UPC · Release
La bohème
Puccini, Sir Thomas Beecham, Victoria de los Ángeles, Jussi Björling, Amara, Merrill, Reardon, Tozzi, RCA Victor Chorus, Orchestra
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724356775022 is the Universal Product Code (UPC barcode) for the release “La bohème” by Puccini, Sir Thomas Beecham, Victoria de los Ángeles, Jussi Björling, Amara, Merrill, Reardon, Tozzi, RCA Victor Chorus, Orchestra, released 2002-03-11. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 36 tracks, each with its own ISRC. Tracks include GBAYC0200179, GBAYC0200194.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (36)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | La bohème: Atto I. “Questo Mar Rosso mi ammollisce e assidera” | — | ||
| 2 | La bohème: Atto I. “Aguzza l’ingegno” | — | ||
| 3 | La bohème: Atto I. “Legna! … Sigari!” | — | ||
| 4 | La bohème: Atto I. “Si può? … Chi è là?” | — | ||
| 5 | La bohème: Atto I. “Al Quartiere Latin ci attende Momus” | — | ||
| 6 | La bohème: Atto I. “Chi è là?” | — | ||
| 7 | La bohème: Atto I. “Oh! sventata, sventata!” | — | ||
| 8 | La bohème: Atto I. “Che gelida manina” | — | ||
| 9 | La bohème: Atto I. “Sì. Mi chiamano Mimì” | — | ||
| 10 | La bohème: Atto I. “Ehi! Rodolfo!” | — | ||
| 11 | La bohème: Atto I. “O soave fanciulla” (Rodolfo, Mimì, Marcello) | Jussi Björling, Robert Merrill, Victoria de los Ángeles, RCA Victor Orchestra, Thomas Beecham | — | |
| 12 | La bohème: Atto II. “Aranci, datteri!” | — | ||
| 13 | La bohème: Atto II. “Chi guardi?” | — | ||
| 14 | La bohème: Atto II. “Viva Parpignol!” | — | ||
| 15 | La bohème: Atto II. “Oh! Musetta!” | — | ||
| 16 | La bohème: Atto II. “Quando men’ vo soletta” | — | ||
| 17 | La bohème: Atto II. “Chi I’ha richiesto?” | — | ||
| 2-1 | La bohème: Atto III. “Ohè, là, le guardie!… Aprite!” | — | ||
| 2-2 | La bohème: Atto III. “Sa dirmi, scusi, qual’è l’osteria” | — | ||
| 2-3 | La bohème: Atto III. “Mimì!… Speravo di trovarvi qui” | — | ||
| 2-4 | La bohème: Atto III. “Marcello. Finalmente” | — | ||
| 2-5 | La bohème: Atto III. “Mimì è una civetta” | — | ||
| 2-6 | La bohème: Atto III. “Mimì è tanto malata!” | — | ||
| 2-7 | La bohème: Atto III. “Addio … D’onde lieta uscì al tuo grido” (Mimì, Rodolfo) | Jussi Björling, Victoria de los Ángeles, RCA Victor Symphony Orchestra, Sir Thomas Beecham | — | |
| 2-8 | La bohème: Atto III. “Dunque è proprio finita?” | — | ||
| 2-9 | La bohème: Atto III. “Che facevi? Che dicevi?” | — | ||
| 2-10 | La bohème: Atto IV. “In un coupè?” | — | ||
| 2-11 | La bohème: Atto IV. “O Mimì, to più non torni” | — | ||
| 2-12 | La bohème: Atto IV. “Che ora sia?.. L’ora del pranzo” | — | ||
| 2-13 | La bohème: Atto IV. “Gavotta… Minuetto… Pavanella” | — | ||
| 2-14 | La bohème: Atto IV. “C’è Mimì… c’è Mimì” | — | ||
| 2-15 | La bohème: Atto IV. “Ho tanto freddo. Se avessi un manicotto!” | — | ||
| 2-16 | La bohème: Atto IV. “Vecchia zimarra” | — | ||
| 2-17 | La bohème: Atto IV. “Sono andatl? Fingevo di dormire” | — | ||
| 2-18 | La bohème: Atto IV. “Mi chiamano Mimì… il perchè non so” | — | ||
| 2-19 | La bohème: Atto IV. “Dorme?… Riposa” | — |
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What is UPC 724356775022?
724356775022 is a Universal Product Code (UPC) assigned to La bohème by Puccini, Sir Thomas Beecham, Victoria de los Ángeles, Jussi Björling, Amara, Merrill, Reardon, Tozzi, RCA Victor Chorus, Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 36 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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