guitares | Charles Aznavour | T-050.395.231-5 | |
| 14 | Fraternité | Charles Aznavour | T-050.395.059-1 | |
| 15 | Tu t’laisses aller | Charles Aznavour | T-901.135.068-8 | |
| 16 | Rendez‐vous à Brasilia | Charles Aznavour | T-050.395.398-7 | |
| 17 | Je m’voyais déjà | Charles Aznavour | T-050.395.113-0 | |
| 18 | L’Amour et la Guerre | Charles Aznavour | T-050.395.166-3 | |
| 19 | Il faut savoir | Charles Aznavour | T-050.395.078-4 | |
| 20 | L’amore e la guerra | Charles Aznavour | — | |
| 2-1 | Esperanza | Charles Aznavour | T-003.134.412-3 | |
| 2-2 | Les Comédiens | Charles Aznavour | T-050.395.228-0 | |
| 2-3 | For me... formidable | Charles Aznavour | T-901.132.012-0 | |
| 2-4 | Bon anniversaire | Charles Aznavour | T-050.394.936-7 | |
| 2-5 | Et pourtant | Charles Aznavour | T-050.395.045-5 | |
| 2-6 | Tomorrow Is My Turn | Charles Aznavour | T-900.754.161-9 | |
| 2-7 | Le Temps | Charles Aznavour | T-050.395.217-7 | |
| 2-8 | Hier encore | Charles Aznavour | T-901.135.049-5 | |
| 2-9 | Le Toréador | Charles Aznavour | T-050.395.219-9 | |
| 2-10 | La Bohème | Charles Aznavour | T-050.395.179-8 | |
| 2-11 | Quelque chose ou quelqu’un | Charles Aznavour | T-050.395.393-2 | |
| 2-12 | Paris au mois d’août | Charles Aznavour | T-050.395.337-4 | |
| 2-13 | Sarah | Charles Aznavour | T-050.395.416-2 | |
| 2-14 | Pour essayer de faire une chanson | Charles Aznavour | — | |
| 2-15 | Les Enfants de la guerre | Charles Aznavour | T-050.395.034-2 | |
| 2-16 | De t’avoir aimée | Charles Aznavour | T-050.394.996-9 | |
| 2-17 | Emmenez‐moi | Charles Aznavour | T-050.395.030-8 | |
| 2-18 | Quién | Charles Aznavour | T-042.142.234-5 | |
| 2-19 | Adiós a la mamá | Charles Aznavour | — | |
| 2-20 | Com’è triste Venezia (Que c’est triste Venise) | Charles Aznavour | — | |
| 3-1 | Tout s’en va | Charles Aznavour | T-050.395.456-0 | |
| 3-2 | Désormais | Charles Aznavour | T-050.395.006-8 | |
| 3-3 | Non je n’ai rien oublié | Charles Aznavour | T-050.395.295-1 | |
| 3-4 | Les Plaisirs démodés | Charles Aznavour | T-900.760.369-2 | |
| 3-5 | Mes emmerdes | Charles Aznavour | T-050.395.268-8 | |
| 3-6 | J’ai vu Paris | Charles Aznavour | — | |
| 3-7 | Être | Charles Aznavour | T-050.395.049-9 | |
| 3-8 | Mon émouvant amour | Charles Aznavour, Danielle Licari | T-050.395.278-0 | |
| 3-9 | Je fantasme | Charles Aznavour | T-050.395.110-7 | |
| 3-10 | Une vie d’amour (Bande originale du film “Téhéran 43”) | Charles Aznavour | T-050.395.497-9 | |
| 3-11 | La Salle et la Terrasse | Charles Aznavour | — | |
| 3-12 | L’Aiguille | Charles Aznavour | T-050.395.160-7 | |
| 3-13 | Le Droit des femmes | Charles Aznavour | — | |
| 3-14 | La Yiddishe Mamma | Charles Aznavour | — | |
| 3-15 | Le jazz est revenu | Charles Aznavour | T-050.395.211-1 | |
| 3-16 | Plus bleu que tes yeux | Charles Aznavour, Édith Piaf | T-900.760.399-8 | |
| 3-17 | Morir de amor | Charles Aznavour | T-042.626.979-5 | |
| 3-18 | What Makes a Man | Charles Aznavour | T-039.782.615-1 | |
| 3-19 | Ave Maria | Charles Aznavour | — |
Départ‐express (Destination inconnue)
Charles Aznavour, Pierre Roche
—
Jézébel
Charles Aznavour
—
Je t’aime comme ça
Charles Aznavour
—
I’m Gonna Sleep With One Eye Open
Charles Aznavour
—
L’amore e la guerra
Charles Aznavour
—
Pour essayer de faire une chanson
Charles Aznavour
—
Adiós a la mamá
Charles Aznavour
—
Com’è triste Venezia (Que c’est triste Venise)
Charles Aznavour
—
J’ai vu Paris
Charles Aznavour
—
La Salle et la Terrasse
Charles Aznavour
—
Le Droit des femmes
Charles Aznavour
—
La Yiddishe Mamma
Charles Aznavour
—
Ave Maria
Charles Aznavour
—
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Je t’aime comme ça | Charles Aznavour | — |
| Jézébel | Charles Aznavour | T-070.088.397-1 |
| Je t’aime comme ça | Charles Aznavour | T-900.758.114-8 |
| Com’è triste Venezia (Que c’est triste Venise) | Charles Aznavour | T-050.395.501-8 |
| La Salle et la Terrasse | Charles Aznavour | T-050.395.195-8 |
Je t’aime comme ça
Charles Aznavour
—
Charles Aznavour
Charles Aznavour
Charles Aznavour
Charles Aznavour
What other identifiers does this connect to?
Musical Works (ISWC)
T-003.134.412-3T-003.134.412-3T-039.782.615-1T-039.782.615-1T-050.394.936-7T-050.394.996-9T-050.395.006-8T-050.395.030-8T-050.395.034-2T-050.395.045-5
+89 more
T-050.395.049-9T-050.395.059-1T-050.395.078-4T-050.395.100-5T-050.395.113-0T-050.395.160-7T-050.395.166-3T-050.395.179-8T-050.395.208-6T-050.395.211-1T-050.395.217-7T-050.395.219-9T-050.395.228-0T-050.395.231-5T-050.395.268-8T-050.395.278-0T-050.395.295-1T-050.395.332-9T-050.395.337-4T-050.395.353-4T-050.395.398-7T-050.395.416-2T-050.395.431-1T-050.395.456-0T-050.395.497-9T-050.394.936-7T-050.394.980-1T-050.394.996-9T-050.395.006-8T-050.395.030-8T-050.395.034-2T-050.395.045-5T-050.395.049-9T-050.395.059-1T-050.395.078-4T-050.395.100-5T-050.395.113-0T-050.395.160-7T-050.395.166-3T-050.395.179-8T-050.395.208-6T-050.395.211-1T-050.395.217-7T-050.395.219-9T-050.395.228-0T-050.395.231-5T-050.395.268-8T-050.395.278-0T-050.395.295-1T-050.395.332-9T-050.395.337-4T-050.395.353-4T-050.395.398-7T-050.395.416-2T-050.395.431-1T-050.395.433-3T-050.395.456-0T-050.395.497-9T-070.202.589-5T-900.760.369-2T-900.760.399-8T-900.762.727-2T-900.851.870-5T-900.758.028-1T-900.760.369-2T-900.760.399-8T-900.762.727-2T-900.762.728-3T-900.851.870-5T-900.851.871-6T-901.132.012-0T-901.135.049-5T-901.135.068-8T-901.132.009-5T-901.132.012-0T-901.135.042-8T-901.135.049-5T-901.135.067-7T-901.135.068-8T-902.665.065-7T-042.142.234-5T-042.626.979-5T-050.395.110-7T-050.395.195-8T-050.395.393-2T-070.088.397-1T-900.754.161-9T-900.757.915-9T-900.758.114-8
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 724353525125?
724353525125 is a Universal Product Code (UPC) assigned to D’un siècle à l’autre by Charles Aznavour. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 59 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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