UPC · Release
Various Artists
Last verified:
The UPC for “No. 1 for Opera” by Various Artists is 724356891326. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: EMI Classics. This release contains 37 tracks, each with its own ISRC. Tracks include GBAYC8602467, GBAYC9701757, GBAYC8700520.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pagliacci: “Recitar! …Vesti la giubba!” (1902) | — | ||
| 2 | La traviata: “Sempre libera” (1904) | — | ||
| 3 | La Bohème: “Addio, dolce svegliare” (1926) | — | ||
| 4 | Boris Godunov: “Ouf, tyazheló!” (1931) | — | ||
| 5 | Die Walküre: „Siegmund heiß’ ich” (1935) | — | ||
| 6 | Così fan tutte: “Soave sia il vento” (1935) | — | ||
| 7 | Die Zauberflöte: “Bei Männern, welche Liebe fühlen” (1937) | — | ||
| 8 | Andrea Chénier: “Come un bel dì di maggio” (1941) | — | ||
| 9 | Carmen : « Votre toast, je peux vous le rendre » (1950) | — | ||
| 10 | Le nozze di Figaro: “Porgi, amor” (1950) | — | ||
| 11 | Tristan und Isolde: “Mild und leise wie er lächelt…” (1952) | — | ||
| 12 | Die lustige Witwe: “Nun laßt uns aber wie daheim” … “Vilja, oh Vilja!” (1953) | — | ||
| 13 | I puritani: “Dunque m’ami, mio Arturo?” … “Vieni fra queste braccia” (1953) | — | ||
| 14 | Tosca: “Vissi d’arte” (1953) | — | ||
| 15 | Tosca: “E lucevan le stelle” (1953) | — | ||
| 16 | Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — | |
| 17 | Carmen : « Près des remparts de Séville » (1958) | — | ||
| 18 | Der Freischütz: “Eins…zwei…drei” (1958) | — | ||
| 19 | Lucia di Lammermoor: Atto III, scena 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico) | Roberto Benaglio, Maria Callas, Piero Cappuccilli, Philharmonia Chorus, Bernard Ładysz, Philharmonia Orchestra, Tullio Serafin | — | |
| 20 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-1 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 2-2 | Il barbiere di Siviglia: “Una voce poco fa” | — | ||
| 2-3 | Così fan tutte: “Un’aura amorosa” (1962) | — | ||
| 2-4 | Samson et Dalila : « Mon cœur s’ouvre à ta voix… » | Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | — | |
| 2-5 | Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | T-918.245.117-8 | |
| 2-6 | Les Contes d'Hoffmann: « Hélas ! Mon coeur s’égare encore ! » | — | ||
| 2-7 | Turandot: “In questa reggia” (1965) | — | ||
| 2-8 | Turandot: Atto III, scena 1. “Nessun dorma!” | Franco Corelli, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Francesco Molinari-Pradelli | T-005.000.838-2 | |
| 2-9 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 2-10 | Don Carlo: “Ah! più non vedrò… O don fatale” | — | ||
| 2-11 | Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-900.142.826-8 | |
| 2-12 | Nabucco: “Va, pensiero, sull’ali dorate” | — | ||
| 2-13 | Cavalleria rusticana: “Viva il vino spumeggiante” (Brindisi) | — | ||
| 2-14 | Der Ring des Nibelungen: Walkürenritt | Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 2-15 | Porgy and Bess: “Summertime” (1988) | — | ||
| 2-16 | Don Giovanni, K. 527: Atto I. Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Nancy Argenta, Andreas Schmidt, London Classical Players, Roger Norrington | — | |
| 2-17 | Die Meistersinger von Nürnberg: “Die selige Morgentraum-Deutweise” … “Selig wie die Sonne…” | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
724356891326 is a Universal Product Code (UPC) assigned to No. 1 for Opera by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — |
| Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | — |
The UPC for “No. 1 for Opera” by Various Artists is 724356891326. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: EMI Classics. This release contains 37 tracks, each with its own ISRC. Tracks include GBAYC8602467, GBAYC9701757, GBAYC8700520.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Pagliacci: “Recitar! …Vesti la giubba!” (1902) | — | ||
| 2 | La traviata: “Sempre libera” (1904) | — | ||
| 3 | La Bohème: “Addio, dolce svegliare” (1926) | — | ||
| 4 | Boris Godunov: “Ouf, tyazheló!” (1931) | — | ||
| 5 | Die Walküre: „Siegmund heiß’ ich” (1935) | — | ||
| 6 | Così fan tutte: “Soave sia il vento” (1935) | — | ||
| 7 | Die Zauberflöte: “Bei Männern, welche Liebe fühlen” (1937) | — | ||
| 8 | Andrea Chénier: “Come un bel dì di maggio” (1941) | — | ||
| 9 | Carmen : « Votre toast, je peux vous le rendre » (1950) | — | ||
| 10 | Le nozze di Figaro: “Porgi, amor” (1950) | — | ||
| 11 | Tristan und Isolde: “Mild und leise wie er lächelt…” (1952) | — | ||
| 12 | Die lustige Witwe: “Nun laßt uns aber wie daheim” … “Vilja, oh Vilja!” (1953) | — | ||
| 13 | I puritani: “Dunque m’ami, mio Arturo?” … “Vieni fra queste braccia” (1953) | — | ||
| 14 | Tosca: “Vissi d’arte” (1953) | — | ||
| 15 | Tosca: “E lucevan le stelle” (1953) | — | ||
| 16 | Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — | |
| 17 | Carmen : « Près des remparts de Séville » (1958) | — | ||
| 18 | Der Freischütz: “Eins…zwei…drei” (1958) | — | ||
| 19 | Lucia di Lammermoor: Atto III, scena 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico) | Roberto Benaglio, Maria Callas, Piero Cappuccilli, Philharmonia Chorus, Bernard Ładysz, Philharmonia Orchestra, Tullio Serafin | — | |
| 20 | Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini | — | |
| 2-1 | Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | T-071.725.425-5 | |
| 2-2 | Il barbiere di Siviglia: “Una voce poco fa” | — | ||
| 2-3 | Così fan tutte: “Un’aura amorosa” (1962) | — | ||
| 2-4 | Samson et Dalila : « Mon cœur s’ouvre à ta voix… » | Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | — | |
| 2-5 | Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | T-918.245.117-8 | |
| 2-6 | Les Contes d'Hoffmann: « Hélas ! Mon coeur s’égare encore ! » | — | ||
| 2-7 | Turandot: “In questa reggia” (1965) | — | ||
| 2-8 | Turandot: Atto III, scena 1. “Nessun dorma!” | Franco Corelli, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Francesco Molinari-Pradelli | T-005.000.838-2 | |
| 2-9 | Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — | |
| 2-10 | Don Carlo: “Ah! più non vedrò… O don fatale” | — | ||
| 2-11 | Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | T-900.142.826-8 | |
| 2-12 | Nabucco: “Va, pensiero, sull’ali dorate” | — | ||
| 2-13 | Cavalleria rusticana: “Viva il vino spumeggiante” (Brindisi) | — | ||
| 2-14 | Der Ring des Nibelungen: Walkürenritt | Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | — | |
| 2-15 | Porgy and Bess: “Summertime” (1988) | — | ||
| 2-16 | Don Giovanni, K. 527: Atto I. Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Nancy Argenta, Andreas Schmidt, London Classical Players, Roger Norrington | — | |
| 2-17 | Die Meistersinger von Nürnberg: “Die selige Morgentraum-Deutweise” … “Selig wie die Sonne…” | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini | — |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | — |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | — |
| Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | — |
