UPC · Release
Popular Music From TV, Film and Opera (Special Collector’s Edition)
Maria Callas
Last verified:
724355706225 is the Universal Product Code (UPC barcode) for the release “Popular Music From TV, Film and Opera (Special Collector’s Edition)” by Maria Callas, released 2000-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 34 tracks, each with its own ISRC. Tracks include GBAYC1105038, GBAYC0202602, GBAYC8600262.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (34)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 2 | La Wally: “Ebben? Ne andrò lontana” | — | ||
| 3 | Gianni Schicchi: “O mio babbino caro” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-901.222.501-3 | |
| 4 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-900.798.617-6 | |
| 5 | Tosca: Atto II. “Vissi d'arte” (Tosca) | Maria Callas, Orchestra del Teatro alla Scala di Milano, Victor de Sabata | T-005.000.838-2 | |
| 6 | Madama Butterfly: “Un bel dì vedremo” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 7 | Rigoletto: “Gualtier Maldè! … Caro nome” | Norberto Mola, Coro del Teatro alla Scala di Milano, Maria Callas, William Dickie, Renato Ercolani, Carlo Forti, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-913.242.186-4 | |
| 8 | Il trovatore: “D’amor sull’ali rosee” | — | ||
| 9 | Manon Lescaut: “In quelle trine morbide” | — | ||
| 10 | La bohème: “Sì. Mi chiamano Mimì” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 11 | La bohème: “Donde lieta uscì” | — | ||
| 12 | Adriana Lecouvreur: Atto I. “Ecco: respiro appena” … “Io son l’umile ancella” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 13 | La traviata: Atto I. “Ah, fors’è lui” | Maria Callas, Orquestra Sinfónica do Teatro Nacional de São Carlos, Franco Ghione | T-310.373.660-9 | |
| 14 | La traviata: “Addio, del passato” | — | ||
| 15 | Turandot: “Signore ascolta” | — | ||
| 16 | Turandot: “Tu che di gel sei cinta” | — | ||
| 17 | Anna Bolena: “Al dolce guidami castel natio” | — | ||
| 18 | Lucia di Lammermoor: “Spargi d’amaro pianto” | — | ||
| 2-1 | Orphée et Eurydice : « J’ai perdu mon Eurydice » | — | ||
| 2-2 | Carmen : Acte I. Habanera « L’amour est un oiseau rebelle » (Carmen, Chœur) | Maria Callas, Chœurs René Duclos, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | T-305.625.648-1 | |
| 2-3 | Carmen : Acte I. « Près des remparts de Séville » | Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre | T-911.507.740-2 | |
| 2-4 | Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | — | |
| 2-5 | Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa” | Maria Callas, Tito Gobbi, Philharmonia Orchestra, Alceo Galliera | — | |
| 2-6 | Dinorah: “Ombra leggiera” (Shadow song) | — | ||
| 2-7 | Romeo et Juliette : « Ah ! Je veux vivre » (Waltz song) | — | ||
| 2-8 | Samson et Dalila : « Printemps qui commence » | — | ||
| 2-9 | Samson et Dalila : « Mon cœur s’ouvre à ta voix » | — | ||
| 2-10 | Le Cid : « Pleurez, mes yeux ! » | — | ||
| 2-11 | Manon : « Adieu, notre petite table » | — | ||
| 2-12 | Louise : « Depuis le jour » | — | ||
| 2-13 | La vestale: “O nume tutelar” | — | ||
| 2-14 | La sonnambula: “Ah! Non credea mirarti” | — | ||
| 2-15 | Le nozze di Figaro: “Porgi, amor” | — | ||
| 2-16 | Otello: Atto IV. “Ave Maria, piena di grazia” (Desdemona) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno | — |
Additional database matches (7)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Carmen : Acte I. « Près des remparts de Séville » | Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre | — |
| Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
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What is UPC 724355706225?
724355706225 is a Universal Product Code (UPC) assigned to Popular Music From TV, Film and Opera (Special Collector’s Edition) by Maria Callas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 34 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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