UPC · Release
Aida
Giuseppe Verdi, Maria Callas, Mario Del Monaco, Oralia Dominguez, Giuseppe Taddei, Coro del Palacio de las Bellas Artes, Orquesta del Palacio de Las Bellas Artes, Oliviero de Fabritiis
Last verified:
724356267824 is the Universal Product Code (UPC barcode) for the release “Aida” by Giuseppe Verdi, Maria Callas, Mario Del Monaco, Oralia Dominguez, Giuseppe Taddei, Coro del Palacio de las Bellas Artes, Orquesta del Palacio de Las Bellas Artes, Oliviero de Fabritiis, released 1999-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC. Tracks include GBAYC1702097, GBAYC1702098.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Aida: Prelude to Act 1 | — | ||
| 2 | Aida, Act 1: Sì, corre voce che l'Etiope ardisca (Ramfis, Radamès) | — | ||
| 3 | Aida, Act 1: Se quel guerriero io fossi! (Radamès) | — | ||
| 4 | Aida, Act 1: Celeste Aida (Radamès) | — | ||
| 5 | Aida, Act 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radamès) | — | ||
| 6 | Aida, Act 1: Vieni, o diletta, appressati (Amneris, Aida, Radamès) | — | ||
| 7 | Aida, Act 1: Alta cagion v'aduna (King, Messenger, Aida, Radamès, Amneris, Chorus) | — | ||
| 8 | Aida, Act 1: Su! del Nilo al sacro lido (King, Ramfis, Chorus, Aida, Radamès, Amneris, Messenger) | — | ||
| 9 | Aida: Atto I, scena 1. “Ritorna vincitor!” (Aida) | Maria Callas | — | |
| 10 | Aida, Act 1: Possente Fthà ... Tu che dal nulla hai tratto (Prietess, Ramfis, Chorus) | — | ||
| 11 | Aida, Act 1: Immenso Fthà! ... Mortal, diletto ai numi (Chorus, Ramfis) | — | ||
| 12 | Aida, Act 1: Nume, custode e vindice (Ramfis, Radamès, Chorus, Prietess) | — | ||
| 13 | Aida, Act 2: Chi mai fra gl'inni e i plausi (Chorus, Amneris) | — | ||
| 14 | Aida, Act 2: Dance of the Moorish slaves | — | ||
| 15 | Aida, Act 2: Vieni, sul crin ti piovano (Chorus, Amneris) | — | ||
| 16 | Aida, Act 2: Fu la sorte dell'armi a' tuoi funesta (Amneris, Aida) | — | ||
| 17 | Aida, Act 2: Pietà ti prenda del mio dolor (Chorus, Aida, Amneris) | — | ||
| 18 | Aida, Act 2: Su! del Nilo al sacro lido ... Numi, pietà (Chorus, Aida, Amneris) | — | ||
| 19 | Aida, Act 2: Gloria all'Egitto, ad Iside (Chorus) | — | ||
| 20 | Aida, Act 2: Triumphal March | — | ||
| 21 | Aida, Act 2: Ballet | — | ||
| 22 | Aida, Act 2: Vieni, o guerriero vindice (Chorus) | — | ||
| 23 | Aida, Act 2: Salvator della patria (King, Radamès, Ramfis, Chorus) | — | ||
| 24 | Aida, Act 2: Che veggo! Egli? Mio padre! ... Anch'io pugnai ... Ma tu, Re, tu signore possente (Aida, Amneris, Amonasro, King, Chorus, Ramfis) | — | ||
| 25 | Aida, Act 2: Il dolor che in quel volto favella (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis) | — | ||
| 26 | Aida: Atto II, scena 2. “O Re, pei sacri numi…Gloria all'Egitto” (Radamès, Amneris, Amonasro, Re, Aida, Ramfis, Coro) | Maria Callas | — | |
| 2-1 | Aida, Act 3: O tu che sei d'Osiride (Chorus) | — | ||
| 2-2 | Aida, Act 3: Vieni d'Iside al tempio (Chorus, Ramfis, Amneris) | — | ||
| 2-3 | Aida, Act 3: Qui Radamès verrà! (Aida) | — | ||
| 2-4 | Aida, Act 3 O patria mia (Aida) | — | ||
| 2-5 | Aida, Act 3 Ciel! mio padre! (Aida, Amonasro) | — | ||
| 2-6 | Aida, Act 3: Rivedrai le foreste imbalsamate (Aida, Amonasro) | — | ||
| 2-7 | Aida, Act 3: Pur ti riveggo, mia dolce Aida (Radamès, Aida) | — | ||
| 2-8 | Aida, Act 3: Nel fiero anelito di nuova guerra (Radamès, Aida) | — | ||
| 2-9 | Aida, Act 3: Fuggiam gli ardori inospiti ... Là, tra foreste vergini (Radamès, Aida) | — | ||
| 2-10 | Aida, Act 3: Ma dimmi - per qual via (Aida, Radamès, Amonasro, Amneris, Ramfis) | — | ||
| 2-11 | Aida, Act 4: L'aborrita rivale a me sfuggia (Amneris) | — | ||
| 2-12 | Aida, Act 4: Già i sacerdoti adunansi (Amneris, Radamès) | — | ||
| 2-13 | Aida, Act 4: Ohimè! morir mi sento! (Amneris, Ramfis, Chorus) | — | ||
| 2-14 | Aida, Act 4: Spirto del nume (Amneris, Ramfis, Chorus) | — | ||
| 2-15 | Aida, Act 4: A lui vivo, la tomba! ... Sacerdoti - compiste un delitto! (Amneris, Ramfis, Chorus) | — | ||
| 2-16 | Aida, Act 4: La fatal pietra sovra me si chiuse (Radamès, Aida) | — | ||
| 2-17 | Aida, Act 4: Vedi? Di morte l'angelo ... Immenso Fthà (Radamès, Aida, Chorus) | — | ||
| 2-18 | Aida, Act 4: O terra, addio (Aida, Radamès, Chorus, Amneris) | — |
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Creative Contributors (ISNI)
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People also ask
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What is UPC 724356267824?
724356267824 is a Universal Product Code (UPC) assigned to Aida by Giuseppe Verdi, Maria Callas, Mario Del Monaco, Oralia Dominguez, Giuseppe Taddei, Coro del Palacio de las Bellas Artes, Orquesta del Palacio de Las Bellas Artes, Oliviero de Fabritiis. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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