UPC · Release
Nicolai Gedda
Last verified:
The UPC for “Les Introuvables de Nicolai Gedda” by Nicolai Gedda is 724356568525. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: EMI Classics. This release contains 102 tracks, each with its own ISRC. Tracks include FRZ110902399, FRZ116105853.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantata: “Meine Seele rühmt und preist”, BWV 189: Meine Seele rühmt und preist | — | ||
| 2 | Cantata: “Meine Seele rühmt und preist”, BWV 189: Denn seh’ ich mich und auch mein Leben an | — | ||
| 3 | Cantata: “Meine Seele rühmt und preist”, BWV 189: Gott hat sich hoch gesetzet | — | ||
| 4 | Cantata: “Meine Seele rühmt und preist”, BWV 189: O was vor grosse Dinge | — | ||
| 5 | Cantata: “Meine Seele rühmt und preist”, BWV 189: Deine Güte, dein Erbarmen | — | ||
| 6 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Ich armer Mensch, ich Sündenknecht | — | ||
| 7 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Ich habe wider Gott gehandelt | — | ||
| 8 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Erbarme dich! Lass die Tränen dich erweichen | — | ||
| 9 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Erbarme dich! Jedoch nun tröst’ ich mich | — | ||
| 10 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Bin ich gleich von dir gewichen | — | ||
| 11 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: Ich weiss, daß mein Erlöser lebt | — | ||
| 12 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: Er lebt und ist von Todten auferstanden! | — | ||
| 13 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: Gott Lob, dass mein Erlöser lebt | — | ||
| 14 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: So biet’ ich allen Teufeln Trutz! | — | ||
| 15 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: Nun, ich halte mich bereit | — | ||
| 16 | Alceste : Acte II. « Bannis la crainte et les alarmes » | — | ||
| 17 | Iphigenie en Tauride : Acte II. « Unis dès la plus tendre enfance » | — | ||
| 18 | Iphigenie en Tauride : Acte III. « Divinités des grandes âmes » | — | ||
| 19 | Die Entführung aus dem Serail: Akt I. “Konstanze!” | — | ||
| 20 | Die Entführung aus dem Serail: Akt III. “In Mohrenland gefangen war” | — | ||
| 21 | Così fan tutte: Atto I. “Un’ aura amorosa” | — | ||
| 22 | La clemenza di Tito: Atto II. “Se all’impero” | — | ||
| 23 | Per pietà, non ricercate, K. 420 | — | ||
| 2-1 | Nell, op. 18 no. 1 | — | ||
| 2-2 | Poème d’un jour, op. 21: Recontre | — | ||
| 2-3 | Poème d’un jour, op. 21: Toujours | — | ||
| 2-4 | Poème d’un jour, op. 21: Adieu | — | ||
| 2-5 | Après un rêve, op. 7 no. 1 | — | ||
| 2-6 | Ici-bas !, op. 8 no. 3 | — | ||
| 2-7 | Fleur jetée, op. 39 no. 2 | — | ||
| 2-8 | Métamorphoses, FP 121: 3. Paganini | — | ||
| 2-9 | Airs chantés, FP 46: 2. Air champêtre | — | ||
| 2-10 | Airs chantés, FP 46: 3. Air grave | — | ||
| 2-11 | À sa guitare, FP 79 | — | ||
| 2-12 | Banalités, FP 107: 4. Voyage à Paris | — | ||
| 2-13 | Banalités, FP 107: 2. Hôtel | — | ||
| 2-14 | Romance | — | ||
| 2-15 | Fleur des blés | — | ||
| 2-16 | Mandoline | — | ||
| 2-17 | Beau soir, CD 84, L. 6 | Nicolai Gedda, Aldo Ciccolini | — | |
| 2-18 | D’une prison | — | ||
| 2-19 | Paysage | — | ||
| 2-20 | Chansons grises: L’allée est sans fin | — | ||
| 2-21 | Chansons grises: L’Heure exquise | — | ||
| 2-22 | Adelaide | — | ||
| 2-23 | An die ferne Geliebte, op. 98: Auf dem Hügel sitz ich spähend | — | ||
| 2-24 | An die ferne Geliebte, op. 98: Wo die Berge so blau | — | ||
| 2-25 | An die ferne Geliebte, op. 98: Leichte Segler in den Höhen | — | ||
| 2-26 | An die ferne Geliebte, op. 98: Diese Wolken in den Höhen | — | ||
| 2-27 | An die ferne Geliebte, op. 98: Es kehret der Maien, es blühet die Au | — | ||
| 2-28 | An die ferne Geliebte, op. 98: Nimm sie hin denn diese Lieder | — | ||
| 2-29 | Heimliche Aufforderung, op. 27 no. 3 | — | ||
| 2-30 | Ständchen, op. 17 no. 2 | — | ||
| 2-31 | Die Nacht, op. 10 no. 3 | — | ||
| 2-32 | Befreit, op. 39 no. 4 | — | ||
| 2-33 | Liebeshymnus, op. 32 no. 3 | — | ||
| 3-1 | Doubt | — | ||
| 3-2 | O Thou Dear, Darling Little Girl | — | ||
| 3-3 | Souvenir | — | ||
| 3-4 | The Little Star | — | ||
| 3-5 | By the Don | — | ||
| 3-6 | The Bill Goat | — | ||
| 3-7 | O Moonlit Night | — | ||
| 3-8 | At the Ball | — | ||
| 3-9 | Legend | — | ||
| 3-10 | Don Juan's Serenade | — | ||
| 3-11 | Secret Love | — | ||
| 3-12 | I Love Thee | — | ||
| 3-13 | A Swan | — | ||
| 3-14 | A Dream | — | ||
| 3-15 | The Wood Is Asleep | — | ||
| 3-16 | When I Go Into the Wood | — | ||
| 3-17 | In the Wood Under High Trees | — | ||
| 3-18 | Tonerna | — | ||
| 3-19 | Woe, Woe, Reed | — | ||
| 3-20 | Black Roses | — | ||
| 3-21 | O Cease Thy Singing, Maiden Fair | — | ||
| 3-22 | Spring Waters | — | ||
| 3-23 | How Fair This Spot | — | ||
| 3-24 | Romance of the Young Gypsy | — | ||
| 3-25 | Meco Verrai | — | ||
| 3-26 | Notte | — | ||
| 3-27 | Stronellatrice | — | ||
| 3-28 | Poema en Forma de Canciones | — | ||
| 4-1 | Manon: Act 3. Je suis seul... Ah! fuyez, douce image | — | ||
| 4-2 | Manon: Act 2. Instant charmant... En fermant les yeux | — | ||
| 4-3 | Mignon: « Elle ne croyait pas dans sa candeur naïve » | Nicolai Gedda, Orchestre national de la Radiodiffusion française, Georges Prêtre | T-310.771.053-8 | |
| 4-4 | Mignon: Act 2. Adieu | — | ||
| 4-5 | Mireille: Act 4. Anges du paradis | — | ||
| 4-6 | Benvenuto Cellini: Act 3. Seul pour lutter | — | ||
| 4-7 | Un Ballo in Maschera: Act 3. Forse la soglia attinse... Ma se m'è forza perderti | — | ||
| 4-8 | Un Ballo in Maschera: Act 1. Di' tu se fedele | — | ||
| 4-9 | Tosca: Act 3. E lucevan le stelle | — | ||
| 4-10 | Tosca: Act 1. Recondita armonia | — | ||
| 4-11 | Manon Lescaut: Act 1. Donna non vidi mai | — | ||
| 4-12 | A Life for the Tsar: Act 4. Sobinin's Aria | — | ||
| 4-13 | Pique Dame: Act 1. Hermann's Aria | — | ||
| 4-14 | Pique Dame: Act 3. Hermann's Aria | — | ||
| 4-15 | Sadko: Act 1. Sadko's Aria | — | ||
| 4-16 | Sorochintsy Fair: Act 1. Gritzko's Aria | — | ||
| 4-17 | May Night: Act 1. Lewko's Aria | — | ||
| 4-18 | Eugen Onegin: Act 2. Lensky's Aria | — |
Musical Works (ISWC)
Identifier Graph
724356568525 is a Universal Product Code (UPC) assigned to Les Introuvables de Nicolai Gedda by Nicolai Gedda. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 102 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Les Introuvables de Nicolai Gedda” by Nicolai Gedda is 724356568525. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: EMI Classics. This release contains 102 tracks, each with its own ISRC. Tracks include FRZ110902399, FRZ116105853.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantata: “Meine Seele rühmt und preist”, BWV 189: Meine Seele rühmt und preist | — | ||
| 2 | Cantata: “Meine Seele rühmt und preist”, BWV 189: Denn seh’ ich mich und auch mein Leben an | — | ||
| 3 | Cantata: “Meine Seele rühmt und preist”, BWV 189: Gott hat sich hoch gesetzet | — | ||
| 4 | Cantata: “Meine Seele rühmt und preist”, BWV 189: O was vor grosse Dinge | — | ||
| 5 | Cantata: “Meine Seele rühmt und preist”, BWV 189: Deine Güte, dein Erbarmen | — | ||
| 6 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Ich armer Mensch, ich Sündenknecht | — | ||
| 7 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Ich habe wider Gott gehandelt | — | ||
| 8 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Erbarme dich! Lass die Tränen dich erweichen | — | ||
| 9 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Erbarme dich! Jedoch nun tröst’ ich mich | — | ||
| 10 | Cantata: “Ich armer Mensch, ich Sündenknecht”, BWV 55: Bin ich gleich von dir gewichen | — | ||
| 11 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: Ich weiss, daß mein Erlöser lebt | — | ||
| 12 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: Er lebt und ist von Todten auferstanden! | — | ||
| 13 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: Gott Lob, dass mein Erlöser lebt | — | ||
| 14 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: So biet’ ich allen Teufeln Trutz! | — | ||
| 15 | Cantata: “Ich weiß, daß mein Erlöser lebt”, BWV 160: Nun, ich halte mich bereit | — | ||
| 16 | Alceste : Acte II. « Bannis la crainte et les alarmes » | — | ||
| 17 | Iphigenie en Tauride : Acte II. « Unis dès la plus tendre enfance » | — | ||
| 18 | Iphigenie en Tauride : Acte III. « Divinités des grandes âmes » | — | ||
| 19 | Die Entführung aus dem Serail: Akt I. “Konstanze!” | — | ||
| 20 | Die Entführung aus dem Serail: Akt III. “In Mohrenland gefangen war” | — | ||
| 21 | Così fan tutte: Atto I. “Un’ aura amorosa” | — | ||
| 22 | La clemenza di Tito: Atto II. “Se all’impero” | — | ||
| 23 | Per pietà, non ricercate, K. 420 | — | ||
| 2-1 | Nell, op. 18 no. 1 | — | ||
| 2-2 | Poème d’un jour, op. 21: Recontre | — | ||
| 2-3 | Poème d’un jour, op. 21: Toujours | — | ||
| 2-4 | Poème d’un jour, op. 21: Adieu | — | ||
| 2-5 | Après un rêve, op. 7 no. 1 | — | ||
| 2-6 | Ici-bas !, op. 8 no. 3 | — | ||
| 2-7 | Fleur jetée, op. 39 no. 2 | — | ||
| 2-8 | Métamorphoses, FP 121: 3. Paganini | — | ||
| 2-9 | Airs chantés, FP 46: 2. Air champêtre | — | ||
| 2-10 | Airs chantés, FP 46: 3. Air grave | — | ||
| 2-11 | À sa guitare, FP 79 | — | ||
| 2-12 | Banalités, FP 107: 4. Voyage à Paris | — | ||
| 2-13 | Banalités, FP 107: 2. Hôtel | — | ||
| 2-14 | Romance | — | ||
| 2-15 | Fleur des blés | — | ||
| 2-16 | Mandoline | — | ||
| 2-17 | Beau soir, CD 84, L. 6 | Nicolai Gedda, Aldo Ciccolini | — | |
| 2-18 | D’une prison | — | ||
| 2-19 | Paysage | — | ||
| 2-20 | Chansons grises: L’allée est sans fin | — | ||
| 2-21 | Chansons grises: L’Heure exquise | — | ||
| 2-22 | Adelaide | — | ||
| 2-23 | An die ferne Geliebte, op. 98: Auf dem Hügel sitz ich spähend | — | ||
| 2-24 | An die ferne Geliebte, op. 98: Wo die Berge so blau | — | ||
| 2-25 | An die ferne Geliebte, op. 98: Leichte Segler in den Höhen | — | ||
| 2-26 | An die ferne Geliebte, op. 98: Diese Wolken in den Höhen | — | ||
| 2-27 | An die ferne Geliebte, op. 98: Es kehret der Maien, es blühet die Au | — | ||
| 2-28 | An die ferne Geliebte, op. 98: Nimm sie hin denn diese Lieder | — | ||
| 2-29 | Heimliche Aufforderung, op. 27 no. 3 | — | ||
| 2-30 | Ständchen, op. 17 no. 2 | — | ||
| 2-31 | Die Nacht, op. 10 no. 3 | — | ||
| 2-32 | Befreit, op. 39 no. 4 | — | ||
| 2-33 | Liebeshymnus, op. 32 no. 3 | — | ||
| 3-1 | Doubt | — | ||
| 3-2 | O Thou Dear, Darling Little Girl | — | ||
| 3-3 | Souvenir | — | ||
| 3-4 | The Little Star | — | ||
| 3-5 | By the Don | — | ||
| 3-6 | The Bill Goat | — | ||
| 3-7 | O Moonlit Night | — | ||
| 3-8 | At the Ball | — | ||
| 3-9 | Legend | — | ||
| 3-10 | Don Juan's Serenade | — | ||
| 3-11 | Secret Love | — | ||
| 3-12 | I Love Thee | — | ||
| 3-13 | A Swan | — | ||
| 3-14 | A Dream | — | ||
| 3-15 | The Wood Is Asleep | — | ||
| 3-16 | When I Go Into the Wood | — | ||
| 3-17 | In the Wood Under High Trees | — | ||
| 3-18 | Tonerna | — | ||
| 3-19 | Woe, Woe, Reed | — | ||
| 3-20 | Black Roses | — | ||
| 3-21 | O Cease Thy Singing, Maiden Fair | — | ||
| 3-22 | Spring Waters | — | ||
| 3-23 | How Fair This Spot | — | ||
| 3-24 | Romance of the Young Gypsy | — | ||
| 3-25 | Meco Verrai | — | ||
| 3-26 | Notte | — | ||
| 3-27 | Stronellatrice | — | ||
| 3-28 | Poema en Forma de Canciones | — | ||
| 4-1 | Manon: Act 3. Je suis seul... Ah! fuyez, douce image | — | ||
| 4-2 | Manon: Act 2. Instant charmant... En fermant les yeux | — | ||
| 4-3 | Mignon: « Elle ne croyait pas dans sa candeur naïve » | Nicolai Gedda, Orchestre national de la Radiodiffusion française, Georges Prêtre | T-310.771.053-8 | |
| 4-4 | Mignon: Act 2. Adieu | — | ||
| 4-5 | Mireille: Act 4. Anges du paradis | — | ||
| 4-6 | Benvenuto Cellini: Act 3. Seul pour lutter | — | ||
| 4-7 | Un Ballo in Maschera: Act 3. Forse la soglia attinse... Ma se m'è forza perderti | — | ||
| 4-8 | Un Ballo in Maschera: Act 1. Di' tu se fedele | — | ||
| 4-9 | Tosca: Act 3. E lucevan le stelle | — | ||
| 4-10 | Tosca: Act 1. Recondita armonia | — | ||
| 4-11 | Manon Lescaut: Act 1. Donna non vidi mai | — | ||
| 4-12 | A Life for the Tsar: Act 4. Sobinin's Aria | — | ||
| 4-13 | Pique Dame: Act 1. Hermann's Aria | — | ||
| 4-14 | Pique Dame: Act 3. Hermann's Aria | — | ||
| 4-15 | Sadko: Act 1. Sadko's Aria | — | ||
| 4-16 | Sorochintsy Fair: Act 1. Gritzko's Aria | — | ||
| 4-17 | May Night: Act 1. Lewko's Aria | — | ||
| 4-18 | Eugen Onegin: Act 2. Lensky's Aria | — |
