Job (A Masque for Dancing) / Concerto for Two Pianos and Orchestra

UPC · Release

Job (A Masque for Dancing) / Concerto for Two Pianos and Orchestra

Vaughan Williams, London Symphony Orchestra, Vronsky, Babin, London Philharmonic Orchestra, Sir Adrian Boult

724356722026
16 tracksReleased 1999-01-01EMI Classics

Last verified:

724356722026 is the Universal Product Code (UPC barcode) for the release Job (A Masque for Dancing) / Concerto for Two Pianos and Orchestra by Vaughan Williams, London Symphony Orchestra, Vronsky, Babin, London Philharmonic Orchestra, Sir Adrian Boult, released 1999-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC. Tracks include GBAYC9901397, GBAYC9901398, GBAYC9901399.

Format

7Number system
24356Manufacturer
72202Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCJob (A Masque for Dancing) / Concerto for Two Pianos and Orchestra
ISRC16 recordings

Track List (16)

Concerto in C for Two Pianos and Orchestra: I. Toccata (Allegro moderato)
Concerto in C for Two Pianos and Orchestra: I. Toccata (Allegro moderato)
Victor Babin, Vitya Vronsky, London Philharmonic Orchestra, Sir Adrian Boult
Concerto in C for Two Pianos and Orchestra: II. Romanza (Lento)
Concerto in C for Two Pianos and Orchestra: II. Romanza (Lento)
Victor Babin, Vitya Vronsky, London Philharmonic Orchestra, Sir Adrian Boult
Concerto in C for Two Pianos and Orchestra: IIIa. Fuga chromatica (Allegro) -
Concerto in C for Two Pianos and Orchestra: IIIa. Fuga chromatica (Allegro) -
Victor Babin, Vitya Vronsky, London Philharmonic Orchestra, Sir Adrian Boult
Concerto in C for Two Pianos and Orchestra: IIIb. Finale alla tedesca
Concerto in C for Two Pianos and Orchestra: IIIb. Finale alla tedesca
Victor Babin, Vitya Vronsky, London Philharmonic Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene I: Introduction
Job: A Masque for Dancing: Scene I: Introduction
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene I: Saraband of the Sons of God
Job: A Masque for Dancing: Scene I: Saraband of the Sons of God
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene II: Satan's Dance of Triumph
Job: A Masque for Dancing: Scene II: Satan's Dance of Triumph
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene III: Minuet of the Sons of Job and their Wives
Job: A Masque for Dancing: Scene III: Minuet of the Sons of Job and their Wives
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene IV: Jobs' Dream
Job: A Masque for Dancing: Scene IV: Jobs' Dream
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene V: Dance of the Three Messengers
Job: A Masque for Dancing: Scene V: Dance of the Three Messengers
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene VI: Dance of Job's Comforters
Job: A Masque for Dancing: Scene VI: Dance of Job's Comforters
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene VII: Eihu's Dance of Youth and Beauty
Job: A Masque for Dancing: Scene VII: Eihu's Dance of Youth and Beauty
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning
Job: A Masque for Dancing: Scene VII: Pavane of the Sons of the Morning
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene VIII: Galliard of the Sons of the Morning
Job: A Masque for Dancing: Scene VIII: Galliard of the Sons of the Morning
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene VIII: Altar Dance
Job: A Masque for Dancing: Scene VIII: Altar Dance
London Symphony Orchestra, Sir Adrian Boult
Job: A Masque for Dancing: Scene IX: Epilogue
Job: A Masque for Dancing: Scene IX: Epilogue
London Symphony Orchestra, Sir Adrian Boult

What other identifiers does this connect to?

Creative Contributors (ISNI)

Identifier Graph

UPCJob (A Masque f…ISRCConcerto in C f…ISRCConcerto in C f…ISRCConcerto in C f…ISRCConcerto in C f…ISRCJob: A Masque f…

People also ask

What is UPC 724356722026?
UPC 724356722026 is the Universal Product Code (barcode) for "Job (A Masque for Dancing) / Concerto for Two Pianos and Orchestra" by Vaughan Williams, London Symphony Orchestra, Vronsky, Babin, London Philharmonic Orchestra, Sir Adrian Boult, released on EMI Classics.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 724356722026?
UPC 724356722026 contains 16 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 724356722026?

724356722026 is a Universal Product Code (UPC) assigned to Job (A Masque for Dancing) / Concerto for Two Pianos and Orchestra by Vaughan Williams, London Symphony Orchestra, Vronsky, Babin, London Philharmonic Orchestra, Sir Adrian Boult. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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