UPC · Release
Il pirata
Bellini, Maria Callas, Pier Miranda Ferraro, Costantino Ego, Orchestra, Chorus of The American Opera Society, Nicola Rescigno
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724356643222 is the Universal Product Code (UPC barcode) for the release “Il pirata” by Bellini, Maria Callas, Pier Miranda Ferraro, Costantino Ego, Orchestra, Chorus of The American Opera Society, Nicola Rescigno on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 26 tracks, each with its own ISRC. Tracks include GBAYC1702118, GBAYC1702119, GBAYC1702120.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (26)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Il pirata: Overture | — | ||
| 2 | Il pirata: Atto I, scena 1. “Ciel! qual procella orribile” | — | ||
| 3 | Il pirata: Atto I, scena 1. “Nume, che imperi, che affreni il mare” | — | ||
| 4 | Il pirata: Atto I, scena 1. “Coraggio! Coraggio!” | — | ||
| 5 | Il pirata: Atto I, scena 1. “Io vivo ancor!” | — | ||
| 6 | Il pirata: Atto I, scena 1. “Ascolta... Nel furor delle tempeste” | — | ||
| 7 | Il pirata: Atto I, scena 1. “Del disastro di questi infelici” | — | ||
| 8 | Il pirata: Atto I, scena 1. “Per te di vane lagrime” | — | ||
| 9 | Il pirata: Atto I, scena 1. “Sargete; è in me dover” (Imogene, Itulbo, Adele) | Maria Callas, Glade Peterson, Regina Sarfaty, American Opera Society Orchestra, Nicola Rescigno | — | |
| 10 | Il pirata: Atto I, scena 1. “Lo sognai ferito, esangue” (Imogene, Adele, Coro) | American Opera Society Chorus, Maria Callas, Pier Miranda Ferraro, Glade Peterson, Regina Sarfaty, American Opera Society Orchestra, Nicola Rescigno | — | |
| 11 | Il pirata: Atto I, scena 1. “Quando a un tratto il mio consorte” (Imogene, Coro, Itulbo, Adele, Gualtiero) | American Opera Society Chorus, Maria Callas, Pier Miranda Ferraro, Glade Peterson, Regina Sarfaty, American Opera Society Orchestra, Nicola Rescigno | — | |
| 12 | Il pirata: Atto I, scena 1. “Sventurata, anch'io deliro” (Imogene, Adele, Coro) | American Opera Society Chorus, Maria Callas, Regina Sarfaty, Chester Watson, American Opera Society Orchestra, Nicola Rescigno | — | |
| 13 | Il pirata: Atto I, scena 2. “Evviva! allegri!” | — | ||
| 14 | Il pirata: Atto I, scena 2. “Ebbene?” / “Verrà” | — | ||
| 15 | Il pirata: Atto I, scena 2. “Perché cotanta io prendo” | — | ||
| 16 | Il pirata: Atto I, scena 2. “Se un giorno fia che ti tragge” | — | ||
| 17 | Il pirata: Atto I, scena 2. “Tu sciagurato! Ah! fuggi...” | — | ||
| 18 | Il pirata: Atto I, scena 2. “Pietosa al padre!” | — | ||
| 19 | Il pirata: Atto I, scena 2. “Bagnato dalle lagrime d'un cor” | — | ||
| 20 | Il pirata: Atto I, scena 3. “Più temuto, più splendido nome” | — | ||
| 21 | Il pirata: Atto I, scena 3. “Sì, vincemmo” | — | ||
| 22 | Il pirata: Atto I, scena 3. “M'abbraccia, o donna” | — | ||
| 23 | Il pirata: Atto I, scena 3. “All'accento, al manto” | — | ||
| 24 | Il pirata: Atto I, scena 3. “Parlarti ancor per poco” | — | ||
| 25 | Il pirata: Atto I, scena 3. “Ebben; cominci, o barbara” | — | ||
| 26 | Il pirata: Atto I, scena 3. “Ah! partiamo, i miei tormenti” | — |
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What is UPC 724356643222?
724356643222 is a Universal Product Code (UPC) assigned to Il pirata by Bellini, Maria Callas, Pier Miranda Ferraro, Costantino Ego, Orchestra, Chorus of The American Opera Society, Nicola Rescigno. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 26 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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