UPC · Release
Hindemith, Claudio Abbado, Berliner Philharmoniker
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The UPC for “Kammermusik Nr. 2, 3, 6 & 7” by Hindemith, Claudio Abbado, Berliner Philharmoniker is 724355683120. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: EMI Classics. This release contains 15 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kammermusik Nr. 2, op. 36 Nr. 1: I. Sehr lebhafte Achtel | — | ||
| 2 | Kammermusik Nr. 2, op. 36 Nr. 1: II. Sehr langsame Achtel - Etwa doppelt so schnell | — | ||
| 3 | Kammermusik Nr. 2, op. 36 Nr. 1: III. Kleines Potpourri. Sehr lebhafte Viertel | — | ||
| 4 | Kammermusik Nr. 2, op. 36 Nr. 1: IV. Finale. Schnelle Viertel - Fugato | — | ||
| 5 | Kammermusik Nr. 3, op. 36 Nr. 2: I. Majestätisch und stark. Mäßig schnelle Achtel | — | ||
| 6 | Kammermusik Nr. 3, op. 36 Nr. 2: II. Lebhaft und lustig | — | ||
| 7 | Kammermusik Nr. 3, op. 36 Nr. 2: III. Sehr ruhige und gemessen schreitende Viertel | — | ||
| 8 | Kammermusik Nr. 3, op. 36 Nr. 2: IV. Mäßig bewegte Halbe. Munter, aber immer gemächlich | — | ||
| 9 | Kammermusik Nr. 6, op. 46 Nr. 1: I. Mäßig schnell, majestätisch - Doppelt so schnell | — | ||
| 10 | Kammermusik Nr. 6, op. 46 Nr. 1: II. Langsam | — | ||
| 11 | Kammermusik Nr. 6, op. 46 Nr. 1: III. Variationen. Mäßig schnell bewegt | — | ||
| 12 | Kammermusik Nr. 6, op. 46 Nr. 1: IV. Lebhaft, wie früher | — | ||
| 13 | Kammermusik Nr. 7, op. 46 Nr. 2: I. Nicht zu schnell | — | ||
| 14 | Kammermusik Nr. 7, op. 46 Nr. 2: II. Sehr langsam und ganz ruhig | — | ||
| 15 | Kammermusik Nr. 7, op. 46 Nr. 2: III | — |
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724355683120 is a Universal Product Code (UPC) assigned to Kammermusik Nr. 2, 3, 6 & 7 by Hindemith, Claudio Abbado, Berliner Philharmoniker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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The UPC for “Kammermusik Nr. 2, 3, 6 & 7” by Hindemith, Claudio Abbado, Berliner Philharmoniker is 724355683120. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2000-01-01. Label: EMI Classics. This release contains 15 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Kammermusik Nr. 2, op. 36 Nr. 1: I. Sehr lebhafte Achtel | — | ||
| 2 | Kammermusik Nr. 2, op. 36 Nr. 1: II. Sehr langsame Achtel - Etwa doppelt so schnell | — | ||
| 3 | Kammermusik Nr. 2, op. 36 Nr. 1: III. Kleines Potpourri. Sehr lebhafte Viertel | — | ||
| 4 | Kammermusik Nr. 2, op. 36 Nr. 1: IV. Finale. Schnelle Viertel - Fugato | — | ||
| 5 | Kammermusik Nr. 3, op. 36 Nr. 2: I. Majestätisch und stark. Mäßig schnelle Achtel | — | ||
| 6 | Kammermusik Nr. 3, op. 36 Nr. 2: II. Lebhaft und lustig | — | ||
| 7 | Kammermusik Nr. 3, op. 36 Nr. 2: III. Sehr ruhige und gemessen schreitende Viertel | — | ||
| 8 | Kammermusik Nr. 3, op. 36 Nr. 2: IV. Mäßig bewegte Halbe. Munter, aber immer gemächlich | — | ||
| 9 | Kammermusik Nr. 6, op. 46 Nr. 1: I. Mäßig schnell, majestätisch - Doppelt so schnell | — | ||
| 10 | Kammermusik Nr. 6, op. 46 Nr. 1: II. Langsam | — | ||
| 11 | Kammermusik Nr. 6, op. 46 Nr. 1: III. Variationen. Mäßig schnell bewegt | — | ||
| 12 | Kammermusik Nr. 6, op. 46 Nr. 1: IV. Lebhaft, wie früher | — | ||
| 13 | Kammermusik Nr. 7, op. 46 Nr. 2: I. Nicht zu schnell | — | ||
| 14 | Kammermusik Nr. 7, op. 46 Nr. 2: II. Sehr langsam und ganz ruhig | — | ||
| 15 | Kammermusik Nr. 7, op. 46 Nr. 2: III | — |
