UPC · Release
Der blonde Engel: Die Retrospektive
Marlene Dietrich
Last verified:
724353756727 is the Universal Product Code (UPC barcode) for the release “Der blonde Engel: Die Retrospektive” by Marlene Dietrich, released 2001-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include FRZ116201340, FRZ116201330, USMC14974700.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sag mir wo die Blumen sind | — | ||
| 2 | Für alles kommt die Zeit | — | ||
| 3 | Die Antwort weiß ganz allein der Wind | — | ||
| 4 | Ich bin von Kopf bis Fuß auf Liebe eingestellt | — | ||
| 5 | Johnny, wenn du Geburtstag hast | — | ||
| 6 | Wenn ich mir was wünschen dürfte | — | ||
| 7 | Ich weiß nicht, zu wem ich gehöre | — | ||
| 8 | Mein blondes Baby | — | ||
| 9 | Allein in einer großen Stadt | — | ||
| 10 | Und wenn er wiederkommt | — | ||
| 11 | In den Kasernen | — | ||
| 12 | Wenn die Soldaten | — | ||
| 13 | Marie Marie | — | ||
| 14 | Ich werde dich lieben | — | ||
| 15 | Sch… kleines Baby | — | ||
| 16 | Mutter, hast du mir vergeben | — | ||
| 17 | Auf der Mundharmonika | — | ||
| 18 | Wenn der Sommer wieder einzieht | — | ||
| 19 | Schlittenfahrt | — | ||
| 20 | Mein Mann ist verhindert | — | ||
| 21 | Ach, Fräulein Annie wohnt schon lange nicht mehr hier | — | ||
| 22 | Sag’ mir Adieu | — | ||
| 23 | Das Lied ist aus | — | ||
| 2-1 | La Vie en rose | — | ||
| 2-2 | Cherche la rose | — | ||
| 2-3 | Ou vont les fleurs | Marlene Dietrich | T-070.940.807-0 | |
| 2-4 | Déjeuner du matin | Marlene Dietrich | T-003.008.283-7 | |
| 2-5 | I Wish You Love | — | ||
| 2-6 | Shir Hatan | — | ||
| 2-7 | Go ’Way From My Window | — | ||
| 2-8 | Lazy Afternoon | — | ||
| 2-9 | Makin’ Whoopee | — | ||
| 2-10 | I’ve Grown Accustomed to Her Face | — | ||
| 2-11 | One For My Baby | — | ||
| 2-12 | Where Have All the Flowers Gone | — | ||
| 2-13 | Blowin’ in the Wind | — | ||
| 2-14 | Paff, der Zauberdrachen | — | ||
| 2-15 | Kleine treue Nachtigall | — | ||
| 2-16 | Bitte geh’ nicht fort | — | ||
| 2-17 | Die Welt war jung | — | ||
| 2-18 | Ich hab’ noch einen Koffer in Berlin | — | ||
| 2-19 | Lieber Leierkastenmann | — | ||
| 2-20 | Das war in Schöneberg | — | ||
| 2-21 | Es gibt im Leben manchmal Momente | — | ||
| 2-22 | Nach meine Beene ist ja ganz Berlin verrückt | — | ||
| 2-23 | Wer wird denn weinen, wenn man auseinander geht | — | ||
| 2-24 | Das ist Berlin wie’s weint, das ist Berlin wie’s lacht | — | ||
| 2-25 | Solang noch untern Linden | — | ||
| 3-1 | Illusions | Marlene Dietrich | — | |
| 3-2 | Black Market | Marlene Dietrich | T-800.826.787-7 | |
| 3-3 | Lili Marlene | — | ||
| 3-4 | You Go to My Head | Marlene Dietrich | T-070.210.576-7 | |
| 3-5 | You Do Something to Me | Marlene Dietrich | T-070.210.524-5 | |
| 3-6 | You’ve Got That Look | Marlene Dietrich | T-070.282.277-2 | |
| 3-7 | Boys in the Backroom | Marlene Dietrich | T-070.257.596-9 | |
| 3-8 | I’ve Been in Love Before | Marlene Dietrich | — | |
| 3-9 | Moi, je m’ennuie | — | ||
| 3-10 | Assez | — | ||
| 3-11 | Allein in einer großen Stadt | — | ||
| 3-12 | Ja, so bin ich | — | ||
| 3-13 | Wo ist der Mann | — | ||
| 3-14 | Mein blondes Baby | — | ||
| 3-15 | Quand l’amour meurt | — | ||
| 3-16 | Leben ohne Liebe kannst du nicht | — | ||
| 3-17 | Wenn ich mir was wünschen dürfte | — | ||
| 3-18 | Peter | Marlene Dietrich | — | |
| 3-19 | Johnny | — | ||
| 3-20 | Ich bin von Kopf bis Fuß auf Liebe eingestellt | — | ||
| 3-21 | Nimm dich in acht vor blonden Frau’n | — | ||
| 3-22 | Kinder, heut’ abend, da such ich mir was aus | — | ||
| 3-23 | Ich bin die fesche Lola | — | ||
| 3-24 | Wenn die beste Freundin | — | ||
| 3-25 | Give Me the Man | — | ||
| 3-26 | Falling in Love Again | — | ||
| 4-1 | Ufa-Auditions (You’re the Cream in My Coffee / Wer wird denn weinen) | — | ||
| 4-2 | Hot Voodoo | — | ||
| 4-3 | Jonny | — | ||
| 4-4 | Ton regard | — | ||
| 4-5 | If It Isn’t Pain, Then It Isn’t Love | — | ||
| 4-6 | Awake in a Dream | — | ||
| 4-7 | He Lied and I Listen | — | ||
| 4-8 | Du hast ’nen Blick (You’ve Got That Look) | — | ||
| 4-9 | Gib doch den Männern am Stammtisch ihr Gift (The Boys in the Backroom) | — | ||
| 4-10 | Little Joe, the Wrangler | — | ||
| 4-11 | The Man’s in the Navy | — | ||
| 4-12 | Ich heirate nie (South American Way) | — | ||
| 4-13 | Ich weiß nicht, zu wem ich gehöre | — | ||
| 4-14 | Black Market | — | ||
| 4-15 | Ruins of Berlin (In den Ruinen von Berlin) | — | ||
| 4-16 | The Laziest Gal in Town | — | ||
| 4-17 | Love Is Lyrical (Whisper Sweet Little Nothing to Me) | — | ||
| 4-18 | Get Away, Young Man | — | ||
| 4-19 | Qui me délivrera | — | ||
| 4-20 | I Refuse to Rock and Roll (live) | — | ||
| 4-21 | My Baby Just Cares for Me (live) | — | ||
| 4-22 | Kisses Sweeter Than Wine | Marlene Dietrich | — | |
| 4-23 | Look Me Over Closely | — | ||
| 4-24 | Alle Tage ist kein Sonntag | — | ||
| 4-25 | Ich hab’ noch einen Koffer in Berlin | — | ||
| 4-26 | Just a Gigolo | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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People also ask
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What is UPC 724353756727?
724353756727 is a Universal Product Code (UPC) assigned to Der blonde Engel: Die Retrospektive by Marlene Dietrich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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