UPC · Release
Classical Chillout
Various Artists
Last verified:
724356784529 is the Universal Product Code (UPC barcode) for the release “Classical Chillout” by Various Artists, released 2002-01-01 on EMI. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 32 tracks, each with its own ISRC. Tracks include GBAHT9903305, GBAAA0100791, GBAYC9702826.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (32)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Adagio for Strings | William Orbit | T-901.134.571-4 | |
| 2 | Gymnopédie No.1 | — | ||
| 3 | Adiemus | Adiemus | T-010.101.223-0 | |
| 4 | Farewell | — | ||
| 5 | Gianni Schicchi: Aria “O mio babbino caro” (Lauretta) | Angela Gheorghiu, London Symphony Orchestra, Antonio Pappano | T-901.222.501-3 | |
| 6 | Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7 | Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — | |
| 8 | Spiegel Im Spiegel | Tasmin Little, Martin Roscoe | — | |
| 9 | Lakmé : « Dôme épais … » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-305.625.671-0 | |
| 10 | The Heart Asks Pleasure First / The Promise | Michael Nyman | T-010.203.179-7 | |
| 11 | Cantique de Jean Racine, op. 11 | Orfeón Donostiarra, Orchestre de Capitole de Toulouse, Michel Plasson | T-300.950.284-1 | |
| 12 | The Ashokan Farewell | — | ||
| 13 | This Is Not America | Ahn Trio | T-900.020.731-8 | |
| 14 | Clair de lune (from Suite bergamasque) | Dame Moura Lympany | T-304.252.843-4 | |
| 15 | Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — | |
| 2-1 | My Heart Will Go On (From the Film Titanic) | Shearman Orchestra, David Abel | T-042.107.751-1 | |
| 2-2 | Perpetuum Mobile | — | ||
| 2-3 | Concerto for violin & oboe in D minor, BWV1060: II. Adagio | Léon Goossens, Yehudi Menuhin, Bath Festival Orchestra | — | |
| 2-4 | Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — | |
| 2-5 | The Lark Ascending (opening) | Hugh Bean, New Philharmonia Orchestra, Sir Adrian Boult | — | |
| 2-6 | Gnossiennes: I. (Lent) | Anne Queffélec | T-003.010.023-2 | |
| 2-7 | Nagoya Marimbas | — | ||
| 2-8 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio (opening) | Yehudi Menuhin, Philharmonia Orchestra, Walter Süsskind | T-312.542.566-9 | |
| 2-9 | Song for Athene | — | ||
| 2-10 | Gabriel's Oboe | — | ||
| 2-11 | Weather Storm | — | ||
| 2-12 | Chi mai | Ennio Morricone | T-900.021.828-0 | |
| 2-13 | In Paradisum (Requiem) | Choir of King’s College, Cambridge, Peter Barley, José-Luis García, English Chamber Orchestra, Stephen Cleobury | T-924.489.944-3 | |
| 2-14 | La Wally: Atto I. “Ebben? Ne andrò lontana” | Maria Callas, Philharmonia Orchestra, Tullio Serafin | — | |
| 2-15 | Violin Concerto in F minor, RV 297 "Le quattro stagioni", "L'inverno": II. Largo | Giulio Franzetti, I Solisti dell’Orchestra Filarmonica della Scala, Riccardo Muti | T-900.143.433-9 | |
| 2-16 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-17 | Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-011.552.099-4 |
Additional database matches (10)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 3, op. 36 "Symphony of Sorrowful Songs": 2nd Movement | Zofia Kilanowicz, Kraków Symphony Orchestra, Jacek Kaspszyk | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Adagio for Organ and Strings in G minor | Academy of St Martin in the Fields, Sir Neville Marriner | T-005.001.197-6 |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Ave verum corpus in D major, K. 618 | Swedish Radio Choir, Stockholm Chamber Choir, Berliner Philharmoniker, Riccardo Muti | T-323.252.117-0 |
| Norma: Atto I, scena 1. “Costa Diva” (Norma, Oroveso, Coro) | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | — |
| Norma: “Casta Diva” | Norberto Mola, Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano, Tullio Serafin | T-931.280.185-7 |
| Miserere mei, Deus | Gerald Finley, Timothy Beasley-Murray, Choir of King’s College, Cambridge, Stephen Cleobury | — |
| The Piano, film score : The heart asks pleasure first | Michael Nyman | T-010.203.179-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 724356784529?
724356784529 is a Universal Product Code (UPC) assigned to Classical Chillout by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 32 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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