UPC · Release
The Academy of St. Martin-in-The-Fields by Request
Academy of St Martin in the Fields, Sir Neville Marriner
724356838925
84 tracksReleased 1994-01-01EMI Classics
Last verified:
724356838925 is the Universal Product Code (UPC barcode) for the release “The Academy of St. Martin-in-The-Fields by Request” by Academy of St Martin in the Fields, Sir Neville Marriner, released 1994-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 84 tracks, each with its own ISRC. Tracks include GBAYC8400245, GBAYC8400246, GBAYC8400247.
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Credit Chain
UPCThe Academy of St. Martin-in-The-Fields by Request
ISRC34 recordings
ISWC8 works
IPI2 songwriters
Track List (84)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Solomon: Sinfonia (Arrival of the Queen of Sheba) | — | ||
| 2 | Christmas Oratorio: Bereite dich, Zion | — | ||
| 3 | Gloria: Gloria in excelsis Deo | — | ||
| 4 | Gloria: Et in terra pax hominibux | — | ||
| 5 | Gloria: Laudamus te | — | ||
| 6 | Messiah: Pastoral Symphony | — | ||
| 7 | Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 9 | Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte 1 & 2 | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 10 | Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 11 | Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue | Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 12 | Messiah: Rejoice Greatly, O Daughter of Zion! | — | ||
| 13 | Concerto in C for 2 trumpets: Allegro | — | ||
| 14 | Concerto in C for 2 trumpets: Largo | — | ||
| 15 | Concerto in C for 2 trumpets: Allegro | — | ||
| 16 | Berenice: Minuet | — | ||
| 17 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18 | Joshua: Oh! Had I Jubel’s Lyre | — | ||
| 19 | Water Music: Suite no. 2: Andante allegro | — | ||
| 20 | Water Music: Suite no. 2: Alla Hornpipe | — | ||
| 21 | Water Music: Suite no. 2: Minuet | — | ||
| 22 | Water Music: Suite no. 2: Lentement | — | ||
| 23 | Water Music: Suite no. 2: Bourrée | — | ||
| 2-1 | Le nozze di Figaro: Overture | — | ||
| 2-2 | Romance no. 2, op. 50 | — | ||
| 2-3 | Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro moderato | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-4 | Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-5 | Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-041.662.096-6 | |
| 2-6 | La scala di seta: Overture | — | ||
| 2-7 | Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-8 | Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-9 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Minuetto. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | T-700.095.171-5 | |
| 2-10 | Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 2-11 | Cello Concerto in C major, Hob. VIIb/1: I. Moderato | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.566-9 | |
| 2-12 | Cello Concerto in C major, Hob. VIIb/1: II. Adagio | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.566-9 | |
| 2-13 | Cello Concerto in C major, Hob. VIIb/1: III. Allegro molto | Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-1 | Médée: Overture | — | ||
| 3-2 | German Dances, K. 605: no. 3 “Sleigh ride” | — | ||
| 3-3 | Nocturne in B, op. 40 | — | ||
| 3-4 | The Merry Wives of Windsor: Overture | — | ||
| 3-5 | Peer Gynt Suite: Prelude (Act II) Abduction & Ingrid’s Lament | — | ||
| 3-6 | Peer Gynt Suite: In the Hall of the Mountain King | — | ||
| 3-7 | Peer Gynt Suite: Aase’s Death | — | ||
| 3-8 | Peer Gynt Suite: Prelude (Act IV) Morning | — | ||
| 3-9 | Peer Gynt Suite: Arabian Dance | — | ||
| 3-10 | Peer Gynt Suite: Anitra’s Dance | — | ||
| 3-11 | Peer Gynt Suite: Solveig’s Song | — | ||
| 3-12 | Peer Gynt Suite: Solveig’s Cradle Song | — | ||
| 3-13 | The Last Spring | — | ||
| 3-14 | Dichter und Bauer: Overture | — | ||
| 4-1 | Il segreto di Susanna: Overture | — | ||
| 4-2 | Gli Uccelli (The Birds): Prelude (after Pasquini) | — | ||
| 4-3 | Gli Uccelli (The Birds): The Dove (after de Gallot) | — | ||
| 4-4 | Gli Uccelli (The Birds): The Hen (after Rameau) | — | ||
| 4-5 | Gli Uccelli (The Birds): The Nightingale (after Anon. English Composer) | — | ||
| 4-6 | Gli Uccelli (The Birds): The Cuckoo | — | ||
| 4-7 | The Gadfly: Barrel-Organ Waltz | — | ||
| 4-8 | The Gadfly: Romance | — | ||
| 4-9 | Suite no. 1: Andante | — | ||
| 4-10 | Suite no. 1: Napolitana | — | ||
| 4-11 | Suite no. 1: Espanola | — | ||
| 4-12 | Suite no. 1: Balalaika | — | ||
| 4-13 | I gioielli della Madonna: Serenata | — | ||
| 4-14 | St. Paul's Suite, op. 29 no. 2: I. Jig | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-15 | St. Paul's Suite, op. 29 no. 2: II. Ostinato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-16 | St. Paul's Suite, op. 29 no. 2: III. Intermezzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-17 | St. Paul's Suite, op. 29 no. 2: IV. Finale. The Dargason | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-18 | Simple Symphony, op. 10: I. Boisterous Bourrée | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-19 | Simple Symphony, op. 4: II. Playful Pizzicato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-20 | Simple Symphony, op. 4: III. Sentimental Saraband | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-21 | Simple Symphony, op. 10: IV. Frolicsome Finale | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-1 | Aida: “Celeste Aida” | Christopher Warren-Green, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-2 | Madama Butterfly: Introduction Sharpless' aria and Entrance of Butterfly | Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-3 | Rigoletto: “La donna e mobile” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-4 | Die lustige Witwe: Vilja Lied | — | ||
| 5-5 | Tosca : “E lucevan le stelle” (execution and finale) | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-6 | Il Trovatore: Anvil Chorus | John Leach, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-7 | Turandot: “Nessun dorma” | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-8 | Casanova: Nuns’ Chorus and the Song of Laura | — | ||
| 5-9 | La Bohème: A Fantasy for Orchestra | Christopher Warren-Green, Academy of St Martin in the Fields, Sir Neville Marriner | T-106.621.004-4 | |
| 5-10 | La traviata: Di provenza il mar, il suol | Graham Sheen, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-11 | Madama Butterfly: Un bel di vedremo | Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-12 | Tosca: E lucevan le stelle | Mitch Dalton, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 5-13 | Khovanshchina: Dance of the Persian Slaves | — |
Solomon: Sinfonia (Arrival of the Queen of Sheba)
—
Christmas Oratorio: Bereite dich, Zion
—
Gloria: Gloria in excelsis Deo
—
Gloria: Et in terra pax hominibux
—
Gloria: Laudamus te
—
Messiah: Pastoral Symphony
—
Orchestral Suite no. 3 in D major, BWV 1068: I. Ouverture
Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte 1 & 2
Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourrée
Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue
Iona Brown, Barry Davis, Simon Ferguson, William Houghton, Michael Laird, Celia Nicklin, Alastair Ross, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner
—
Messiah: Rejoice Greatly, O Daughter of Zion!
—
Concerto in C for 2 trumpets: Allegro
—
Concerto in C for 2 trumpets: Largo
—
Concerto in C for 2 trumpets: Allegro
—
Berenice: Minuet
—
Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
Andrei Gavrilov, Academy of St Martin in the Fields, Sir Neville Marriner
—
Joshua: Oh! Had I Jubel’s Lyre
—
Water Music: Suite no. 2: Andante allegro
—
Water Music: Suite no. 2: Alla Hornpipe
—
Water Music: Suite no. 2: Minuet
—
Water Music: Suite no. 2: Lentement
—
Water Music: Suite no. 2: Bourrée
—
Le nozze di Figaro: Overture
—
Romance no. 2, op. 50
—
Concerto for Horn no. 4 in E-flat major, K. 495: I. Allegro moderato
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Concerto for Horn no. 4 in E-flat major, K. 495: II. Romance. Andante cantabile
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner
La scala di seta: Overture
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Academy of St Martin in the Fields, Sir Neville Marriner
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
Cello Concerto in C major, Hob. VIIb/1: III. Allegro molto
Lynn Harrell, Academy of St Martin in the Fields, Sir Neville Marriner
—
Médée: Overture
—
German Dances, K. 605: no. 3 “Sleigh ride”
—
Nocturne in B, op. 40
—
The Merry Wives of Windsor: Overture
—
Peer Gynt Suite: Prelude (Act II) Abduction & Ingrid’s Lament
—
Peer Gynt Suite: In the Hall of the Mountain King
—
Peer Gynt Suite: Aase’s Death
—
Peer Gynt Suite: Prelude (Act IV) Morning
—
Peer Gynt Suite: Arabian Dance
—
Peer Gynt Suite: Anitra’s Dance
—
Peer Gynt Suite: Solveig’s Song
—
Peer Gynt Suite: Solveig’s Cradle Song
—
The Last Spring
—
Dichter und Bauer: Overture
—
Il segreto di Susanna: Overture
—
Gli Uccelli (The Birds): Prelude (after Pasquini)
—
Gli Uccelli (The Birds): The Dove (after de Gallot)
—
Gli Uccelli (The Birds): The Hen (after Rameau)
—
Gli Uccelli (The Birds): The Nightingale (after Anon. English Composer)
—
Gli Uccelli (The Birds): The Cuckoo
—
The Gadfly: Barrel-Organ Waltz
—
The Gadfly: Romance
—
Suite no. 1: Andante
—
Suite no. 1: Napolitana
—
Suite no. 1: Espanola
—
Suite no. 1: Balalaika
—
I gioielli della Madonna: Serenata
—
St. Paul's Suite, op. 29 no. 2: I. Jig
Academy of St Martin in the Fields, Sir Neville Marriner
—
St. Paul's Suite, op. 29 no. 2: II. Ostinato
Academy of St Martin in the Fields, Sir Neville Marriner
—
St. Paul's Suite, op. 29 no. 2: III. Intermezzo
Academy of St Martin in the Fields, Sir Neville Marriner
—
St. Paul's Suite, op. 29 no. 2: IV. Finale. The Dargason
Academy of St Martin in the Fields, Sir Neville Marriner
—
Simple Symphony, op. 10: I. Boisterous Bourrée
Academy of St Martin in the Fields, Sir Neville Marriner
—
Simple Symphony, op. 4: II. Playful Pizzicato
Academy of St Martin in the Fields, Sir Neville Marriner
—
Simple Symphony, op. 4: III. Sentimental Saraband
Academy of St Martin in the Fields, Sir Neville Marriner
—
Simple Symphony, op. 10: IV. Frolicsome Finale
Academy of St Martin in the Fields, Sir Neville Marriner
—
Aida: “Celeste Aida”
Christopher Warren-Green, Academy of St Martin in the Fields, Sir Neville Marriner
—
Madama Butterfly: Introduction Sharpless' aria and Entrance of Butterfly
Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner
—
Rigoletto: “La donna e mobile”
Academy of St Martin in the Fields, Sir Neville Marriner
—
Die lustige Witwe: Vilja Lied
—
Tosca : “E lucevan le stelle” (execution and finale)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Il Trovatore: Anvil Chorus
John Leach, Academy of St Martin in the Fields, Sir Neville Marriner
—
Turandot: “Nessun dorma”
Academy of St Martin in the Fields, Sir Neville Marriner
—
Casanova: Nuns’ Chorus and the Song of Laura
—
Christopher Warren-Green, Academy of St Martin in the Fields, Sir Neville Marriner
La traviata: Di provenza il mar, il suol
Graham Sheen, Academy of St Martin in the Fields, Sir Neville Marriner
—
Madama Butterfly: Un bel di vedremo
Cynthia Millar, Academy of St Martin in the Fields, Sir Neville Marriner
—
Tosca: E lucevan le stelle
Mitch Dalton, Academy of St Martin in the Fields, Sir Neville Marriner
—
Khovanshchina: Dance of the Persian Slaves
—
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — |
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G, K. 525 "Eine kleine Nachtmusik": I. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade in G major, K. 525 "Eine kleine Nachtmusik": II. Romanza (Andante)
Academy of St Martin in the Fields, Sir Neville Marriner
—
Serenade No. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Academy of St Martin in the Fields, Sir Neville Marriner
—
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What is UPC 724356838925?
724356838925 is a Universal Product Code (UPC) assigned to The Academy of St. Martin-in-The-Fields by Request by Academy of St Martin in the Fields, Sir Neville Marriner. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 84 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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