UPC · Release
Brahms: Sinfonien / 3 Ungarische Tänze / Haydn‐Variationen / Beethoven: Coriolan / Leonore II
Brahms, Beethoven, Wilhelm Furtwängler, Wiener Philharmoniker, Berliner Philharmoniker
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724356551329 is the Universal Product Code (UPC barcode) for the release “Brahms: Sinfonien / 3 Ungarische Tänze / Haydn‐Variationen / Beethoven: Coriolan / Leonore II” by Brahms, Beethoven, Wilhelm Furtwängler, Wiener Philharmoniker, Berliner Philharmoniker, released 1995-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (31)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ungarische Tänze Nr. 1 g‐moll: Allegro molto | — | ||
| 2 | Ungarische Tänze Nr. 3 F‐dur: Allegretto | — | ||
| 3 | Ungarische Tänze Nr. 10 F‐dur: Presto | — | ||
| 4 | Haydn Variationen, op. 56a “St. Antoni Chorale”: Thema: Chorale St. Antoni (Andante) | — | ||
| 5 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation I (Poco più animato) | — | ||
| 6 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation II (Più vivace) | — | ||
| 7 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation III (Con moto) | — | ||
| 8 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation IV (Andante con moto) | — | ||
| 9 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation V (Vivace) | — | ||
| 10 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation VI (Vivace) | — | ||
| 11 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation VII (Grazioso) | — | ||
| 12 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Variation VIII (Presto non troppo) | — | ||
| 13 | Haydn‐Variationen, op. 56a “St. Antoni Chorale”: Finale (Andante) | — | ||
| 14 | Sinfonie Nr. 1 c‐moll, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 15 | Sinfonie Nr. 1 c‐moll, op. 68: II. Andante sostenuto | — | ||
| 16 | Sinfonie Nr. 1 c‐moll, op. 68: III. Un poco allegretto e grazioso | — | ||
| 17 | Sinfonie Nr. 1 c‐moll, op. 68: IV. Adagio – Più andante – Allegro non troppo | — | ||
| 2-1 | Sinfonie Nr. 2 D‐dur, op. 73: I. Allegro non troppo | — | ||
| 2-2 | Sinfonie Nr. 2 D‐dur, op. 73: II. Adagio non troppo | — | ||
| 2-3 | Sinfonie Nr. 2 D‐dur, op. 73: III. Allegretto grazioso (quasi andantino) – Presto, ma non assai | — | ||
| 2-4 | Sinfonie Nr. 2 D‐dur, op. 73: IV. Allegro con spirito | — | ||
| 2-5 | Sinfonie Nr. 3 F‐dur, op. 90: I. Allegro con brio – Un poco sostenuto | — | ||
| 2-6 | Sinfonie Nr. 3 F‐dur, op. 90: II. Andante | — | ||
| 2-7 | Sinfonie Nr. 3 F‐dur, op. 90: III. Poco allegretto | — | ||
| 2-8 | Sinfonie Nr. 3 F‐dur, op. 90: IV. Allegro – Un poco sostenuto | — | ||
| 3-1 | Sinfonie Nr. 4 e‐moll, op. 98: I. Allegro non troppo | — | ||
| 3-2 | Sinfonie Nr. 4 e‐moll, op. 98: II. Andante moderato | — | ||
| 3-3 | Sinfonie Nr. 4 e‐moll, op. 98: III. Allegro giocoso | — | ||
| 3-4 | Sinfonie Nr. 4 e‐moll, op. 98: IV. Allegro energico e passionato | — | ||
| 3-5 | Coriolan Ouvertüre, op. 62 | — | ||
| 3-6 | Leonore Nr. 2 Ouvertüre, op. 75 | — |
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People also ask
What is UPC 724356551329?
724356551329 is a Universal Product Code (UPC) assigned to Brahms: Sinfonien / 3 Ungarische Tänze / Haydn‐Variationen / Beethoven: Coriolan / Leonore II by Brahms, Beethoven, Wilhelm Furtwängler, Wiener Philharmoniker, Berliner Philharmoniker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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