UPC · Release
Various Artists
Last verified:
The UPC for “Angel Voices” by Various Artists is 724356206922. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include GBAYC9800727, GBAYC9102749, FRZ110900991.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Serse: Frondi tenere | — | ||
| 2 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-061.791.488-1 | |
| 3 | Tamerlano: A dispetto | — | ||
| 4 | Orfeo ed Euridice: Ahimè! Dove trascorsi | — | ||
| 5 | Orfeo ed Euridice: Che faro senza Euridice? | — | ||
| 6 | Cessate, omai cessate, cantata RV 684 | — | ||
| 7 | Come ye sons of art, ode for Queen Mary (1694): Come ye sons of art | — | ||
| 8 | Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) | James Bowman, Christopher Robson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | — | |
| 9 | Come ye sons of art, ode for Queen Mary (1694): Strike the viols, touch the lute | — | ||
| 10 | Love's goddes sure was blind, ode for Queen Mary (1692): Sweetness of nature | — | ||
| 11 | Hail! Bright Cecilia, ode for St. Cecilia's day: In vain the am'rous flute | — | ||
| 12 | Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — | |
| 13 | If women could be fair | — | ||
| 14 | Giulio Cesare: Deep within my bosom burning | — | ||
| 15 | Admeto: Sparite o pensieri | — | ||
| 16 | The Choice of Hercules: Yet, can I hear that dulcet lay | — | ||
| 17 | Rodelinda, regina dei Lombardi: Si l'infida consorte | — | ||
| 18 | Rodelinda, regina dei Lombardi: Confusa si miri l'infida consorte | — | ||
| 19 | Arminio: Con quel sangue dipinta vedrai | — | ||
| 20 | The Fairy Queen: Hark, how all things | — | ||
| 2-1 | Matthäus‐Passion, BWV 244: Zweiter Teil. 39. „Erbarme dich“ (Aria (Alt)) | Collegium Vocale Gent, Andreas Scholl, Philippe Herreweghe | T-101.607.667-6 | |
| 2-2 | Stabat Mater: Eia Mater, fons amoris | — | ||
| 2-3 | Mass in B minor, BWV 232: Qui sedes ad dexteram Patris | — | ||
| 2-4 | Mass in B minor, BWV 232: "Agnus Dei" | Charles Brett, Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2-5 | Weihnachts-Oratorium, Am ersten Weihnachtsfeiertage: 4. Aria (Alto) "Bereite dich, Zion, mit zärtlichen Trieben" | Michael Chance, Collegium Vocale Gent, Philippe Herreweghe | T-070.024.961-1 | |
| 2-6 | Magnificat: Cantata BWV 243: Esurientes implevit | — | ||
| 2-7 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5. Aria. "Mir ekelt mehr zu leben" | René Jacobs, Linde Consort, Hans-Martin Linde | T-910.405.802-8 | |
| 2-8 | Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 2. Aria. "Ich bitt noch mehr, o Herre Gott" | René Jacobs, Linde Consort, Hans-Martin Linde | T-910.405.802-8 | |
| 2-9 | Saül: O Lord, whose mercies numberless | Paul Esswood, English Chamber Orchestra, Philip Ledger | — | |
| 2-10 | Saül: Your works, oh king | — | ||
| 2-11 | Israel in Egypt: Thou shalt bring them in | — | ||
| 2-12 | Messiah: He was despised | — | ||
| 2-13 | Il Sedecia, re di Gerusalemme: Caldo sangue | — | ||
| 2-14 | I Pellegrini al Sepolcro di Nostro Signore, Parte prima: Compagni, eccoci giunti | — | ||
| 2-15 | I Pellegrini al Sepolcro di Nostro Signore, Parte prima: Cità misera il tuo stato | — | ||
| 2-16 | Miserere: Redde mihi laetitiam | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
724356206922 is a Universal Product Code (UPC) assigned to Angel Voices by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
The UPC for “Angel Voices” by Various Artists is 724356206922. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include GBAYC9800727, GBAYC9102749, FRZ110900991.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Serse: Frondi tenere | — | ||
| 2 | Serse: Larghetto “Ombra mai fù” | David Daniels, Orchestra of the Age of Enlightenment, Sir Roger Norrington | T-061.791.488-1 | |
| 3 | Tamerlano: A dispetto | — | ||
| 4 | Orfeo ed Euridice: Ahimè! Dove trascorsi | — | ||
| 5 | Orfeo ed Euridice: Che faro senza Euridice? | — | ||
| 6 | Cessate, omai cessate, cantata RV 684 | — | ||
| 7 | Come ye sons of art, ode for Queen Mary (1694): Come ye sons of art | — | ||
| 8 | Come, Ye Sons of Art Away, Z. 323: III. Sound the Trumpet, Sound, Till Around (First Counter-Tenor, Second Counter-Tenor) | James Bowman, Christopher Robson, Orchestra of the Age of Enlightenment, Gustav Leonhardt | — | |
| 9 | Come ye sons of art, ode for Queen Mary (1694): Strike the viols, touch the lute | — | ||
| 10 | Love's goddes sure was blind, ode for Queen Mary (1692): Sweetness of nature | — | ||
| 11 | Hail! Bright Cecilia, ode for St. Cecilia's day: In vain the am'rous flute | — | ||
| 12 | Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — | |
| 13 | If women could be fair | — | ||
| 14 | Giulio Cesare: Deep within my bosom burning | — | ||
| 15 | Admeto: Sparite o pensieri | — | ||
| 16 | The Choice of Hercules: Yet, can I hear that dulcet lay | — | ||
| 17 | Rodelinda, regina dei Lombardi: Si l'infida consorte | — | ||
| 18 | Rodelinda, regina dei Lombardi: Confusa si miri l'infida consorte | — | ||
| 19 | Arminio: Con quel sangue dipinta vedrai | — | ||
| 20 | The Fairy Queen: Hark, how all things | — | ||
| 2-1 | Matthäus‐Passion, BWV 244: Zweiter Teil. 39. „Erbarme dich“ (Aria (Alt)) | Collegium Vocale Gent, Andreas Scholl, Philippe Herreweghe | T-101.607.667-6 | |
| 2-2 | Stabat Mater: Eia Mater, fons amoris | — | ||
| 2-3 | Mass in B minor, BWV 232: Qui sedes ad dexteram Patris | — | ||
| 2-4 | Mass in B minor, BWV 232: "Agnus Dei" | Charles Brett, Collegium Vocale Gent, Philippe Herreweghe | — | |
| 2-5 | Weihnachts-Oratorium, Am ersten Weihnachtsfeiertage: 4. Aria (Alto) "Bereite dich, Zion, mit zärtlichen Trieben" | Michael Chance, Collegium Vocale Gent, Philippe Herreweghe | T-070.024.961-1 | |
| 2-6 | Magnificat: Cantata BWV 243: Esurientes implevit | — | ||
| 2-7 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: No. 5. Aria. "Mir ekelt mehr zu leben" | René Jacobs, Linde Consort, Hans-Martin Linde | T-910.405.802-8 | |
| 2-8 | Ich ruf zu dir, Herr Jesu Christ, BWV 177: No. 2. Aria. "Ich bitt noch mehr, o Herre Gott" | René Jacobs, Linde Consort, Hans-Martin Linde | T-910.405.802-8 | |
| 2-9 | Saül: O Lord, whose mercies numberless | Paul Esswood, English Chamber Orchestra, Philip Ledger | — | |
| 2-10 | Saül: Your works, oh king | — | ||
| 2-11 | Israel in Egypt: Thou shalt bring them in | — | ||
| 2-12 | Messiah: He was despised | — | ||
| 2-13 | Il Sedecia, re di Gerusalemme: Caldo sangue | — | ||
| 2-14 | I Pellegrini al Sepolcro di Nostro Signore, Parte prima: Compagni, eccoci giunti | — | ||
| 2-15 | I Pellegrini al Sepolcro di Nostro Signore, Parte prima: Cità misera il tuo stato | — | ||
| 2-16 | Miserere: Redde mihi laetitiam | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Plainte sur la mort de Monsieur Lambert | Gérard Lesne, Il Seminario Musicale | — |
