UPC · Release
Maria Callas
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724356574625 is the Universal Product Code (UPC barcode) for the release “La Divina Complete” by Maria Callas, released 1995-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include GBAYC9701071, GBAYC1400548, GBAYC9701163.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Madama Butterfly: “Un bel dì vedremo” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 2 | Carmen : « L’amour est un oiseau rebelle » (Habanera) | Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre | T-928.635.309-1 | |
| 3 | La Wally: Atto I. “Ebben? Ne andrò lontana” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 4 | Il barbiere di Siviglia: Act I. "Una voce poco fa" | — | ||
| 5 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 6 | Samson et Dalila : « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 7 | Rigoletto: Act I. "Caro nome" | — | ||
| 8 | La Traviata: Act I. "Sempre libera" | — | ||
| 9 | Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 10 | La bohème: “Sì. Mi chiamano Mimì” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 11 | Don Giovanni: Act II. "Mi tradì quell'alma ingrata" | — | ||
| 12 | Cavalleria rusticana: "Voi lo sapete, o mamma" | — | ||
| 13 | La Gioconda: Act IV. "Suicidio!" | — | ||
| 14 | Gianni Schicchi: “O mio babbino caro” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-901.222.501-3 | |
| 15 | Turandot: Act II. "In questa reggia" | — | ||
| 16 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 2-1 | Alceste: Act I. "Divinités du Styx" | — | ||
| 2-2 | Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | — | |
| 2-3 | Ernani: Act I. "Surta è la Notte Ernani! Ernani, involami" | — | ||
| 2-4 | Manon Lescaut: Act II. "In quelle trine morbide" | — | ||
| 2-5 | Aida: “Ritorna vincitor!” | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno | T-900.065.376-9 | |
| 2-6 | Orphée et Eurydice : « J’ai perdu mon Eurydice » | Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre | — | |
| 2-7 | I vespiri siciliani: Act V. "Bolero: Mercè, Dilette Amiche" | — | ||
| 2-8 | Louise: Act III. "Depuis le jour" | — | ||
| 2-9 | La Bohème: Act III. "Donde lieta uscì" | — | ||
| 2-10 | Mignon: Act II. "Ah, pour ce soir … je suis Titania (Polonaise)" | — | ||
| 2-11 | La traviata: Act III. "Teneste la Promessa … Addio, del Passato" | — | ||
| 2-12 | Don Carlo: Act III. "O don fatale" | — | ||
| 2-13 | Samson et Dalila : Acte I. « Printemps qui commence » | Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre | — | |
| 2-14 | La sonnambula: Act I. "Compagne, teneri amici … Come per me sereno" | — | ||
| 2-15 | Adriana Lecouvreur: Atto I. “Ecco: respiro appena” … “Io son l’umile ancella” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 2-16 | Lucia di Lammermoor: Act III. "Spargi d'amaro pianto" | — | ||
| 3-1 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-900.798.617-6 | |
| 3-2 | La vestale: Atto II. “O Nume tutelar” | Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-3 | Manon : « Je ne suis que faiblesse » … « Adieu, notre petite table » | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-101.072.203-7 | |
| 3-4 | Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” | Maria Callas, Giuseppe Di Stefano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-5 | Carmen : Acte I. « Près des remparts de Séville » | Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre | T-911.507.740-2 | |
| 3-6 | Il barbiere di Siviglia: Atto I. “Dunque io son” | Maria Callas, Tito Gobbi, Philharmonia Orchestra, Tullio Serafin | — | |
| 3-7 | Lakmé: Atto II. “Dov’ è l’Indiana bruna?” (Bell Song / Air des clochettes / Glöckchenarie) | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 3-8 | Aida: “Qui Radamès verrà!” … “O patria mia” | Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-900.065.376-9 | |
| 3-9 | La bohème: “O soave fanciulla” | Coro del Teatro alla Scala di Milano, Anna Moffo, Manuel Spatafora, Nicola Zaccaria, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Orchestra del Teatro alla Scala di Milano, Antonino Votto | — | |
| 3-10 | Turandot: Atto I. “Signore, ascolta!” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-005.000.838-2 | |
| 3-11 | Pagliacci: “Qual fiamma avea nel guardo!” … “Hui! Stridono lassù” | Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-12 | Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) | Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 3-13 | Madama Butterfly: “Vogliatemi bene, un bene piccolino” | Maria Callas, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 3-14 | Dinorah: Atto II. “Ombra leggiera” (Shadow Song) | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-910.405.802-8 | |
| 4-1 | Maria Callas in conversation with Edward Downes: Well, Madame Callas … | — | ||
| 4-2 | Maria Callas in conversation with Edward Downes: And the same thing seems to me … | — | ||
| 4-3 | Maria Callas in conversation with Edward Downes: But-you know-you are speaking of not being traditional … | — | ||
| 4-4 | Maria Callas in conversation with Edward Downes: You were speaking a moment ago about your 'first' career. | — | ||
| 4-5 | Maria Callas in conversation with Edward Downes: There is always a certain limit, even in 'corone' … | — | ||
| 4-6 | Maria Callas in conversation with Edward Downes: Tell me-one thing that I would have thought … | — | ||
| 4-7 | Maria Callas in conversation with Edward Downes: You know-there's another question … | — | ||
| 4-8 | Maria Callas in conversation with Edward Downes: You said that you have had to struggle … | — | ||
| 4-9 | Maria Callas in conversation with Edward Downes: I'd heard so many stories about you … | — | ||
| 4-10 | Maria Callas in conversation with Edward Downes: Well-now tell me-when you're singing the bel canto roles … | — | ||
| 4-11 | Maria Callas in conversation with Edward Downes: Music has to be well performed. | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Dinorah: “Ombra leggiera” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-910.405.802-8 |
| Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-900.145.876-0 |
| Carmen : Acte I. « Près des remparts de Séville » | Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre | — |
| Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Aida: “Qui Radamès verrà!” … “O patria mia” | Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) | Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | T-928.635.584-8 |
| Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) | Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
724356574625 is a Universal Product Code (UPC) assigned to La Divina Complete by Maria Callas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
724356574625 is the Universal Product Code (UPC barcode) for the release “La Divina Complete” by Maria Callas, released 1995-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include GBAYC9701071, GBAYC1400548, GBAYC9701163.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Madama Butterfly: “Un bel dì vedremo” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 2 | Carmen : « L’amour est un oiseau rebelle » (Habanera) | Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre | T-928.635.309-1 | |
| 3 | La Wally: Atto I. “Ebben? Ne andrò lontana” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 4 | Il barbiere di Siviglia: Act I. "Una voce poco fa" | — | ||
| 5 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 6 | Samson et Dalila : « Mon cœur s’ouvre à ta voix » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 7 | Rigoletto: Act I. "Caro nome" | — | ||
| 8 | La Traviata: Act I. "Sempre libera" | — | ||
| 9 | Roméo et Juliette : Acte I. « Ah ! Je veux vivre dans ce rêve » | Maria Callas, Orchestre national de la Radiodiffusion française, Georges Prêtre | — | |
| 10 | La bohème: “Sì. Mi chiamano Mimì” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 11 | Don Giovanni: Act II. "Mi tradì quell'alma ingrata" | — | ||
| 12 | Cavalleria rusticana: "Voi lo sapete, o mamma" | — | ||
| 13 | La Gioconda: Act IV. "Suicidio!" | — | ||
| 14 | Gianni Schicchi: “O mio babbino caro” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-901.222.501-3 | |
| 15 | Turandot: Act II. "In questa reggia" | — | ||
| 16 | Tosca: “Vissi d'arte” (Tosca) | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-321.286.864-5 | |
| 2-1 | Alceste: Act I. "Divinités du Styx" | — | ||
| 2-2 | Carmen : « Les tringles des sistres tintaient » (Chanson bohème) | Jane Berbié, Maria Callas, Nadine Sautereau, Orchestre du Théâtre national de l’Opéra, Georges Prêtre | — | |
| 2-3 | Ernani: Act I. "Surta è la Notte Ernani! Ernani, involami" | — | ||
| 2-4 | Manon Lescaut: Act II. "In quelle trine morbide" | — | ||
| 2-5 | Aida: “Ritorna vincitor!” | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno | T-900.065.376-9 | |
| 2-6 | Orphée et Eurydice : « J’ai perdu mon Eurydice » | Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre | — | |
| 2-7 | I vespiri siciliani: Act V. "Bolero: Mercè, Dilette Amiche" | — | ||
| 2-8 | Louise: Act III. "Depuis le jour" | — | ||
| 2-9 | La Bohème: Act III. "Donde lieta uscì" | — | ||
| 2-10 | Mignon: Act II. "Ah, pour ce soir … je suis Titania (Polonaise)" | — | ||
| 2-11 | La traviata: Act III. "Teneste la Promessa … Addio, del Passato" | — | ||
| 2-12 | Don Carlo: Act III. "O don fatale" | — | ||
| 2-13 | Samson et Dalila : Acte I. « Printemps qui commence » | Maria Callas, Orchestre national de la Radiodiffusion Française, Georges Prêtre | — | |
| 2-14 | La sonnambula: Act I. "Compagne, teneri amici … Come per me sereno" | — | ||
| 2-15 | Adriana Lecouvreur: Atto I. “Ecco: respiro appena” … “Io son l’umile ancella” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 2-16 | Lucia di Lammermoor: Act III. "Spargi d'amaro pianto" | — | ||
| 3-1 | Andrea Chénier: Atto III. “La mamma morta” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-900.798.617-6 | |
| 3-2 | La vestale: Atto II. “O Nume tutelar” | Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-3 | Manon : « Je ne suis que faiblesse » … « Adieu, notre petite table » | Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre | T-101.072.203-7 | |
| 3-4 | Manon Lescaut: Atto II. “Oh, sarò la più bella … Tu, tu amore?” | Maria Callas, Giuseppe Di Stefano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-5 | Carmen : Acte I. « Près des remparts de Séville » | Maria Callas, Nicolai Gedda, Orchestre de l’Opéra national de Paris, Georges Prêtre | T-911.507.740-2 | |
| 3-6 | Il barbiere di Siviglia: Atto I. “Dunque io son” | Maria Callas, Tito Gobbi, Philharmonia Orchestra, Tullio Serafin | — | |
| 3-7 | Lakmé: Atto II. “Dov’ è l’Indiana bruna?” (Bell Song / Air des clochettes / Glöckchenarie) | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 3-8 | Aida: “Qui Radamès verrà!” … “O patria mia” | Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-900.065.376-9 | |
| 3-9 | La bohème: “O soave fanciulla” | Coro del Teatro alla Scala di Milano, Anna Moffo, Manuel Spatafora, Nicola Zaccaria, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Orchestra del Teatro alla Scala di Milano, Antonino Votto | — | |
| 3-10 | Turandot: Atto I. “Signore, ascolta!” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-005.000.838-2 | |
| 3-11 | Pagliacci: “Qual fiamma avea nel guardo!” … “Hui! Stridono lassù” | Maria Callas, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 3-12 | Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) | Maria Callas, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 3-13 | Madama Butterfly: “Vogliatemi bene, un bene piccolino” | Maria Callas, Nicolai Gedda, Orchestra del Teatro alla Scala di Milano, Herbert von Karajan | — | |
| 3-14 | Dinorah: Atto II. “Ombra leggiera” (Shadow Song) | Maria Callas, Philharmonia Orchestra, Tullio Serafin | T-910.405.802-8 | |
| 4-1 | Maria Callas in conversation with Edward Downes: Well, Madame Callas … | — | ||
| 4-2 | Maria Callas in conversation with Edward Downes: And the same thing seems to me … | — | ||
| 4-3 | Maria Callas in conversation with Edward Downes: But-you know-you are speaking of not being traditional … | — | ||
| 4-4 | Maria Callas in conversation with Edward Downes: You were speaking a moment ago about your 'first' career. | — | ||
| 4-5 | Maria Callas in conversation with Edward Downes: There is always a certain limit, even in 'corone' … | — | ||
| 4-6 | Maria Callas in conversation with Edward Downes: Tell me-one thing that I would have thought … | — | ||
| 4-7 | Maria Callas in conversation with Edward Downes: You know-there's another question … | — | ||
| 4-8 | Maria Callas in conversation with Edward Downes: You said that you have had to struggle … | — | ||
| 4-9 | Maria Callas in conversation with Edward Downes: I'd heard so many stories about you … | — | ||
| 4-10 | Maria Callas in conversation with Edward Downes: Well-now tell me-when you're singing the bel canto roles … | — | ||
| 4-11 | Maria Callas in conversation with Edward Downes: Music has to be well performed. | — |
