UPC · Release
Johannes Brahms, Philharmonia Orchestra, Chicago Symphony Orchestra, Carlo Maria Giulini
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The UPC for “Symphony No.4 / Tragic Overture / Variations on a Theme by Haydn” by Johannes Brahms, Philharmonia Orchestra, Chicago Symphony Orchestra, Carlo Maria Giulini is 724356288225. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: EMI Classics. This release contains 23 tracks, each with its own ISRC. Tracks include GBAYC2401119, GBAYC2401120, GBAYC2401121.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tragic Overture, op. 81 | — | ||
| 2 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Thema: Chorale St. Antoni (Andante) | — | ||
| 3 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation I: Poco più animato | — | ||
| 4 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation II: Più vivace | — | ||
| 5 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation III: Con moto | — | ||
| 6 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation IV: Andante con moto | — | ||
| 7 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation V: Vivace | — | ||
| 8 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VI: Vivace | — | ||
| 9 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VII: Grazioso | — | ||
| 10 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VIII: Presto non troppo | — | ||
| 11 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Finale: Andante | — | ||
| 12 | Symphony no. 4 in E minor, op. 98: I. Allegro non Troppo | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 13 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 14 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 15 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-1 | Preview (including extract from Verdi's Messa da requiem (Sanctus)) | — | ||
| 2-2 | Introduction and Giulini's early years | — | ||
| 2-3 | La Scala, Milan (including extracts from Verdi's La traviata with Maria Callas) | — | ||
| 2-4 | Philharmonia Orchestra | — | ||
| 2-5 | Philharmonia Chorus and Orchestra | — | ||
| 2-6 | Royal Opera House, Convent Garden | — | ||
| 2-7 | Chicago Symphony Orchestra | — | ||
| 2-8 | Conducting technique and conclusion | — |
Creative Contributors (ISNI)
Identifier Graph
724356288225 is a Universal Product Code (UPC) assigned to Symphony No.4 / Tragic Overture / Variations on a Theme by Haydn by Johannes Brahms, Philharmonia Orchestra, Chicago Symphony Orchestra, Carlo Maria Giulini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Symphony No.4 / Tragic Overture / Variations on a Theme by Haydn” by Johannes Brahms, Philharmonia Orchestra, Chicago Symphony Orchestra, Carlo Maria Giulini is 724356288225. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2004-01-01. Label: EMI Classics. This release contains 23 tracks, each with its own ISRC. Tracks include GBAYC2401119, GBAYC2401120, GBAYC2401121.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tragic Overture, op. 81 | — | ||
| 2 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Thema: Chorale St. Antoni (Andante) | — | ||
| 3 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation I: Poco più animato | — | ||
| 4 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation II: Più vivace | — | ||
| 5 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation III: Con moto | — | ||
| 6 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation IV: Andante con moto | — | ||
| 7 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation V: Vivace | — | ||
| 8 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VI: Vivace | — | ||
| 9 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VII: Grazioso | — | ||
| 10 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Variation VIII: Presto non troppo | — | ||
| 11 | Variations on a Theme by Haydn "St Antoni Chorale", op. 56a: Finale: Andante | — | ||
| 12 | Symphony no. 4 in E minor, op. 98: I. Allegro non Troppo | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 13 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 14 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 15 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | Chicago Symphony Orchestra, Carlo Maria Giulini | — | |
| 2-1 | Preview (including extract from Verdi's Messa da requiem (Sanctus)) | — | ||
| 2-2 | Introduction and Giulini's early years | — | ||
| 2-3 | La Scala, Milan (including extracts from Verdi's La traviata with Maria Callas) | — | ||
| 2-4 | Philharmonia Orchestra | — | ||
| 2-5 | Philharmonia Chorus and Orchestra | — | ||
| 2-6 | Royal Opera House, Convent Garden | — | ||
| 2-7 | Chicago Symphony Orchestra | — | ||
| 2-8 | Conducting technique and conclusion | — |
