UPC · Release
JS Bach, Andrew Parrott, Taverner Consort, Players
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724356206823 is the Universal Product Code (UPC barcode) for the release “Saint John Passion / Mass in B Minor / Easter Oratorio / Ascension Oratorio” by JS Bach, Andrew Parrott, Taverner Consort, Players, released 2002-01-01 on Virgin Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 87 tracks, each with its own ISRC. Tracks include GBAYC9005282, GBAYC9005295, GBAYC9005304.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Saint John Passion, BWV 245, Part I: "Herr unser Herrscher" | — | ||
| 2 | Saint John Passion, BWV 245, Part I: "Jesus ging mit seinen Jüngern" / "Jesum von Nazareth" / "Jesus spricht zu ihnen" / "Jesum von Nazareth" / "Jesus antwortet" | — | ||
| 3 | Saint John Passion, BWV 245, Part I: "O große Lieb" | — | ||
| 4 | Saint John Passion, BWV 245, Part I: "Auf dass das Wort erfüllet würde" | — | ||
| 5 | Saint John Passion, BWV 245, Part I: "Dein Will gescheh, Herr Gott, zugleich" | — | ||
| 6 | Saint John Passion, BWV 245, Part I: "Die Schar aber und der Oberhauptmann" | — | ||
| 7 | Saint John Passion, BWV 245, Part I: "Von den Stricken meiner Sünden" | — | ||
| 8 | Saint John Passion, BWV 245, Part I: "Simon Petrus aber folgte Jesum nach" | — | ||
| 9 | Saint John Passion, BWV 245, Part I: "Ich folge dir gleichfalls" | — | ||
| 10 | Saint John Passion, BWV 245, Part I: "Derselbige Jünger war dem Hohenpriester bekannt" | — | ||
| 11 | Saint John Passion, BWV 245, Part I: "Wer hat dich so geschlagen" | — | ||
| 12 | Saint John Passion, BWV 245, Part I: "Und Hannas sandte ihn gebunden" / "Bist du nicht seiner Jünger einer?" / "Er leugnete aber und sprach" | — | ||
| 13 | Saint John Passion, BWV 245, Part I: "Ach mein Sinn" | — | ||
| 14 | Saint John Passion, BWV 245, Part I: "Petrus, der nicht denkt zurück" | — | ||
| 2-1 | Saint John Passion, BWV 245, Part II: "Christus, der uns selig macht" | — | ||
| 2-2 | Saint John Passion, BWV 245, Part II: "Da führeten sie Jesum" / "Wäre dieser nicht ein Übeltäter" / "Da sprach Pilatus zu ihnen" / "Wir dürfen niemand töten" / "Auf dass erfüllet würde" | — | ||
| 2-3 | Passion according to St John, BWV 245: Chorale "Ach, großer König" | Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 2-4 | Saint John Passion, BWV 245, Part II: "Da sprach Pilatus zu ihm" / "Nicht diesen, sondern Barrabam" / "Barrabas, aber war ein Mörder" | — | ||
| 2-5 | Saint John Passion, BWV 245, Part II: "Betrachte, meine Seel" | — | ||
| 2-6 | Saint John Passion, BWV 245, Part II: "Mein Jesu, ach!" | — | ||
| 2-7 | Saint John Passion, BWV 245, Part II: "Und die Kriegsknechte flochten" / "Sei gegrüßet, lieber Judenkönig!" / "Und gaben ihm Backenstreiche" / "Kreuzige, kreuzige!" / "Pilatus sprach zu ihnen" / "Wir haben ein Gesetz" / "Da Pilatus das Wort hörete" | — | ||
| 2-8 | Saint John Passion, BWV 245, Part II: "Durch dein Gefängnis, Gottes Sohn" | — | ||
| 2-9 | Saint John Passion, BWV 245, Part II: "Die Juden aber schrien" / "Lässest du diesen los" / "Da Pilatus das Wort hörete" / "Weg, weg mit dem" / "Spricht Pilatus zu ihnen" / "Wir haben keinen König" / "Da überantwortete er ihn" | — | ||
| 2-10 | Saint John Passion, BWV 245, Part II: "Eilt, ihr angefocht'nen Seelen" | — | ||
| 2-11 | Saint John Passion, BWV 245, Part II: "Allda kreuzigten sie ihn" / "Schreibe nicht: der Juden König" / "Pilatus antwortet" | — | ||
| 2-12 | Saint John Passion, BWV 245, Part II: "In meines Herzens Grunde" | — | ||
| 2-13 | Saint John Passion, BWV 245, Part II: "Die Kriegsknechte aber" / "Lasset uns den nicht zerteilen" / "Auf dass erfüllet würde die Schrift" | — | ||
| 2-14 | Saint John Passion, BWV 245, Part II: "Er nahm alles wohl in acht" | — | ||
| 2-15 | Saint John Passion, BWV 245, Part II: "Und von Stund an nahm sie" | — | ||
| 2-16 | Passion according to St John, BWV 245: Aria "Es is vollbracht" | Taverner Players, Andrew Parrott | T-915.681.108-4 | |
| 2-17 | Saint John Passion, BWV 245, Part II: "Und neigte das Haupt und verschied" | — | ||
| 2-18 | Saint John Passion, BWV 245, Part II: "Mein teurer Heiland" | — | ||
| 2-19 | Saint John Passion, BWV 245, Part II: "Und siehe da, der Vorhang im Tempel zerriss" | — | ||
| 2-20 | Saint John Passion, BWV 245, Part II: "Mein Herz, in dem die ganze Welt" | — | ||
| 2-21 | Saint John Passion, BWV 245, Part II: "Zerfließe, mein Herze" | — | ||
| 2-22 | Saint John Passion, BWV 245, Part II: "Die Juden aber, dieweil es der Rüsttag war" | — | ||
| 2-23 | Saint John Passion, BWV 245, Part II: "O hilf, Christe, Gottes Sohn" | — | ||
| 2-24 | Saint John Passion, BWV 245, Part II: "Darnach bat Pilatum Joseph von Arimathia" | — | ||
| 2-25 | St John Passion, BWV 245: Part II. No. 39 "Ruht wohl, ihr heiligen Gebeine" | Taverner Consort, Taverner Choir, Taverner Players, Andrew Parrott | T-915.682.948-0 | |
| 2-26 | Saint John Passion, BWV 245, Part II: "Ach Herr, lass dein' lieb' Engelein" | — | ||
| 3-1 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Sinfonia | — | ||
| 3-2 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Adagio | — | ||
| 3-3 | Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet" | Taverner Choir, Taverner Players, Andrew Parrott, The Taverner Consort & Players | — | |
| 3-4 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "O kalter Männer Sinn!" | — | ||
| 3-5 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Seele, deine Spezereien" | — | ||
| 3-6 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Hier ist die Gruft" | — | ||
| 3-7 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Sanfte soll mein Todeskummer" | — | ||
| 3-8 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Indessen seufzen wir" | — | ||
| 3-9 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Saget, saget mir geschwinde" | — | ||
| 3-10 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Wir sind erfreut" | — | ||
| 3-11 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Chorus "Preis und Dank" | — | ||
| 3-12 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Chorus "Lobet Gott in seinen Reichen" | — | ||
| 3-13 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Der Herr Jesus hub seine Hände auf" | — | ||
| 3-14 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Ach, Jesu, ist dein Abschied schon so nah?" | — | ||
| 3-15 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Aria "Ach, bleibe doch, mein liebstes Leben" | — | ||
| 3-16 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Und ward aufgehoben zusehens" | — | ||
| 3-17 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Nun lieget alles unter dir" | — | ||
| 3-18 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Und da sie ihm nachsahen" / "Ihr Männer von Galiläa" / "Ach Ja! so komme bald zurück" | — | ||
| 3-19 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Aria "Jesu, deine Gnadenblicke" | — | ||
| 3-20 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Wenn soll es doch geschehen" | — | ||
| 4-1 | Messe in h-Moll, BWV 232: Ia. Kyrie: Coro "Kyrie eleison" | — | ||
| 4-2 | Messe in h-Moll, BWV 232: Ib. Kyrie: Duetto (Soprano I, Soprano II) "Christe eleison" | — | ||
| 4-3 | Messe in h-Moll, BWV 232: Ic. Kyrie: Coro "Kyrie eleison" | — | ||
| 4-4 | Messe in h-Moll, BWV 232: IIa. Gloria: Coro "Gloria in excelsis Deo" | — | ||
| 4-5 | Messe in h-Moll, BWV 232: IIb. Gloria: Coro "Et in terra pax" | — | ||
| 4-6 | Messe in h-Moll, BWV 232: IIc. Gloria: Aria (Soprano II) "Laudamus te" | — | ||
| 4-7 | Messe in h-Moll, BWV 232: IId. Gloria: Coro "Gratias agimus tibi" | — | ||
| 4-8 | Messe in h-Moll, BWV 232: IIe. Gloria: Duetto (Soprano I, Tenore) "Domine Deus" | — | ||
| 4-9 | Messe in h-Moll, BWV 232: IIf. Gloria: Coro "Qui tollis peccata mundi" | — | ||
| 4-10 | Messe in h-Moll, BWV 232: IIg. Gloria: Aria (Alto) "Qui sedes ad dextram Patris" | — | ||
| 4-11 | Messe in h-Moll, BWV 232: IIh. Gloria: Aria (Basso) "Quoniam tu solus Sanctus" | — | ||
| 4-12 | Messe in h-Moll, BWV 232: IIi. Gloria: Coro "Cum Sancto Spiritu" | — | ||
| 5-1 | Messe in h-Moll, BWV 232: IIIa. Symbolum nicenum: Coro "Credo in unum Deum" | — | ||
| 5-2 | Messe in h-Moll, BWV 232: IIIb. Symbolum nicenum: Coro "Patrem omnipotentem" | — | ||
| 5-3 | Messe in h-Moll, BWV 232: IIIc. Symbolum nicenum: Duetto (Soprano I, Alto) "Et in unum Dominum" | — | ||
| 5-4 | Messe in h-Moll, BWV 232: IIId. Symbolum nicenum: Coro "Et incarnatus est" | — | ||
| 5-5 | Messe in h-Moll, BWV 232: IIIe. Symbolum nicenum: Coro "Crucifixus" | — | ||
| 5-6 | Messe in h-Moll, BWV 232: IIIf. Symbolum nicenum: Coro "Et resurrexit" | — | ||
| 5-7 | Messe in h-Moll, BWV 232: IIIg. Symbolum nicenum: Aria (Basso) "Et in Spiritum Sanctum Dominum" | — | ||
| 5-8 | Messe in h-Moll, BWV 232: IIIh. Symbolum nicenum: Coro "Confiteor" | — | ||
| 5-9 | Messe in h-Moll, BWV 232: IIIi. Symbolum nicenum: Coro "Et expecto" | — | ||
| 5-10 | Messe in h-Moll, BWV 232: IV. Coro "Sanctus" | — | ||
| 5-11 | Messe in h-Moll, BWV 232: Va. Coro "Osanna in excelsis" | — | ||
| 5-12 | Messe in h-Moll, BWV 232: Vb. Aria (Tenore) "Benedictus" | — | ||
| 5-13 | Messe in h-Moll, BWV 232: Vc. Coro "Osanna in excelsis" | — | ||
| 5-14 | Messe in h-Moll, BWV 232: Vd. Aria (Alto) "Agnus Dei" | — | ||
| 5-15 | Messe in h-Moll, BWV 232: Ve. Coro "Dona nobis pacem" | — |
Musical Works (ISWC)
Credits Graph
724356206823 is a Universal Product Code (UPC) assigned to Saint John Passion / Mass in B Minor / Easter Oratorio / Ascension Oratorio by JS Bach, Andrew Parrott, Taverner Consort, Players. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
724356206823 is the Universal Product Code (UPC barcode) for the release “Saint John Passion / Mass in B Minor / Easter Oratorio / Ascension Oratorio” by JS Bach, Andrew Parrott, Taverner Consort, Players, released 2002-01-01 on Virgin Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 87 tracks, each with its own ISRC. Tracks include GBAYC9005282, GBAYC9005295, GBAYC9005304.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Saint John Passion, BWV 245, Part I: "Herr unser Herrscher" | — | ||
| 2 | Saint John Passion, BWV 245, Part I: "Jesus ging mit seinen Jüngern" / "Jesum von Nazareth" / "Jesus spricht zu ihnen" / "Jesum von Nazareth" / "Jesus antwortet" | — | ||
| 3 | Saint John Passion, BWV 245, Part I: "O große Lieb" | — | ||
| 4 | Saint John Passion, BWV 245, Part I: "Auf dass das Wort erfüllet würde" | — | ||
| 5 | Saint John Passion, BWV 245, Part I: "Dein Will gescheh, Herr Gott, zugleich" | — | ||
| 6 | Saint John Passion, BWV 245, Part I: "Die Schar aber und der Oberhauptmann" | — | ||
| 7 | Saint John Passion, BWV 245, Part I: "Von den Stricken meiner Sünden" | — | ||
| 8 | Saint John Passion, BWV 245, Part I: "Simon Petrus aber folgte Jesum nach" | — | ||
| 9 | Saint John Passion, BWV 245, Part I: "Ich folge dir gleichfalls" | — | ||
| 10 | Saint John Passion, BWV 245, Part I: "Derselbige Jünger war dem Hohenpriester bekannt" | — | ||
| 11 | Saint John Passion, BWV 245, Part I: "Wer hat dich so geschlagen" | — | ||
| 12 | Saint John Passion, BWV 245, Part I: "Und Hannas sandte ihn gebunden" / "Bist du nicht seiner Jünger einer?" / "Er leugnete aber und sprach" | — | ||
| 13 | Saint John Passion, BWV 245, Part I: "Ach mein Sinn" | — | ||
| 14 | Saint John Passion, BWV 245, Part I: "Petrus, der nicht denkt zurück" | — | ||
| 2-1 | Saint John Passion, BWV 245, Part II: "Christus, der uns selig macht" | — | ||
| 2-2 | Saint John Passion, BWV 245, Part II: "Da führeten sie Jesum" / "Wäre dieser nicht ein Übeltäter" / "Da sprach Pilatus zu ihnen" / "Wir dürfen niemand töten" / "Auf dass erfüllet würde" | — | ||
| 2-3 | Passion according to St John, BWV 245: Chorale "Ach, großer König" | Taverner Consort, Taverner Players, Andrew Parrott | — | |
| 2-4 | Saint John Passion, BWV 245, Part II: "Da sprach Pilatus zu ihm" / "Nicht diesen, sondern Barrabam" / "Barrabas, aber war ein Mörder" | — | ||
| 2-5 | Saint John Passion, BWV 245, Part II: "Betrachte, meine Seel" | — | ||
| 2-6 | Saint John Passion, BWV 245, Part II: "Mein Jesu, ach!" | — | ||
| 2-7 | Saint John Passion, BWV 245, Part II: "Und die Kriegsknechte flochten" / "Sei gegrüßet, lieber Judenkönig!" / "Und gaben ihm Backenstreiche" / "Kreuzige, kreuzige!" / "Pilatus sprach zu ihnen" / "Wir haben ein Gesetz" / "Da Pilatus das Wort hörete" | — | ||
| 2-8 | Saint John Passion, BWV 245, Part II: "Durch dein Gefängnis, Gottes Sohn" | — | ||
| 2-9 | Saint John Passion, BWV 245, Part II: "Die Juden aber schrien" / "Lässest du diesen los" / "Da Pilatus das Wort hörete" / "Weg, weg mit dem" / "Spricht Pilatus zu ihnen" / "Wir haben keinen König" / "Da überantwortete er ihn" | — | ||
| 2-10 | Saint John Passion, BWV 245, Part II: "Eilt, ihr angefocht'nen Seelen" | — | ||
| 2-11 | Saint John Passion, BWV 245, Part II: "Allda kreuzigten sie ihn" / "Schreibe nicht: der Juden König" / "Pilatus antwortet" | — | ||
| 2-12 | Saint John Passion, BWV 245, Part II: "In meines Herzens Grunde" | — | ||
| 2-13 | Saint John Passion, BWV 245, Part II: "Die Kriegsknechte aber" / "Lasset uns den nicht zerteilen" / "Auf dass erfüllet würde die Schrift" | — | ||
| 2-14 | Saint John Passion, BWV 245, Part II: "Er nahm alles wohl in acht" | — | ||
| 2-15 | Saint John Passion, BWV 245, Part II: "Und von Stund an nahm sie" | — | ||
| 2-16 | Passion according to St John, BWV 245: Aria "Es is vollbracht" | Taverner Players, Andrew Parrott | T-915.681.108-4 | |
| 2-17 | Saint John Passion, BWV 245, Part II: "Und neigte das Haupt und verschied" | — | ||
| 2-18 | Saint John Passion, BWV 245, Part II: "Mein teurer Heiland" | — | ||
| 2-19 | Saint John Passion, BWV 245, Part II: "Und siehe da, der Vorhang im Tempel zerriss" | — | ||
| 2-20 | Saint John Passion, BWV 245, Part II: "Mein Herz, in dem die ganze Welt" | — | ||
| 2-21 | Saint John Passion, BWV 245, Part II: "Zerfließe, mein Herze" | — | ||
| 2-22 | Saint John Passion, BWV 245, Part II: "Die Juden aber, dieweil es der Rüsttag war" | — | ||
| 2-23 | Saint John Passion, BWV 245, Part II: "O hilf, Christe, Gottes Sohn" | — | ||
| 2-24 | Saint John Passion, BWV 245, Part II: "Darnach bat Pilatum Joseph von Arimathia" | — | ||
| 2-25 | St John Passion, BWV 245: Part II. No. 39 "Ruht wohl, ihr heiligen Gebeine" | Taverner Consort, Taverner Choir, Taverner Players, Andrew Parrott | T-915.682.948-0 | |
| 2-26 | Saint John Passion, BWV 245, Part II: "Ach Herr, lass dein' lieb' Engelein" | — | ||
| 3-1 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Sinfonia | — | ||
| 3-2 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Adagio | — | ||
| 3-3 | Easter Oratorio, BWV. 249: III. Coro "Kommt, eilet und laufet" | Taverner Choir, Taverner Players, Andrew Parrott, The Taverner Consort & Players | — | |
| 3-4 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "O kalter Männer Sinn!" | — | ||
| 3-5 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Seele, deine Spezereien" | — | ||
| 3-6 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Hier ist die Gruft" | — | ||
| 3-7 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Sanfte soll mein Todeskummer" | — | ||
| 3-8 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Indessen seufzen wir" | — | ||
| 3-9 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Aria "Saget, saget mir geschwinde" | — | ||
| 3-10 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Recitativo "Wir sind erfreut" | — | ||
| 3-11 | Kommt, eilet und laufet, BWV 249 "Easter Oratorio": Chorus "Preis und Dank" | — | ||
| 3-12 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Chorus "Lobet Gott in seinen Reichen" | — | ||
| 3-13 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Der Herr Jesus hub seine Hände auf" | — | ||
| 3-14 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Ach, Jesu, ist dein Abschied schon so nah?" | — | ||
| 3-15 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Aria "Ach, bleibe doch, mein liebstes Leben" | — | ||
| 3-16 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Und ward aufgehoben zusehens" | — | ||
| 3-17 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Nun lieget alles unter dir" | — | ||
| 3-18 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Recitativo "Und da sie ihm nachsahen" / "Ihr Männer von Galiläa" / "Ach Ja! so komme bald zurück" | — | ||
| 3-19 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Aria "Jesu, deine Gnadenblicke" | — | ||
| 3-20 | Lobet Gott in seinen Reichen, BWV 11 "Ascension Oratorio": Choral "Wenn soll es doch geschehen" | — | ||
| 4-1 | Messe in h-Moll, BWV 232: Ia. Kyrie: Coro "Kyrie eleison" | — | ||
| 4-2 | Messe in h-Moll, BWV 232: Ib. Kyrie: Duetto (Soprano I, Soprano II) "Christe eleison" | — | ||
| 4-3 | Messe in h-Moll, BWV 232: Ic. Kyrie: Coro "Kyrie eleison" | — | ||
| 4-4 | Messe in h-Moll, BWV 232: IIa. Gloria: Coro "Gloria in excelsis Deo" | — | ||
| 4-5 | Messe in h-Moll, BWV 232: IIb. Gloria: Coro "Et in terra pax" | — | ||
| 4-6 | Messe in h-Moll, BWV 232: IIc. Gloria: Aria (Soprano II) "Laudamus te" | — | ||
| 4-7 | Messe in h-Moll, BWV 232: IId. Gloria: Coro "Gratias agimus tibi" | — | ||
| 4-8 | Messe in h-Moll, BWV 232: IIe. Gloria: Duetto (Soprano I, Tenore) "Domine Deus" | — | ||
| 4-9 | Messe in h-Moll, BWV 232: IIf. Gloria: Coro "Qui tollis peccata mundi" | — | ||
| 4-10 | Messe in h-Moll, BWV 232: IIg. Gloria: Aria (Alto) "Qui sedes ad dextram Patris" | — | ||
| 4-11 | Messe in h-Moll, BWV 232: IIh. Gloria: Aria (Basso) "Quoniam tu solus Sanctus" | — | ||
| 4-12 | Messe in h-Moll, BWV 232: IIi. Gloria: Coro "Cum Sancto Spiritu" | — | ||
| 5-1 | Messe in h-Moll, BWV 232: IIIa. Symbolum nicenum: Coro "Credo in unum Deum" | — | ||
| 5-2 | Messe in h-Moll, BWV 232: IIIb. Symbolum nicenum: Coro "Patrem omnipotentem" | — | ||
| 5-3 | Messe in h-Moll, BWV 232: IIIc. Symbolum nicenum: Duetto (Soprano I, Alto) "Et in unum Dominum" | — | ||
| 5-4 | Messe in h-Moll, BWV 232: IIId. Symbolum nicenum: Coro "Et incarnatus est" | — | ||
| 5-5 | Messe in h-Moll, BWV 232: IIIe. Symbolum nicenum: Coro "Crucifixus" | — | ||
| 5-6 | Messe in h-Moll, BWV 232: IIIf. Symbolum nicenum: Coro "Et resurrexit" | — | ||
| 5-7 | Messe in h-Moll, BWV 232: IIIg. Symbolum nicenum: Aria (Basso) "Et in Spiritum Sanctum Dominum" | — | ||
| 5-8 | Messe in h-Moll, BWV 232: IIIh. Symbolum nicenum: Coro "Confiteor" | — | ||
| 5-9 | Messe in h-Moll, BWV 232: IIIi. Symbolum nicenum: Coro "Et expecto" | — | ||
| 5-10 | Messe in h-Moll, BWV 232: IV. Coro "Sanctus" | — | ||
| 5-11 | Messe in h-Moll, BWV 232: Va. Coro "Osanna in excelsis" | — | ||
| 5-12 | Messe in h-Moll, BWV 232: Vb. Aria (Tenore) "Benedictus" | — | ||
| 5-13 | Messe in h-Moll, BWV 232: Vc. Coro "Osanna in excelsis" | — | ||
| 5-14 | Messe in h-Moll, BWV 232: Vd. Aria (Alto) "Agnus Dei" | — | ||
| 5-15 | Messe in h-Moll, BWV 232: Ve. Coro "Dona nobis pacem" | — |
