UPC · Album
No. 1 for Opera
Various Artists
724356891326
37 tracksReleased 1995-01-01EMI Classics
Last verified:
724356891326 is the Universal Product Code (UPC barcode) for the release “No. 1 for Opera” by Various Artists, released 1995-01-01 on EMI Classics. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 37 tracks, each with its own ISRC. Tracks include FRZ110100171, FRZ110900347, FRZ116001280.
Format
7Number system
24356Manufacturer
89132Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCNo. 1 for Opera
ISRC17 recordings
ISWC4 works
Track List (17)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Samson et Dalila : « Mon cœur s’ouvre à ta voix… » | Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre | FRZ110100171 |
| Lakmé : Acte I. « Dôme épais » (Flower Duet) | Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard | FRZ110900347 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ116001280 |
| Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir) | Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux | FRZ118801780 |
| Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | GBAYC0001134 |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | GBAYC0201550 |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | GBAYC2001218 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | GBAYC8602467 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini | GBAYC8700520 |
| Turandot: Atto III, scena 1. “Nessun dorma!” | Franco Corelli, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Francesco Molinari-Pradelli | GBAYC8800934 |
| Der Ring des Nibelungen: Walkürenritt | Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink | GBAYC8802772 |
| Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) | Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini | GBAYC8906413 |
| Don Giovanni, K. 527: Atto I. Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina) | Nancy Argenta, Andreas Schmidt, London Classical Players, Roger Norrington | GBAYC9200866 |
| Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly) | Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli | GBAYC9500834 |
| Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) | Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera | GBAYC9701681 |
| Lucia di Lammermoor: Atto III, scena 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico) | Roberto Benaglio, Maria Callas, Piero Cappuccilli, Philharmonia Chorus, Bernard Ładysz, Philharmonia Orchestra, Tullio Serafin | GBAYC9701757 |
| Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“ | Lucia Popp, Philharmonia Orchestra, Otto Klemperer | GBDYG1601378 |
Samson et Dalila : « Mon cœur s’ouvre à ta voix… »
Rita Gorr, Jon Vickers, Orchestre du Théâtre National de l’Opéra de Paris, Georges Prêtre
Lakmé : Acte I. « Dôme épais » (Flower Duet)
Mady Mesplé, Danielle Millet, Orchestre du Théâtre National de l’Opéra-Comique, Alain Lombard
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Les Pêcheurs de perles : Acte I. Duo « Au fond du temple saint » (Zurga, Nadir)
Ernest Blanc, Nicolai Gedda, Paris Opéra-Comique Orchestra, Pierre Dervaux
Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“
Lucia Popp, Philharmonia Orchestra, Otto Klemperer
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini
Turandot: Atto III, scena 1. “Nessun dorma!”
Franco Corelli, Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell’Opera di Roma, Francesco Molinari-Pradelli
Der Ring des Nibelungen: Walkürenritt
Anita Soldh, Ruth Falcon, Sylvia Herman, Margareta Hintermeier, Ursula Kunz, Margarita Lilova, Ute Walther, Carolyn Watkinson, Symphonieorchester des Bayerischen Rundfunks, Bernard Haitink
Il dissoluto punito, ossia il Don Giovanni, K. 527: Atto II, scena XII. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna)
Joan Sutherland, Philharmonia Orchestra, Carlo Maria Giulini
Don Giovanni, K. 527: Atto I. Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)
Nancy Argenta, Andreas Schmidt, London Classical Players, Roger Norrington
Madama Butterfly: Atto II. “Un bel dí vedremo” (Butterfly)
Renata Scotto, Orchestra del Teatro dell’Opera di Roma, Sir John Barbirolli
Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro)
Tito Gobbi, London Philharmonic Orchestra, Philharmonia Orchestra, Alceo Galliera
Lucia di Lammermoor: Atto III, scena 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico)
Roberto Benaglio, Maria Callas, Piero Cappuccilli, Philharmonia Chorus, Bernard Ładysz, Philharmonia Orchestra, Tullio Serafin
Die Zauberflöte: “Der Hölle Rache kocht in meinem Herzen“
Lucia Popp, Philharmonia Orchestra, Otto Klemperer
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
00000000101790170000000033917211000000005512306800000000551569000000000055159722000000005519720000000000551978410000000059403278000000006097350X0000000063039931
+40 more
000000007365688800000000736622840000000077356487000000008082023600000000809693640000000081062772000000008116148X00000000814655390000000081692432000000008357591800000000836071660000000083678538000000008387650X0000000106617448000000010717671X00000001086066030000000108617353000000010863595700000001087102160000000108785680000000010885462300000001089644000000000109127479000000010917815300000001092237860000000109282073000000010930050X0000000109370671000000010942652400000001094475600000000109519034000000010953518100000001095951170000000109631667000000010995369000000001099579230000000110093499000000011013657500000001102098420000000110235047
People also ask
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What is UPC 724356891326?
724356891326 is a Universal Product Code (UPC) assigned to No. 1 for Opera by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 37 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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