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The Ultimate Maria Callas Collection

UPC · Release

The Ultimate Maria Callas Collection

Maria Callas

724356272521
46 tracksReleased 2003-01-01EMI Classics

Last verified:

724356272521 is the Universal Product Code (UPC barcode) for the release “The Ultimate Maria Callas Collection” by Maria Callas, released 2003-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 46 tracks, each with its own ISRC.

Format

7Number system
24356Manufacturer
27252Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Ultimate Maria Callas Collection
ISWC1 work

Track List (46)

Il barbiere di Siviglia: Atto I. “Una voce poco fa”
Il barbiere di Siviglia: Atto I. “Una voce poco fa”
—
Rigoletto: Atto I. “Gualtier Maldè … Caro nome”
Rigoletto: Atto I. “Gualtier Maldè … Caro nome”
—
I vespri siciliani,: Atto V. “Mercè, dilette amiche”
I vespri siciliani,: Atto V. “Mercè, dilette amiche”
—
La sonnambula: Atto I. “Compagne, teneri amici … Come per me sereno”
La sonnambula: Atto I. “Compagne, teneri amici … Come per me sereno”
—
Norma: Atto I. “Casta diva”
Norma: Atto I. “Casta diva”
—
Lucia di Lammermoor: Atto I. “Regnava nel silenzio … Quando rapito in estasi”
Lucia di Lammermoor: Atto I. “Regnava nel silenzio … Quando rapito in estasi”
—
Anna Bolena: Atto II. “Al dolce guidami castel natio”
Anna Bolena: Atto II. “Al dolce guidami castel natio”
—
La traviata: “Ah, fors’è lui”
La traviata: “Ah, fors’è lui”
—
Il trovatore: Atto IV. “D’amor sull’ali rosee”
Il trovatore: Atto IV. “D’amor sull’ali rosee”
—
Ernani: Atto I. “Surta e la notte” … “Ernani, Ernani, involami”
Ernani: Atto I. “Surta e la notte” … “Ernani, Ernani, involami”
—
Don Carlos: Arro IV. “Tu che le vanità”
Don Carlos: Arro IV. “Tu che le vanità”
—
Aida: Atto I. “Ritorna vincitor!”
Aida: Atto I. “Ritorna vincitor!”
—
Don Carlos: Atto III. “O don fatale”
Don Carlos: Atto III. “O don fatale”
—
Gianni Schicchi: “O mio babbino caro”
Gianni Schicchi: “O mio babbino caro”
—
La bohème: Atto I. “Sì. Mi chiamano Mimì”
La bohème: Atto I. “Sì. Mi chiamano Mimì”
—
La bohème: Atto III. “Donde lieta usci”
La bohème: Atto III. “Donde lieta usci”
—
La Wally: Atto I. “Ebben? Ne andrò lontana”
La Wally: Atto I. “Ebben? Ne andrò lontana”
—
Andrea Chénier: Atto III. “La mamma morta”
Andrea Chénier: Atto III. “La mamma morta”
—
Adriana Lecouvreur: Atto I. “Ecco: Respiro appena” … “Io son l’umile ancella”
Adriana Lecouvreur: Atto I. “Ecco: Respiro appena” … “Io son l’umile ancella”
—
Adriana Lecouvreur: Atto IV. “Poveri fiori”
Adriana Lecouvreur: Atto IV. “Poveri fiori”
—
Tosca: Atto II. “Vissi d’arte”
Tosca: Atto II. “Vissi d’arte”
—
Cavalleria rusticana: “Voi lo sapete, o mamma”
Cavalleria rusticana: “Voi lo sapete, o mamma”
—
Pagliacci: Atto I. “Quai fiamma avea nel guardo” … “Hui! Stridono lassù”
Pagliacci: Atto I. “Quai fiamma avea nel guardo” … “Hui! Stridono lassù”
—
Mefistofele: Atto III. “L’altra notte in fondo al mare”
Mefistofele: Atto III. “L’altra notte in fondo al mare”
—
Madama Butterfly: Atto II: “Un bel dì, vedremo”
Madama Butterfly: Atto II: “Un bel dì, vedremo”
—
Turandot: Atto I. “Signore, ascolta”
Turandot: Atto I. “Signore, ascolta”
—
Turandot: Atto III. “Tu che di gel sei cinta”
Turandot: Atto III. “Tu che di gel sei cinta”
—
Manon Lescaut: Atto II. “In quelle trine morbide”
Manon Lescaut: Atto II. “In quelle trine morbide”
—
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata”
Manon Lescaut: Atto IV. “Sola, perduta, abbandonata”
—
La Gioconda: Atto IV. “Suicidio!”
La Gioconda: Atto IV. “Suicidio!”
—
Turandot: Atto II. “In questa reggia”
Turandot: Atto II. “In questa reggia”
—
Orphée et Eurydice : Acte IV. « J’ai perdu mon Eurydice »
Orphée et Eurydice : Acte IV. « J’ai perdu mon Eurydice »
—
Alceste : Acte I. « Divinités du Styx »
Alceste : Acte I. « Divinités du Styx »
—
Carmen : Acte I. « L’amour est un oiseau rebelle » (Habanera)
Carmen : Acte I. « L’amour est un oiseau rebelle » (Habanera)
—
Carmen : Acte I. « Près des remparts de Séville » (Séguedille)
Carmen : Acte I. « Près des remparts de Séville » (Séguedille)
—
Carmen : Acte II. « Les tringles des sistres tintaient » (Chanson bohème)
Carmen : Acte II. « Les tringles des sistres tintaient » (Chanson bohème)
—
Carmen : Acte III. « Carreau ! Pique ! » (Card scene)
Carmen : Acte III. « Carreau ! Pique ! » (Card scene)
—
Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve »
Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve »
—
La Damnation de Faust : Acte IV. « D’amour l’ardente flamme »
La Damnation de Faust : Acte IV. « D’amour l’ardente flamme »
—
Werther : Acte III. « Werther ! Qui m’aurait dit » … « Des cris joyeux » (Letter scene)
Werther : Acte III. « Werther ! Qui m’aurait dit » … « Des cris joyeux » (Letter scene)
—
Faust : Acte III. « Un bouquet ! » … « Ah ! Je ris » (Jewel song)
Faust : Acte III. « Un bouquet ! » … « Ah ! Je ris » (Jewel song)
—
Samson et Dalila : Acte I. « Printemps qui commence »
Samson et Dalila : Acte I. « Printemps qui commence »
—
Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
Samson et Dalila : Acte II. « Mon cœur s’ouvre à ta voix »
—
Le Cid : « De cet affreux combat » … « Pleurez, mes yeux ! »
Le Cid : « De cet affreux combat » … « Pleurez, mes yeux ! »
—
Manon : Acte II. « Je ne suis que faiblesse » … « Adieu, notre petit table »
Manon : Acte II. « Je ne suis que faiblesse » … « Adieu, notre petit table »
—
Louise : Acte III. « Depuis le jour »
Louise : Acte III. « Depuis le jour »
—

What other identifiers does this connect to?

Musical Works (ISWC)

T-913.242.186-4

Creative Contributors (ISNI)

0000000055149276000000008118771900000001086750860000000108698405000000010871031200000001089441780000000109062177000000010937067100000001101365750000000110235047
+13 more
0000000110273895000000011034729200000001145336070000000114553130000000011954617500000001213054690000000121425807000000012161503700000001232361610000000123531873000000012364176500000003685892640000000368641106

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People also ask

What is UPC 724356272521?
UPC 724356272521 is the Universal Product Code (barcode) for "The Ultimate Maria Callas Collection" by Maria Callas, released on EMI Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724356272521?
UPC 724356272521 contains 46 tracks.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 724356272521?

724356272521 is a Universal Product Code (UPC) assigned to The Ultimate Maria Callas Collection by Maria Callas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 46 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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