UPC · Release
Madama Butterfly
Puccini, Scotto, Bergonzi, Panerai, De Palma, Di Stasio, Coro, Orchestra del Teatro dell'Opera di Roma, Sir John Barbirolli
724356788824
43 tracksReleased 2002-01-01EMI Classics
Last verified:
724356788824 is the Universal Product Code (UPC barcode) for the release “Madama Butterfly” by Puccini, Scotto, Bergonzi, Panerai, De Palma, Di Stasio, Coro, Orchestra del Teatro dell'Opera di Roma, Sir John Barbirolli, released 2002-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC. Tracks include GBAYC0201550.
Format
7Number system
24356Manufacturer
78882Product
4Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCMadama Butterfly
ISRC1 recording
Track List (43)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Madama Butterfly: Atto I. “E soffitto… e pareti” (Pinkerton, Goro) | — | ||
| 2 | Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton, Suzuki) | — | ||
| 3 | Madama Butterfly: Atto I. “Che guari?… Se non giunge ancor la sposa” | — | ||
| 4 | Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Goro, Sharpless) | — | ||
| 5 | Madama Butterfly: Atto I. “Quale smania vi prende!” (Sharpless, Pinkerton) | — | ||
| 6 | Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendio” (Goro, Coro, Butterfly, Sharpless) | — | ||
| 7 | Madama Butterfly: Atto I. “Gran ventura” (Butterfly, Coro, Pinkerton, Sharpless, Goro) | — | ||
| 8 | Madama Butterfly: Atto I. “L’Imperial Commissario” (Butterfly, Coro, Pinkerton, Sharpless, Goro) | — | ||
| 9 | Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro) | — | ||
| 10 | Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly) | — | ||
| 11 | Madama Butterfly: Atto I. “Tutti zitti!… È concesso al nominato” (Goro, Il Commissario, Coro, Butterfly, Pinkerton, Sharpless, L’Ufficiale del Registro) | — | ||
| 12 | Madama Butterfly: Atto I. “Ed eccoci in famiglia” (Pinkerton, Coro, Il Bonzo, Butterfly, Suzuki) | — | ||
| 13 | Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, Coro, Butterfly, Suzuki) | — | ||
| 14 | Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki) | — | ||
| 15 | Madama Butterfly: Atto I. “Quest’obi pomposa” (Butterfly, Pinkerton) | — | ||
| 16 | Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malia” (Butterfly, Pinkerton) | — | ||
| 17 | Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton) | — | ||
| 18 | Madama Butterfly: Atto I. “Vieni, vieni… Via dall’anima in pena” (Butterfly, Pinkerton) | — | ||
| 19 | Madama Butterfly: Atto II, Parte I. “E Izaghi ed Izanami” (Suzuki, Butterfly) | — | ||
| 20 | Madama Butterfly: Atto II, Parte I. “Suzuki… è lungi la miseria?” (Suzuki, Butterfly) | — | ||
| 21 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 2-1 | Madama Butterfly: Atto II, Parte I. “C’è. Entrate” (Goro, Sharpless, Butterfly) | — | ||
| 2-2 | Madama Butterfly: Atto II, Parte I. “Ah sì. Goro, appena B.F. Pinkerton fu in mare” (Butterfly, Goro, Yamadori, Sharpless) | — | ||
| 2-3 | Madama Butterfly: Atto II, Parte I. “Si sa che aprir la porta” (Butterfly, Goro, Yamadori, Sharpless) | — | ||
| 2-4 | Madama Butterfly: Atto II, Parte I. “Ora a noi” (Sharpless, Butterfly) | — | ||
| 2-5 | Madama Butterfly: Atto II, Parte I. “Qui troncarla conviene” (Sharpless, Butterfly) | — | ||
| 2-6 | Madama Butterfly: Atto II, Parte I. “E questo? E questo?” (Sharpless, Butterfly) | — | ||
| 2-7 | Madama Butterfly: Atto II, Parte I. “Che tua madre dovrà” (Sharpless, Butterfly) | — | ||
| 2-8 | Madama Butterfly: Atto II, Parte I. “Io scendo al piano” (Sharpless, Butterfly) | — | ||
| 2-9 | Madama Butterfly: Atto II, Parte I. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro) | — | ||
| 2-10 | Madama Butterfly: Atto II, Parte I. “Una nave da guerra” (Suzuki, Butterfly) | — | ||
| 2-11 | Madama Butterfly: Atto II, Parte I. “Scuoti quella fronda di ciliegio” (Suzuki, Butterfly) | — | ||
| 2-12 | Madama Butterfly: Atto II, Parte I. “Or vienmi ad adornar” (Suzuki, Butterfly) | — | ||
| 2-13 | Madama Butterfly: Atto II, Parte I. Coro a bocca chiusa (Coro) | — | ||
| 2-14 | Madama Butterfly: Atto II, Parte II. Introduzione – “Oh eh! Oh eh! Oh eh!” (Voci dei marinai) | — | ||
| 2-15 | Madama Butterfly: Atto II, Parte II. “Già il sole!” (Suzuki, Butterfly) | — | ||
| 2-16 | Madama Butterfly: Atto II, Parte II. “Chi sia? Oh!… Zitta! Zitta!” (Suzuki, Pinkerton, Sharpless) | — | ||
| 2-17 | Madama Butterfly: Atto II, Parte II. “Io so che alle sue pene” (Suzuki, Pinkerton, Sharpless) | — | ||
| 2-18 | Madama Butterfly: Atto II, Parte II. “Addio, fiorito asil” (Pinkerton, Sharpless) | — | ||
| 2-19 | Madama Butterfly: Atto II, Parte II. “Glielo dirai?” (Kate, Suzuki, Butterfly) | — | ||
| 2-20 | Madama Butterfly: Atto II, Parte II. “Tu, Suzuki, che sei tanto buona” (Butterfly, Suzuki, Sharpless, Kate) | — | ||
| 2-21 | Madama Butterfly: Atto II, Parte II. “Come una mosca prigioniera” (Suzuki, Butterfly) | — | ||
| 2-22 | Madama Butterfly: Atto II, Parte II. “Con onor muore” (Butterfly, Pinkerton) | — |
Madama Butterfly: Atto I. “E soffitto… e pareti” (Pinkerton, Goro)
—
Madama Butterfly: Atto I. “Questa è la cameriera” (Goro, Pinkerton, Suzuki)
—
Madama Butterfly: Atto I. “Che guari?… Se non giunge ancor la sposa”
—
Madama Butterfly: Atto I. “Dovunque al mondo” (Pinkerton, Goro, Sharpless)
—
Madama Butterfly: Atto I. “Quale smania vi prende!” (Sharpless, Pinkerton)
—
Madama Butterfly: Atto I. “Ecco! Son giunte al sommo del pendio” (Goro, Coro, Butterfly, Sharpless)
—
Madama Butterfly: Atto I. “Gran ventura” (Butterfly, Coro, Pinkerton, Sharpless, Goro)
—
Madama Butterfly: Atto I. “L’Imperial Commissario” (Butterfly, Coro, Pinkerton, Sharpless, Goro)
—
Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro)
—
Madama Butterfly: Atto I. “Ieri son salita tutta sola” (Butterfly)
—
Madama Butterfly: Atto I. “Tutti zitti!… È concesso al nominato” (Goro, Il Commissario, Coro, Butterfly, Pinkerton, Sharpless, L’Ufficiale del Registro)
—
Madama Butterfly: Atto I. “Ed eccoci in famiglia” (Pinkerton, Coro, Il Bonzo, Butterfly, Suzuki)
—
Madama Butterfly: Atto I. “Bimba, bimba, non piangere” (Pinkerton, Coro, Butterfly, Suzuki)
—
Madama Butterfly: Atto I. “Viene la sera” (Pinkerton, Butterfly, Suzuki)
—
Madama Butterfly: Atto I. “Quest’obi pomposa” (Butterfly, Pinkerton)
—
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malia” (Butterfly, Pinkerton)
—
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” (Butterfly, Pinkerton)
—
Madama Butterfly: Atto I. “Vieni, vieni… Via dall’anima in pena” (Butterfly, Pinkerton)
—
Madama Butterfly: Atto II, Parte I. “E Izaghi ed Izanami” (Suzuki, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “Suzuki… è lungi la miseria?” (Suzuki, Butterfly)
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
Madama Butterfly: Atto II, Parte I. “C’è. Entrate” (Goro, Sharpless, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “Ah sì. Goro, appena B.F. Pinkerton fu in mare” (Butterfly, Goro, Yamadori, Sharpless)
—
Madama Butterfly: Atto II, Parte I. “Si sa che aprir la porta” (Butterfly, Goro, Yamadori, Sharpless)
—
Madama Butterfly: Atto II, Parte I. “Ora a noi” (Sharpless, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “Qui troncarla conviene” (Sharpless, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “E questo? E questo?” (Sharpless, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “Che tua madre dovrà” (Sharpless, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “Io scendo al piano” (Sharpless, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro)
—
Madama Butterfly: Atto II, Parte I. “Una nave da guerra” (Suzuki, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “Scuoti quella fronda di ciliegio” (Suzuki, Butterfly)
—
Madama Butterfly: Atto II, Parte I. “Or vienmi ad adornar” (Suzuki, Butterfly)
—
Madama Butterfly: Atto II, Parte I. Coro a bocca chiusa (Coro)
—
Madama Butterfly: Atto II, Parte II. Introduzione – “Oh eh! Oh eh! Oh eh!” (Voci dei marinai)
—
Madama Butterfly: Atto II, Parte II. “Già il sole!” (Suzuki, Butterfly)
—
Madama Butterfly: Atto II, Parte II. “Chi sia? Oh!… Zitta! Zitta!” (Suzuki, Pinkerton, Sharpless)
—
Madama Butterfly: Atto II, Parte II. “Io so che alle sue pene” (Suzuki, Pinkerton, Sharpless)
—
Madama Butterfly: Atto II, Parte II. “Addio, fiorito asil” (Pinkerton, Sharpless)
—
Madama Butterfly: Atto II, Parte II. “Glielo dirai?” (Kate, Suzuki, Butterfly)
—
Madama Butterfly: Atto II, Parte II. “Tu, Suzuki, che sei tanto buona” (Butterfly, Suzuki, Sharpless, Kate)
—
Madama Butterfly: Atto II, Parte II. “Come una mosca prigioniera” (Suzuki, Butterfly)
—
Madama Butterfly: Atto II, Parte II. “Con onor muore” (Butterfly, Pinkerton)
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
—
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What is UPC 724356788824?
724356788824 is a Universal Product Code (UPC) assigned to Madama Butterfly by Puccini, Scotto, Bergonzi, Panerai, De Palma, Di Stasio, Coro, Orchestra del Teatro dell'Opera di Roma, Sir John Barbirolli. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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