UPC · Release
The Complete Works for Piano
Claude Debussy, Walter Gieseking
724356585522
77 tracksReleased 1996-01-01EMI Classics
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724356585522 is the Universal Product Code (UPC barcode) for the release “The Complete Works for Piano” by Claude Debussy, Walter Gieseking, released 1996-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 77 tracks, each with its own ISRC.
Format
7Number system
24356Manufacturer
58552Product
2Check digit
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
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- Product:
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- Check digit:
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Credit Chain
UPCThe Complete Works for Piano
ISWC1 work
Track List (77)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Preludes, Book I, L. 117 No. 1: Danseuses de Delphes | — | ||
| 2 | Preludes, Book I, L. 117 No. 2: Voiles | — | ||
| 3 | Preludes, Book I, L. 117 No. 3: Le vent dans la plaine | — | ||
| 4 | Preludes, Book I, L. 117 No. 4: Les sons et les parfums tourent dans l’air du soir | — | ||
| 5 | Preludes, Book I, L. 117 No. 5: Les collines d’Anacapri | — | ||
| 6 | Preludes, Book I, L. 117 No. 6: Des pas sur la neige | — | ||
| 7 | Preludes, Book I, L. 117 No. 7: Ce qu’a vu le vent d’ouest | — | ||
| 8 | Preludes, Book I, L. 117 No. 8: La fille aux cheveux de lin | — | ||
| 9 | Preludes, Book I, L. 117 No. 9: La sérénade interrompue | — | ||
| 10 | Preludes, Book I, L. 117 No. 10: La cathédrale engloutie | — | ||
| 11 | Preludes, Book I, L. 117 No. 11: La danse de Puck | — | ||
| 12 | Preludes, Book I, L. 117 No. 12: Minstrels | — | ||
| 13 | Preludes, Book II, L. 123 No. 1: Brouillards | — | ||
| 14 | Preludes, Book II, L. 123 No. 2: Feuilles mortes | — | ||
| 15 | Preludes, Book II, L. 123 No. 3: La Puerta del Vino | — | ||
| 16 | Preludes, Book II, L. 123 No. 4: Les fées sont d’exquises danseuses | — | ||
| 17 | Preludes, Book II, L. 123 No. 5: Bruyères | — | ||
| 18 | Preludes, Book II, L. 123 No. 6: Général Lavine – eccentric | — | ||
| 19 | Preludes, Book II, L. 123 No. 7: La terrasse des audiences du clair de lune | — | ||
| 20 | Preludes, Book II, L. 123 No. 8: Ondine | — | ||
| 21 | Preludes, Book II, L. 123 No. 9: Hommage à S. Pickwick Esq. P.P.M.P.C | — | ||
| 22 | Preludes, Book II, L. 123 No. 10: Canope | — | ||
| 23 | Preludes, Book II, L. 123 No. 11: Les tierces alternées | — | ||
| 24 | Preludes, Book II, L. 123 No. 12: Feux d’artifice | — | ||
| 2-1 | Pour le piano, L. 95 No. 1: Prelude | — | ||
| 2-2 | Pour le piano, L. 95 No. 2: Sarabande | — | ||
| 2-3 | Pour le piano, L. 95 No. 3: Toccata | — | ||
| 2-4 | Estampes, L. 100 No. 1: Pagodes | — | ||
| 2-5 | Estampes, L. 100 No. 2: Soirée dans Grenade | — | ||
| 2-6 | Estampes, L. 100 No. 3: Jardins sous la pluie | — | ||
| 2-7 | Images for Piano, Set I, L. 110 No. 1: Reflets dans l’eau | — | ||
| 2-8 | Images for Piano, Set I, L. 110 No. 2: Hommage à Rameau | — | ||
| 2-9 | Images for Piano, Set I, L. 110 No. 3: Mouvement | — | ||
| 2-10 | Images for Piano, Set II, L. 111 No. 1: Cloches à travers les feuilles | — | ||
| 2-11 | Images for Piano, Set II, L. 111 No. 2: Et la lune descend sur le temple qui fut | — | ||
| 2-12 | Images for Piano, Set II, L. 111 No. 3: Poissons d’or | — | ||
| 2-13 | Children’s Corner, L. 113 No. 1: Doctor Gradus ad Parnassum | — | ||
| 2-14 | Children’s Corner, L. 113 No. 2: Jimbo’s Lullaby | — | ||
| 2-15 | Children’s Corner, L. 113 No. 3: Serenade for the Doll | — | ||
| 2-16 | Children’s Corner, L. 113 No. 4: The Snow is Dancing | — | ||
| 2-17 | Children’s Corner, L. 113 No. 5: The Little Shepherd | — | ||
| 2-18 | Children’s Corner, L. 113 No. 6: Golliwog’s Cake‐walk | — | ||
| 3-1 | Étude pour les Cinq Doigts (after Czerny), L. 136 No. 1 | — | ||
| 3-2 | Étude pour les Tierces, L. 136 No. 2 | — | ||
| 3-3 | Étude pour les Quartes, L. 136 No. 3 | — | ||
| 3-4 | Étude pour les Sixtes, L. 136 No. 4 | — | ||
| 3-5 | Étude pour les Octaves, L. 136 No. 5 | — | ||
| 3-6 | Étude pour les Huit Doigts, L. 136 No. 6 | — | ||
| 3-7 | Étude pour les Degrés Chromatiques, L. 136 No. 7 | — | ||
| 3-8 | Étude pour les Agréments, L. 136 No. 8 | — | ||
| 3-9 | Étude pour les Notes Répétées, L. 136 No. 9 | — | ||
| 3-10 | Étude pour les Sonorités Opposées, L. 136 No. 10 | — | ||
| 3-11 | Étude pour les Arpèges Composés, L. 136 No. 11 | — | ||
| 3-12 | Étude pour les Accords, L. 136 No. 12 | — | ||
| 3-13 | Masques, L. 105 | — | ||
| 3-14 | D’un cahier d’esquisses, L. 99 | — | ||
| 3-15 | L’isle joyeuse, L. 106 | — | ||
| 3-16 | La plus que lente, L. 121 | — | ||
| 3-17 | Le petit nègre, L. 114 | — | ||
| 3-18 | Berceuse heroïque, L. 132 | — | ||
| 3-19 | Hommage à Joseph Haydn, L. 115 | — | ||
| 4-1 | Suite bergamasque, L. 75 No. 1: Prelude | — | ||
| 4-2 | Suite bergamasque, L. 75 No. 2: Menuet | — | ||
| 4-3 | Suite bergamasque, L. 75 No. 3: Clair de lune | — | ||
| 4-4 | Suite bergamasque, L. 75 No. 4: Passepied | — | ||
| 4-5 | Danse bohémienne, L. 9 | — | ||
| 4-6 | Rêverie, L. 68 | — | ||
| 4-7 | Mazurka, L. 67 | — | ||
| 4-8 | Valse Romantique, L. 71 | — | ||
| 4-9 | Arabesque, L. 66 No. 1: Andantino con moto | — | ||
| 4-10 | Arabesque, L. 66 No. 2: Allegretto scherzando | — | ||
| 4-11 | Nocturne in D flat major, L. 82 | — | ||
| 4-12 | Tarantelle styrienne (Danse), L. 69 | — | ||
| 4-13 | Ballade, L. 70 | — | ||
| 4-14 | Fantasie for Piano and Orchestra, L. 73: I. Andante – Allegro | — | ||
| 4-15 | Fantasie for Piano and Orchestra, L. 73: II. Lento e molto espressivo | — | ||
| 4-16 | Fantasie for Piano and Orchestra, L. 73: III. Allegro molto | — |
Preludes, Book I, L. 117 No. 1: Danseuses de Delphes
—
Preludes, Book I, L. 117 No. 2: Voiles
—
Preludes, Book I, L. 117 No. 3: Le vent dans la plaine
—
Preludes, Book I, L. 117 No. 4: Les sons et les parfums tourent dans l’air du soir
—
Preludes, Book I, L. 117 No. 5: Les collines d’Anacapri
—
Preludes, Book I, L. 117 No. 6: Des pas sur la neige
—
Preludes, Book I, L. 117 No. 7: Ce qu’a vu le vent d’ouest
—
Preludes, Book I, L. 117 No. 8: La fille aux cheveux de lin
—
Preludes, Book I, L. 117 No. 9: La sérénade interrompue
—
Preludes, Book I, L. 117 No. 10: La cathédrale engloutie
—
Preludes, Book I, L. 117 No. 11: La danse de Puck
—
Preludes, Book I, L. 117 No. 12: Minstrels
—
Preludes, Book II, L. 123 No. 1: Brouillards
—
Preludes, Book II, L. 123 No. 2: Feuilles mortes
—
Preludes, Book II, L. 123 No. 3: La Puerta del Vino
—
Preludes, Book II, L. 123 No. 4: Les fées sont d’exquises danseuses
—
Preludes, Book II, L. 123 No. 5: Bruyères
—
Preludes, Book II, L. 123 No. 6: Général Lavine – eccentric
—
Preludes, Book II, L. 123 No. 7: La terrasse des audiences du clair de lune
—
Preludes, Book II, L. 123 No. 8: Ondine
—
Preludes, Book II, L. 123 No. 9: Hommage à S. Pickwick Esq. P.P.M.P.C
—
Preludes, Book II, L. 123 No. 10: Canope
—
Preludes, Book II, L. 123 No. 11: Les tierces alternées
—
Preludes, Book II, L. 123 No. 12: Feux d’artifice
—
Pour le piano, L. 95 No. 1: Prelude
—
Pour le piano, L. 95 No. 2: Sarabande
—
Pour le piano, L. 95 No. 3: Toccata
—
Estampes, L. 100 No. 1: Pagodes
—
Estampes, L. 100 No. 2: Soirée dans Grenade
—
Estampes, L. 100 No. 3: Jardins sous la pluie
—
Images for Piano, Set I, L. 110 No. 1: Reflets dans l’eau
—
Images for Piano, Set I, L. 110 No. 2: Hommage à Rameau
—
Images for Piano, Set I, L. 110 No. 3: Mouvement
—
Images for Piano, Set II, L. 111 No. 1: Cloches à travers les feuilles
—
Images for Piano, Set II, L. 111 No. 2: Et la lune descend sur le temple qui fut
—
Images for Piano, Set II, L. 111 No. 3: Poissons d’or
—
Children’s Corner, L. 113 No. 1: Doctor Gradus ad Parnassum
—
Children’s Corner, L. 113 No. 2: Jimbo’s Lullaby
—
Children’s Corner, L. 113 No. 3: Serenade for the Doll
—
Children’s Corner, L. 113 No. 4: The Snow is Dancing
—
Children’s Corner, L. 113 No. 5: The Little Shepherd
—
Children’s Corner, L. 113 No. 6: Golliwog’s Cake‐walk
—
Étude pour les Cinq Doigts (after Czerny), L. 136 No. 1
—
Étude pour les Tierces, L. 136 No. 2
—
Étude pour les Quartes, L. 136 No. 3
—
Étude pour les Sixtes, L. 136 No. 4
—
Étude pour les Octaves, L. 136 No. 5
—
Étude pour les Huit Doigts, L. 136 No. 6
—
Étude pour les Degrés Chromatiques, L. 136 No. 7
—
Étude pour les Agréments, L. 136 No. 8
—
Étude pour les Notes Répétées, L. 136 No. 9
—
Étude pour les Sonorités Opposées, L. 136 No. 10
—
Étude pour les Arpèges Composés, L. 136 No. 11
—
Étude pour les Accords, L. 136 No. 12
—
Masques, L. 105
—
D’un cahier d’esquisses, L. 99
—
L’isle joyeuse, L. 106
—
La plus que lente, L. 121
—
Le petit nègre, L. 114
—
Berceuse heroïque, L. 132
—
Hommage à Joseph Haydn, L. 115
—
Suite bergamasque, L. 75 No. 1: Prelude
—
Suite bergamasque, L. 75 No. 2: Menuet
—
Suite bergamasque, L. 75 No. 3: Clair de lune
—
Suite bergamasque, L. 75 No. 4: Passepied
—
Danse bohémienne, L. 9
—
Rêverie, L. 68
—
Mazurka, L. 67
—
Valse Romantique, L. 71
—
Arabesque, L. 66 No. 1: Andantino con moto
—
Arabesque, L. 66 No. 2: Allegretto scherzando
—
Nocturne in D flat major, L. 82
—
Tarantelle styrienne (Danse), L. 69
—
Ballade, L. 70
—
Fantasie for Piano and Orchestra, L. 73: I. Andante – Allegro
—
Fantasie for Piano and Orchestra, L. 73: II. Lento e molto espressivo
—
Fantasie for Piano and Orchestra, L. 73: III. Allegro molto
—
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What is UPC 724356585522?
724356585522 is a Universal Product Code (UPC) assigned to The Complete Works for Piano by Claude Debussy, Walter Gieseking. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 77 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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