UPC · Album

Erwartung / Kammersymphonie Nr. 1, op. 9 / Variationen für Orchester, op. 31

Schoenberg, Phyllis Bryn‐Julson, Simon Rattle and 2 more

724355521224
25 tracksReleased 1995-01-01EMI Classics

Last verified:

724355521224 is the Universal Product Code (UPC barcode) for the release Erwartung / Kammersymphonie Nr. 1, op. 9 / Variationen für Orchester, op. 31 by Schoenberg, Phyllis Bryn‐Julson, Simon Rattle, Birmingham Contemporary Music Group, City of Birmingham Symphony Orchestra, released 1995-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include GBAYC9302036, GBAYC9302037, GBAYC9302038.

Format

7Number system
24355Manufacturer
52122Product
4Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCErwartung / Kammersymphonie Nr. 1, op. 9 / Variationen für Orchester, op. 31
ISRC25 recordings
ISWC1 work

Track List (25)

Chamber Symphony no. 1, op. 9: I. Langsam - Sehr rasch
Birmingham Contemporary Music Group, Simon Rattle
Chamber Symphony no. 1, op. 9: II. Feurig - Hauptzeitmaß - Ruhiger - Sehr rasch -
Birmingham Contemporary Music Group, Simon Rattle
Chamber Symphony no. 1, op. 9: III. Viel langsamer - Fließender - Schwungvoll - Hauptzeitmaß
Birmingham Contemporary Music Group, Simon Rattle
Chamber Symphony no. 1, op. 9: IV. Etwas ruhiger - Steigernd - Hauptzeitmaß
Birmingham Contemporary Music Group, Simon Rattle
Erwartung, op. 17: 1. Szene "Hier hinein? Man sieht den Weg nicht..."
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 2. Szene "1st das noch der Weg? Hier ist es eben"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 3. Szene "Da kommt ein Licht!"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 4. Szene "Er ist auch nicht da"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 4. Szene "Das Mondlicht...nein, dort"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 4. Szene "Was soll ich tun"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 4. Szene "Aber seltsam ist dein Auge"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 4. Szene "Du siehst wieder dort hin?"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 4. Szene "Oh! nicht einmal die Gnade"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Erwartung, op. 17: 4. "Szene Liebster, Liebster, der Morgen kommt"
Phyllis Bryn-Julson, City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Introduction & Theme
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 1
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 2
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 3
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 4
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 5
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 6
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 7
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 8
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Variation 9
City of Birmingham Symphony Orchestra, Simon Rattle
Variations for Orchestra, op. 31: Finale
City of Birmingham Symphony Orchestra, Simon Rattle

What other identifiers does this connect to?

Musical Works (ISWC)

Creative Contributors (ISNI)

People also ask

What is UPC 724355521224?
UPC 724355521224 is the Universal Product Code (barcode) for "Erwartung / Kammersymphonie Nr. 1, op. 9 / Variationen für Orchester, op. 31" by Schoenberg, Phyllis Bryn‐Julson, Simon Rattle, Birmingham Contemporary Music Group, City of Birmingham Symphony Orchestra, released on EMI Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724355521224?
UPC 724355521224 contains 25 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 724355521224?

724355521224 is a Universal Product Code (UPC) assigned to Erwartung / Kammersymphonie Nr. 1, op. 9 / Variationen für Orchester, op. 31 by Schoenberg, Phyllis Bryn‐Julson, Simon Rattle, Birmingham Contemporary Music Group, City of Birmingham Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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