UPC · Release
Out of time
Mano Negra
724354469497
133 tracksReleased 2005-01-01Virgin
Last verified:
724354469497 is the Universal Product Code (UPC barcode) for the release “Out of time” by Mano Negra, released 2005-01-01 on Virgin. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 133 tracks, each with its own ISRC.
Format
7Number system
24354Manufacturer
46949Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCOut of time
ISWC12 works
IPI4 songwriters
Track List (133)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prologue | — | ||
| 2 | Joint de Culasse | — | ||
| 3 | Issue de secours | — | ||
| 4 | The Flapper's | — | ||
| 5 | The Hot Pants | — | ||
| 6 | Los Carayos | — | ||
| 7 | La Mano Negra | — | ||
| 8 | Takin' it up | — | ||
| 9 | Salga la luna | — | ||
| 10 | Les Casses Pieds | — | ||
| 11 | Garage land | — | ||
| 12 | The devil's call | — | ||
| 13 | Le Demi Lune | — | ||
| 14 | Le New Morning | — | ||
| 15 | Les Trans Musicales | — | ||
| 16 | Le Printemps de Bourges | — | ||
| 17 | Putas fever | — | ||
| 18 | Amerika perdida | — | ||
| 19 | Guayakill City | — | ||
| 20 | Cuzco | — | ||
| 21 | Putas tour | — | ||
| 22 | Pigalle | — | ||
| 23 | On the road | — | ||
| 24 | In the hell of Patchinko | — | ||
| 25 | King of the bongo | — | ||
| 26 | Banlieue boogie | — | ||
| 27 | Jam | — | ||
| 28 | Pogo à l'U.N.E.S.C.O. | — | ||
| 29 | Défense d'interdire | — | ||
| 30 | Royal de Luxe | — | ||
| 31 | Cargo 92 | — | ||
| 32 | Caracas | — | ||
| 33 | Cartagena | — | ||
| 34 | Piratas del Caribe | — | ||
| 35 | Rio pogo | — | ||
| 36 | Mano negra theme | — | ||
| 37 | Casa Babylone | — | ||
| 38 | Last chance train | — | ||
| 39 | Générique | — | ||
| 40 | Intro | — | ||
| 41 | Breakaway (Capsul' rock) | — | ||
| 42 | La ronde de nuit (live à la Boucherie) | — | ||
| 43 | Mano negra (Feria de Nîmes, may 1989) | — | ||
| 44 | Food fight (Aubervilliers, june 1989) | — | ||
| 45 | Takin' it up (Aubervilliers, june 1989) | — | ||
| 46 | Ready Teddy (Lima, june 1989) | — | ||
| 47 | On telefon (Cuzco, june 1989) | — | ||
| 48 | Si la tierra trembla (Cuenca, june 1989) | — | ||
| 49 | The devil's call (Quito, june 1989) | — | ||
| 50 | Soledad (Clermont Ferrand, june 1989) | — | ||
| 51 | Voodoo (Barcelona, july 1989) | — | ||
| 52 | Salga la luna (Caes, Ris Orangis, may 90) | — | ||
| 53 | County line (München, february 1992) | — | ||
| 54 | Indios de Barcelona (München, february 1992) | — | ||
| 55 | Sidi h' Bibi (München, february 1992) | — | ||
| 56 | I wanna be your dog / Slam City (Japan / España) | — | ||
| 57 | Furious fiesta en banlieue (April 1991) | — | ||
| 58 | Le chanteur de Mexico (Rennes, april 1991) | — | ||
| 59 | Pas assez de toi (Le Transbordeur, Lyon, may 1991) | — | ||
| 60 | Paul Carbone (Le Transbordeur, Lyon, may 1991) | — | ||
| 61 | Mad house (Le Transbordeur, Lyon, may 1991) | — | ||
| 62 | Welcome in Occident (St Amand Roche Savine, june 1991) | — | ||
| 63 | Interview Manu (La Baule, august 1991) | — | ||
| 64 | La bataille de Damgan (August 1991) | — | ||
| 65 | Rock island line (Sapporo, october 1991) | — | ||
| 66 | Junky beat (Tokyo, october 1991) | — | ||
| 67 | Out of time man (Tokyo, october 1991) | — | ||
| 68 | Letter to the censors (Kawasaki, november 1991) | — | ||
| 69 | Rebell spell (Yoyogi Park, Tokyo, february 1990) | — | ||
| 70 | Rock & Roll band (In the hell of Patchinko, november 1991) | — | ||
| 71 | Killin' rats (Teatro Karl Marx, La Havana, may 1992) | — | ||
| 72 | Mano Negra (Sao Paolo, may 1992) | — | ||
| 2-1 | Intro & Générique | — | ||
| 2-2 | Interview Manu à Guyaquil | — | ||
| 2-3 | Mala vida | — | ||
| 2-4 | Peru Lima juin 89 | — | ||
| 2-5 | Rock & Roll band & interview Marc Winandy | — | ||
| 2-6 | Patchanka (Quito, 21 juin 89) | — | ||
| 2-7 | Peligro (Cuenca & Cuzco) | — | ||
| 2-8 | Feria de Nîmes & interview Marc winandy | — | ||
| 2-9 | Sidi h' Bibi | — | ||
| 2-10 | Rebell spell | — | ||
| 2-11 | Mano Negra | — | ||
| 2-12 | Indios de Barcelona | — | ||
| 2-13 | Rock & Roll band | — | ||
| 2-14 | Mano negra (live N.Y.C.) | — | ||
| 2-16 | Mad house | — | ||
| 2-21 | Noche de accion | — | ||
| 2-22 | Ronde de nuit | — | ||
| 2-23 | King Kong five | — | ||
| 2-25 | Pas assez de toi | — | ||
| 2-26 | Magic dice | — | ||
| 2-28 | El sur | — | ||
| 2-29 | Junky beat | — | ||
| 2-31 | Patchuko hop | — | ||
| 2-33 | Paul Carbone | — | ||
| 2-35 | Le porte croix | — | ||
| 2-36 | Roger Cageot | — | ||
| 2-37 | Ramblin' man | — | ||
| 2-38 | Rock island line | — | ||
| 2-39 | Darling darling & Outro | — | ||
| 2-40 | Mala vida - 1988 | — | ||
| 2-41 | Don't want you no more - 1992 | — | ||
| 2-42 | It's my heart - 1992 | — | ||
| 2-43 | Mad man's dead - 1993 | — | ||
| 2-44 | Pas assez de toi - 1990 | — | ||
| 2-45 | Sueño de solentiname - 1994 | — | ||
| 2-46 | Out of time man - 1991 | — | ||
| 2-47 | Soledad - 2005 | — | ||
| 2-48 | El señor Matanza - 1994 | — | ||
| 2-49 | On telefon - 2005 | — | ||
| 2-50 | All alone & lonely | — | ||
| 2-51 | Lucha libre | — | ||
| 2-52 | Mad house au Fahrenheit | — | ||
| 2-53 | Radio Mano | — | ||
| 2-55 | Blackout en Monterrey (Rock island line, oct 91) | — | ||
| 2-56 | Luis Bahamas | — | ||
| 2-57 | Arezzo blues | — | ||
| 2-58 | Sally (she's got three lovers) | — | ||
| 2-59 | Out of time man | — | ||
| 2-60 | King Kong six | — | ||
| 2-61 | The monkey | — | ||
| 2-63 | Ready Teddy | — | ||
| 2-64 | That's all right mama | — | ||
| 2-65 | Jam in New York | — | ||
| 2-66 | My dear my dear | — | ||
| 2-67 | D'abord on est bien ! (et après on joue) | — | ||
| 2-68 | Long long nite (dub) | — | ||
| 2-69 | When good is one (bad they're ten) | — | ||
| 2-70 | Out of time (out of tune) | — | ||
| 2-71 | Tout le trésor des Incas | — | ||
| 2-72 | Song for Jodie | — | ||
| 2-73 | Keep on knocking | — |
Prologue
—
Joint de Culasse
—
Issue de secours
—
The Flapper's
—
The Hot Pants
—
Los Carayos
—
La Mano Negra
—
Takin' it up
—
Salga la luna
—
Les Casses Pieds
—
Garage land
—
The devil's call
—
Le Demi Lune
—
Le New Morning
—
Les Trans Musicales
—
Le Printemps de Bourges
—
Putas fever
—
Amerika perdida
—
Guayakill City
—
Cuzco
—
Putas tour
—
Pigalle
—
On the road
—
In the hell of Patchinko
—
King of the bongo
—
Banlieue boogie
—
Jam
—
Pogo à l'U.N.E.S.C.O.
—
Défense d'interdire
—
Royal de Luxe
—
Cargo 92
—
Caracas
—
Cartagena
—
Piratas del Caribe
—
Rio pogo
—
Mano negra theme
—
Casa Babylone
—
Last chance train
—
Générique
—
Intro
—
Breakaway (Capsul' rock)
—
La ronde de nuit (live à la Boucherie)
—
Mano negra (Feria de Nîmes, may 1989)
—
Food fight (Aubervilliers, june 1989)
—
Takin' it up (Aubervilliers, june 1989)
—
Ready Teddy (Lima, june 1989)
—
On telefon (Cuzco, june 1989)
—
Si la tierra trembla (Cuenca, june 1989)
—
The devil's call (Quito, june 1989)
—
Soledad (Clermont Ferrand, june 1989)
—
Voodoo (Barcelona, july 1989)
—
Salga la luna (Caes, Ris Orangis, may 90)
—
County line (München, february 1992)
—
Indios de Barcelona (München, february 1992)
—
Sidi h' Bibi (München, february 1992)
—
I wanna be your dog / Slam City (Japan / España)
—
Furious fiesta en banlieue (April 1991)
—
Le chanteur de Mexico (Rennes, april 1991)
—
Pas assez de toi (Le Transbordeur, Lyon, may 1991)
—
Paul Carbone (Le Transbordeur, Lyon, may 1991)
—
Mad house (Le Transbordeur, Lyon, may 1991)
—
Welcome in Occident (St Amand Roche Savine, june 1991)
—
Interview Manu (La Baule, august 1991)
—
La bataille de Damgan (August 1991)
—
Rock island line (Sapporo, october 1991)
—
Junky beat (Tokyo, october 1991)
—
Out of time man (Tokyo, october 1991)
—
Letter to the censors (Kawasaki, november 1991)
—
Rebell spell (Yoyogi Park, Tokyo, february 1990)
—
Rock & Roll band (In the hell of Patchinko, november 1991)
—
Killin' rats (Teatro Karl Marx, La Havana, may 1992)
—
Mano Negra (Sao Paolo, may 1992)
—
Intro & Générique
—
Interview Manu à Guyaquil
—
Mala vida
—
Peru Lima juin 89
—
Rock & Roll band & interview Marc Winandy
—
Patchanka (Quito, 21 juin 89)
—
Peligro (Cuenca & Cuzco)
—
Feria de Nîmes & interview Marc winandy
—
Sidi h' Bibi
—
Rebell spell
—
Mano Negra
—
Indios de Barcelona
—
Rock & Roll band
—
Mano negra (live N.Y.C.)
—
Mad house
—
Noche de accion
—
Ronde de nuit
—
King Kong five
—
Pas assez de toi
—
Magic dice
—
El sur
—
Junky beat
—
Patchuko hop
—
Paul Carbone
—
Le porte croix
—
Roger Cageot
—
Ramblin' man
—
Rock island line
—
Darling darling & Outro
—
Mala vida - 1988
—
Don't want you no more - 1992
—
It's my heart - 1992
—
Mad man's dead - 1993
—
Pas assez de toi - 1990
—
Sueño de solentiname - 1994
—
Out of time man - 1991
—
Soledad - 2005
—
El señor Matanza - 1994
—
On telefon - 2005
—
All alone & lonely
—
Lucha libre
—
Mad house au Fahrenheit
—
Radio Mano
—
Blackout en Monterrey (Rock island line, oct 91)
—
Luis Bahamas
—
Arezzo blues
—
Sally (she's got three lovers)
—
Out of time man
—
King Kong six
—
The monkey
—
Ready Teddy
—
That's all right mama
—
Jam in New York
—
My dear my dear
—
D'abord on est bien ! (et après on joue)
—
Long long nite (dub)
—
When good is one (bad they're ten)
—
Out of time (out of tune)
—
Tout le trésor des Incas
—
Song for Jodie
—
Keep on knocking
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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Verified on
What is UPC 724354469497?
724354469497 is a Universal Product Code (UPC) assigned to Out of time by Mano Negra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 133 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm