UPC · Release
Magnificat / Easter Oratorio
Johann Sebastian Bach, The Taverner Consort & Players, Andrew Parrott
724356164727
41 tracksReleased 1999-01-01Virgin Veritas
Last verified:
724356164727 is the Universal Product Code (UPC barcode) for the release “Magnificat / Easter Oratorio” by Johann Sebastian Bach, The Taverner Consort & Players, Andrew Parrott, released 1999-01-01 on Virgin Veritas. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include GBAYC9301041.
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7Number system
24356Manufacturer
16472Product
7Check digit
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- Manufacturer:
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- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPCMagnificat / Easter Oratorio
ISRC1 recording
Track List (41)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Magnificat in D major, BWV 243: I. Coro “Magnificat” | — | ||
| 2 | Magnificat in D major, BWV 243: II. Aria (Soprano I) “Et exultavit spiritus meus” | — | ||
| 3 | Magnificat in D major, BWV 243: III. Aria (Soprano II) “Quia respexit humilitatem” | — | ||
| 4 | Magnificat in D major, BWV 243: IV. Coro “Omnes generationes” | — | ||
| 5 | Magnificat in D major, BWV 243: V. Aria (Basso) “Quia fecit mihi magna” | — | ||
| 6 | Magnificat in D major, BWV 243: VI. Duetto (Alto, Tenore) “Et misericordia” | — | ||
| 7 | Magnificat in D major, BWV 243: VII. Coro “Fecit potentiam” | — | ||
| 8 | Magnificat in D major, BWV 243: VIII. Aria (Tenore) “Deposuit potentes” | — | ||
| 9 | Magnificat in D major, BWV 243: IX. Aria (Alto) “Esurientes implevit bonis” | — | ||
| 10 | Magnificat in D major, BWV 243: X. Coro (Sopranos I & II, Alto) “Suscepit Israel” | — | ||
| 11 | Magnificat in D major, BWV 243: XI. Coro “Sicut locutus est” | — | ||
| 12 | Magnificat in D major, BWV 243: XII. Coro “Gloria patri” | — | ||
| 13 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: I. Coro “Lobet Gott in seinen Reichen” | — | ||
| 14 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: II. Evangelista “Der Herr Jesus hub seine Hände auf” | — | ||
| 15 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: III. Recitativo (Basso) “Ach, Jesu, is dein Abschied schon so nah” | — | ||
| 16 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: IV. Aria (Alto) “Ach, bleibe doch, mein liebstes Leben” | — | ||
| 17 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: V. Evangelista “Und ward aufgehoben zusehends” | — | ||
| 18 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VI. Choral “Nun lieget alles unter dir” | — | ||
| 19 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VII. Evangelista “Und da sie ihm nachsahen” | — | ||
| 20 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VIII. Aria (Soprano I) “Jesu, deine Gnadenblicke” | — | ||
| 21 | Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: IX. Choral “Wenn soll es doch geschehen” | — | ||
| 22 | Kantate fragment “Nun is das Heil und die Kraft”, BWV 50: Coro | — | ||
| 2-1 | Oratorio, “Christ lag in Todes Banden”, BWV 4: I. Sinfonia | — | ||
| 2-2 | Oratorio, “Christ lag in Todes Banden”, BWV 4: II. Versus I (Coro) “Christ lag in Todes Banden” | — | ||
| 2-3 | Oratorio, “Christ lag in Todes Banden”, BWV 4: III. Versus II (Soprano, Alto) “Den Tod niemand zwingen kunnt” | — | ||
| 2-4 | Oratorio, “Christ lag in Todes Banden”, BWV 4: IV. Versus III (Tenore) “Jesus Christus, Gottes Sohn” | — | ||
| 2-5 | Oratorio, “Christ lag in Todes Banden”, BWV 4: V. Versus IV (Coro) “Es war ein wunderlicher Krieg” | — | ||
| 2-6 | Oratorio, “Christ lag in Todes Banden”, BWV 4: VI. Versus V (Basso) “Hier ist das rechte Osterlamm” | — | ||
| 2-7 | Oratorio, “Christ lag in Todes Banden”, BWV 4: VII. Versus VI (Soprano, Tenore) “So feiren wir das hohe Fest” | — | ||
| 2-8 | Oratorio, “Christ lag in Todes Banden”, BWV 4: VIII. Versus VII (Coro) “Wir essen und leben wohl” | — | ||
| 2-9 | Easter Oratorio, BWV 249: I. Sinfonia | — | ||
| 2-10 | Easter Oratorio, BWV 249: II. Adagio | — | ||
| 2-11 | Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet" | Taverner Choir, Taverner Players, Andrew Parrott, The Taverner Consort & Players | — | |
| 2-12 | Easter Oratorio, BWV 249: IV. Recitativo (Soprano, Alto, Tenore, Basso) “O kalter Männer Sinn!” | — | ||
| 2-13 | Easter Oratorio, BWV 249: V. Aria (Soprano) “Seele, deine Spezereien” | — | ||
| 2-14 | Easter Oratorio, BWV 249: VI. Recitativo (Alto, Tenore, Basso) “Hier ist die Gruft” | — | ||
| 2-15 | Easter Oratorio, BWV 249: VII. Aria (Tenore) “Sanfte soll mein Todeskummer” | — | ||
| 2-16 | Easter Oratorio, BWV 249: VIII. Recitativo (Soprano, Alto) “Indessen seufzen wir” | — | ||
| 2-17 | Easter Oratorio, BWV 249: IX. Aria (Alto) “Saget, saget mir geschwinde” | — | ||
| 2-18 | Easter Oratorio, BWV 249: X. Recitativo (Basso) “Wir sind erfreut” | — | ||
| 2-19 | Easter Oratorio, BWV 249: XI. Coro “Preis und Dank” | — |
Magnificat in D major, BWV 243: I. Coro “Magnificat”
—
Magnificat in D major, BWV 243: II. Aria (Soprano I) “Et exultavit spiritus meus”
—
Magnificat in D major, BWV 243: III. Aria (Soprano II) “Quia respexit humilitatem”
—
Magnificat in D major, BWV 243: IV. Coro “Omnes generationes”
—
Magnificat in D major, BWV 243: V. Aria (Basso) “Quia fecit mihi magna”
—
Magnificat in D major, BWV 243: VI. Duetto (Alto, Tenore) “Et misericordia”
—
Magnificat in D major, BWV 243: VII. Coro “Fecit potentiam”
—
Magnificat in D major, BWV 243: VIII. Aria (Tenore) “Deposuit potentes”
—
Magnificat in D major, BWV 243: IX. Aria (Alto) “Esurientes implevit bonis”
—
Magnificat in D major, BWV 243: X. Coro (Sopranos I & II, Alto) “Suscepit Israel”
—
Magnificat in D major, BWV 243: XI. Coro “Sicut locutus est”
—
Magnificat in D major, BWV 243: XII. Coro “Gloria patri”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: I. Coro “Lobet Gott in seinen Reichen”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: II. Evangelista “Der Herr Jesus hub seine Hände auf”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: III. Recitativo (Basso) “Ach, Jesu, is dein Abschied schon so nah”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: IV. Aria (Alto) “Ach, bleibe doch, mein liebstes Leben”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: V. Evangelista “Und ward aufgehoben zusehends”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VI. Choral “Nun lieget alles unter dir”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VII. Evangelista “Und da sie ihm nachsahen”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: VIII. Aria (Soprano I) “Jesu, deine Gnadenblicke”
—
Ascension Oratorio, “Lobet Gott in seinen Reichen”, BWV II/249b: IX. Choral “Wenn soll es doch geschehen”
—
Kantate fragment “Nun is das Heil und die Kraft”, BWV 50: Coro
—
Oratorio, “Christ lag in Todes Banden”, BWV 4: I. Sinfonia
—
Oratorio, “Christ lag in Todes Banden”, BWV 4: II. Versus I (Coro) “Christ lag in Todes Banden”
—
Oratorio, “Christ lag in Todes Banden”, BWV 4: III. Versus II (Soprano, Alto) “Den Tod niemand zwingen kunnt”
—
Oratorio, “Christ lag in Todes Banden”, BWV 4: IV. Versus III (Tenore) “Jesus Christus, Gottes Sohn”
—
Oratorio, “Christ lag in Todes Banden”, BWV 4: V. Versus IV (Coro) “Es war ein wunderlicher Krieg”
—
Oratorio, “Christ lag in Todes Banden”, BWV 4: VI. Versus V (Basso) “Hier ist das rechte Osterlamm”
—
Oratorio, “Christ lag in Todes Banden”, BWV 4: VII. Versus VI (Soprano, Tenore) “So feiren wir das hohe Fest”
—
Oratorio, “Christ lag in Todes Banden”, BWV 4: VIII. Versus VII (Coro) “Wir essen und leben wohl”
—
Easter Oratorio, BWV 249: I. Sinfonia
—
Easter Oratorio, BWV 249: II. Adagio
—
Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet"
Taverner Choir, Taverner Players, Andrew Parrott, The Taverner Consort & Players
—
Easter Oratorio, BWV 249: IV. Recitativo (Soprano, Alto, Tenore, Basso) “O kalter Männer Sinn!”
—
Easter Oratorio, BWV 249: V. Aria (Soprano) “Seele, deine Spezereien”
—
Easter Oratorio, BWV 249: VI. Recitativo (Alto, Tenore, Basso) “Hier ist die Gruft”
—
Easter Oratorio, BWV 249: VII. Aria (Tenore) “Sanfte soll mein Todeskummer”
—
Easter Oratorio, BWV 249: VIII. Recitativo (Soprano, Alto) “Indessen seufzen wir”
—
Easter Oratorio, BWV 249: IX. Aria (Alto) “Saget, saget mir geschwinde”
—
Easter Oratorio, BWV 249: X. Recitativo (Basso) “Wir sind erfreut”
—
Easter Oratorio, BWV 249: XI. Coro “Preis und Dank”
—
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What is UPC 724356164727?
724356164727 is a Universal Product Code (UPC) assigned to Magnificat / Easter Oratorio by Johann Sebastian Bach, The Taverner Consort & Players, Andrew Parrott. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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